Category Archives: Home Movies

Thunder Road

By Ed Staskus

   The best thing about living in North Collinwood the summer before I shuffled off to my freshman year at St. Joseph’s High School was the Race Place that had opened at the beginning of the year on East 185th St. It was a five-minute walk away. It was in what had once been a corner candy store. On one plate glass window was plastered “Speed Action Fun Excitement!” The other window said, “Come in! This is where it’s all happening!” Inside the front door was a counter, some stools along the near side wall, pinball machines on the other wall, and an eight-lane racecourse. The track was laid out on top of sheets of plywood that were set on saw horses.

  None of my friends nor I were ever given permission to knock together a boy cave at home. The home of slot car racing was the next best thing. We made Race Place our home away from home.

   The track was bare bones, There were no pretend bushes or trees. There were no miniature buildings. There were no trains tooting their friendly way to the next station. Racing slot cars was girding your loins and going fast as hell, leaving the other guy eating your dust. It was thrills and spills sans real blood. No bones got broken, although feelings got bruised black and blue every day.

   A man wearing a pork pie hat, and smoking a cigar more often than not, sat on a stool behind the counter. His name was Ralph. Sometimes he wore a t-shirt that said, “I Like Beer and Maybe Three People.” He never said hello or goodbye. Nobody knew where he lived or how old he was. Nobody knew what he looked like, exactly, behind the cloud of stogie smoke obscuring his face. He took our spare change in return for time on the track, which was by the quarter hour, rented shabby slot cars to the poverty-stricken, and sold 10-ounce bottles of Coke from a cooler behind him.

   There was a poster on the wall next to the cooler. It said, “Drink Coca-Cola.” The picture was of a cutie pie smiling from ear to ear and dressed like a princess in a low-cut white dress, wearing forearm gloves, and a jewel-encrusted crown. There was a bottle of Coca-Cola in her hand. “Refresh…Add Zest” was written at the bottom of the poster.

   Slot cars are miniature electric powered race cars guided by a slot in the track on which they run. The cars are 1:32 scale. A blade extends from the bottom of the car into the slot. We used hand-held squeeze controllers to speed up and slow down the low-voltage motors inside the cars. The front wheels ran with the post in its guide-slot, but the rear wheels were free to drift and slide. When they started to slide was when you wanted to put metal to the petal. When you got it right was when the car ended up pointing straight down the straightaway coming out of a curve. The challenge was taking curves as fast as possible without losing your grip of the slot and spinning out. When that happened you de-slotted, flying off the track, everybody ducking out of the way and laughing their heads off. 

   I went to the slot car track with my friends, who were Ignas, Gediminas, Justinas, and the two Tommy’s. Everybody called Ignas Iggy. We called Gediminas Eddie while Justinas was just himself. He tried on several nicknames, but we told him nicknaming yourself was not cool. Tommy One Shoe and Tommy Two Shoes were twins. For some reason nobody ever found out, their mother named both of them Tommy. She was a no-explaining woman. They were Irish, not Lithuanian like the rest of us. The twins were hard to tell apart at the best of times, until the morning one of them forgot one of his shoes. By the time he boarded the CTS bus to school it was too late. He shuffled around all that day wearing one shoe and wearing a hole in his shoeless sock. The nuns didn’t bother hitting him with their rulers. They shook their heads, instead. “Poor little retard kid,” one of them whispered to another. He was so embarrassed a red dot like a freckle popped up on the tip of his nose. The next day it was still there. It never went away. After that there was no trouble telling the twins apart.

   Our slot cars were fast as lightning, close to 15 MPH flat out. The scale miles were more like 500 MPH. The cars were always shooting off the track. Everybody had nitro on the brain and wanted to go faster and faster. “If you’re in control you’re not going fast enough,” is what Tommy Two Shoes said. “Straight roads are for fast cars,” Tommy One Shoe said in return. “Turns are for fast drivers, like me.” Whenever Two Shoes took on One Shoe head-to-head, One Shoe always won. 

   “What’s behind you doesn’t matter,” he told his brother every time he won. He was the fastest thing on four tiny wheels. He started wearing a phony racing car helmet. He took a lot of teasing about it, but didn’t seem to care.

   “Run your car, not your mouth,” Tommy Two Shoes retorted. He rubbed castor oil on the warmed-up engine of his Lotus-Ford  to make it smell more authentic. He added racing emblems from a decal sheet. There was an itsy-bitsy driver in the open cockpit. Itsy-bitsy was modeled after Graham Hill. Tommy painted a devil-may-care whisker-thin moustache on it. He was turning himself into the Smokey Yunick of the slots, improvising and modifying. No matter what he did, though, he couldn’t beat his brother’s yellow Mustang with ‘The Boss’ emblazoned on the sides of it. The pony car was nearly unbeatable with Tommy One Shoe in the driver’s seat.

   He was training for the National Ford-Aurora Model Motoring competition. First prize was a full-size Thunderbird Sports Roadster. “If I win I might let my dad drive it sometimes,” he said. “I know I can do it. I’m going to be numb to the competition.” He was 12 years old. If he won he was going to be the only grade schooler in the world with his own real-life muscle car.

   The first toy racing cars made by the Lionel Train Company rolled off the assembly line in 1912. They were powered by raised electric rails. Then World War One happened. The assembly line stopped dead. In 1938 Bachman Brothers made the “Motorcycle Cop & Car Speedway.” it was a single track with vehicles made from tin. Two keys were included, and the cars were powered by winding them up with the keys.

   After World War Two British hobbyists began to toy with them again, except this time they fitted them with handmade stop-gap motors. The motors were the size of a dime. A fragment of iron was the magnet. In 1954 Great Britain’s Southport Model Engineering Society built an electric slotted course nearly 60 feet long. “Slot car” was coined to set the new racers apart from the earlier “rail cars.”  

   The summer that I burned up the neighborhood race track and destroyed two slot cars by virtue of aggressive cornering and excessive speed, there were close to 4,000 tracks in the country. Revell, Scalextrix, and Aurora were selling hundreds of millions of dollars’ worth of cars and equipment annually. Boys’ Life magazine had slot cars written about and advertised in every edition.

   Ed Shorer, the only Jewish kid in our neighborhood, with a head of thick curls and quick hands on the controller, couldn’t get enough of his new hobby. “I was ditching Hebrew school one day when I was 12 years old and I wandered into a hobby shop,” he said. By the time he left he was hooked. “As a result, I never got my bar mitzvah.”

   Scalextric came out with models fashioned after the Maserati 250F and the Ferrari 375. Their Grand Prix-themed cars were unbeatable, at least until they went up against Aurora’s Model Motoring line-up. By 1963 the Aurora Thunderjet-500 was the slot car to beat. When push came to shove, however, success on the track came down to who had the hot hand on the controller.

   Whenever the competition got over-heated among us we heard Ralph at the counter somewhere behind his cloud of stogie smoke break in, “All right, boys, the No. 1 rule is have fun.” He was oblivious to who had the hot hand.

   “I have more fun when I win,” Tommy One Shoe declared, not paying attention to the ruckus, and never taking his eyes off the track.

   I had a Cleveland Press paper route that paid the piper. I was blowing through my savings, but I couldn’t help myself. I delivered my papers in the afternoon as fast as I could, never breaking stride, hurling rubber-banded newspapers out of my shoulder-slung bag onto porches. I never looked back to see if any of them rolled into the bushes. As soon as I was done I hustled to the slot car track, where I raced until dinnertime, when I hurried back home. My parents were by-the-rules Eastern Europeans and my sister, brother, and I were expected to be in our seats for cold beetroot soup and cepelinai, otherwise known as potato dumplings with a meat center, exactly on time. We ate our zeppelins larded with sour cream and pork cracklings.

   By the middle of summer I was delivering my newspapers faster than ever. Lines had been forming at the slot car raceway. Everybody and their brother wanted in on the action. Polk’s Model Craft Hobbies, the biggest hobby store in New York City, estimated it was becoming as popular as model railroading. There was a new 475-foot track in nearby Long Island. Elvis Presley raced there, not that it mattered. We didn’t listen to his songs anymore since he had become a movie star. We were listening to Jan and Dean.

   “We both popped the clutch when the light turned green, you should have heard the whine from my screamin’ machine, Dead Man’s Curve, I could hear ‘em say, won’t come back from Dead Man’s Curve,” Jan and Dean warned.

   Labor Day weekend that summer was the weekend of our slot car blow-out. Most of us were going to start high school the following Tuesday. We didn’t know if or when we would be racing again. The Cleveland National Air Show came back to town that weekend, after a fifteen-year hiatus, but no matter how many Blue Angels did however many aerobatic tricks we were going to be doing our own kind of high-flying. We got started on Saturday morning and wrapped it up on Sunday afternoon. Inside the Race Place we didn’t hear a even one sonic boom all weekend.

   We made up our own order of the day, which was a round-robin tournament. There were eight of us. Ralph smoothed the way by letting us have two slot lanes for the weekend. By the end of Saturday Tommy One Shoe and I were on top of the leader board. By Sunday afternoon everybody else was out and there was one last do-or-die race left. Tommy One Shoe lowered his pony car into the inside slot. I lowered my Scalextric Shelby Cobra into the slot next to the Ford Mustang. The race was set for ten laps.

   “One, two, three, go!” Iggy called out from a stool behind us. He was acting as referee, even though he didn’t know refereeing from a hole in the wall. He had brought a small, checkered flag with him that he waved around like a matador.

   I was a year older than Tommy One Shoe and no greenhorn on the track, but I never stood a chance. I didn’t know he practiced day and night on his own homemade track. I didn’t know he rehearsed going into turns and coming out of them. I didn’t know he used fine grit sandpaper to rough up his wheels to improve their handling. By his standards I was a babe in the woods, which is where I ended up.

   I also didn’t know he had upgraded the magnets on his car. He wasn’t going to be flying off the merry-go-round anytime soon. No sooner did I fall behind a half-lap after three laps than I was forced to speed up. It didn’t do me any good. After seven laps I was behind by almost a full lap. I sped up some more. My Shelby was screaming down the track, but every time I checked on Tommy’s Mustang, he was inching farther ahead.

   I knew my goose was cooked. I inevitably de-slotted, flipping high up into outer space. My car went crashing into the far wall, where the body of it broke away from the chassis, and the engine fell behind a pinball machine. Tommy One Shoe slowed down on the last lap, took a victory lap, jumped up on his stool, and raised his arms above his head making V’s with his fingers. The stool wobbled and toppled over. Tommy went head over heels, but Ralph was walking past and snagged him out of the air by the back of his collar before his phony helmet hit the floor.

   “Watch your step, champ,” he said, setting him straight.

   When high school started I still raced weekends and over the Thanksgiving and Christmas holidays, but after the New Year I put my slot gear away. I had gotten straight A’s all through grade school without even trying. Halfway through my freshman year I was getting straight C’s without even trying. My parents made sure to let me know they were unhappy. Slot car racing was in my blood but I could see the handwriting on the wall. 

   Tommy One Shoe entered and won slot car races all over northeastern Ohio for a few years but never won the Ford Thunderbird he wanted. I thought he might be disappointed after all the work he had put into his hobby, but I was wrong. “Winning isn’t the point, even though somebody has got to get to the finish line first,” he said. He had become a philosopher as well as a slot car champion. 

   “Wanting to win is the point,” he said.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

“Cross Walk” by Ed Staskus

“Captures the vibe of mid-century NYC, from stickball in the streets to the Mob on the make.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City, 1956. President Eisenhower on his way to the opening game of the World Series. A hit man waits in the wings. A Hell’s Kitchen private eye scares up the shadows.

A Crying of Lot 49 Publication

Chilling at Irv’s

By Ed Staskus

   Every Friday and Saturday in the 1970s deli’s like Solomon’s in South Euclid, Budin’s in Shaker Hts., and Irv’s in Cleveland Hts. were packed to the gills. The minute the front doors opened the smells of pastrami and corned beef wafted out like minstrels. We followed our noses. The minute anybody sat down was the minute a cup of coffee and a menu appeared. After that it was about waiting for a waitress to bring the sandwiches, French fries, and pickles.

   Even though we hardly ever went to Solomon’s, and only stopped in at Budin’s when we were going to the nearby Shaker Movie Theatre, I was at Budin’s one day having a bagel and coffee when Sandy Herskovitz’s friend won a bet. “I was sitting with a friend,” Sandy said. “A few tables down there were some women. One of them had on a straw hat. A countermen walked by with a jug of coleslaw and my friend says to me, ‘How much do you want to bet that guy is going to dump the coleslaw on the straw hat?’ OK, I’ll take that bet. Sure enough, he tripped and dumped his coleslaw all over the straw hat.”

   We went to Irv’s Deli in Coventry Village like going to grandma’s house. It was closest to where we lived and it was where the fun beatniks and hippies, cops and lawyers, college students, cutie pies, no-good bookies and gangster wannabees, and Hebrew folks went for breakfast, lunch, and dinner. There was the occasional misfit everybody ignored. We went there for the cheap breakfasts. We went there late at night, after everything else closed. Irv’s never closed. There were Outlaws and Hells Angels who lurked here and there, at least when the weather was warm and dry, but we avoided them. They spent most of their time drinking heavy down the street at the C-Saw Café, anyway.

   How Irv made any money with us spending the night ordering free refills of coffee is beyond me. Matzo ball soup was a buck a bowl and corned beef sandwiches were a buck-and-a-half. Somebody said Irv printed money in a room behind the kitchen. “You know how those Jews are,” a Case Western Reserve University student said. “They’ve always got secrets.” He was wearing bell bottoms and a turtleneck sweater and sported a Prince Valiant. One time when a waitress was complaining about the bikers and hippies who hung around without ever leaving a tip, Irv, who was always there, said, “You know how those losers are.” He knew how to give as good as he got.

   Although we went there all the time we didn’t usually eat there because we were chronically short on cash. We always had 15 cents for a cup of coffee, but not much more for food, unless it was a free deli roll and butter. Besides, the kitchen was sketchy. None of us ever got sick eating at Irv’s, but all of us closely inspected our food as soon as it was delivered. Nothing that appeared on a plate in front of us ever bore any resemblance to the way it was described on the menu. Beggars can’t be choosers. One night a hippie girl at our table said the sinks and stoves in the kitchen were filthy. We all rolled our eyes and laughed. 

   “No, I mean it,” the girl said. We laughed because the kitchen couldn’t have been any dirtier than her. She needed a bath right away and an appointment at a hair salon right after that. When my friend Jimmy the Jet said he was willing to send an SOS to Mr. Clean, she got into a huff. “Hey, babe, it’s all right, your beauty shines through,” he said. He was a smooth-talking devil.

   Jimmy was called the Jet not because he was fast on his feet but because he talked a mile a minute. Everything he said was a springboard for the next thing he was going to say. He always had an ace up his sleeve, and then another one, and another one. We knew he kept little white pills on his person at all times. He was the only one of us still bright-eyed as the night wore on, rapping with his dope fiend friends. He was always the last to leave, talking to himself as he walked back to his apartment on Mayfield Rd.

   Irv’s was a Jewish deli that served Chinese food, among everything else food-wise, and a bar that specialized in strong shots and weak beer. It was on the corner of Hampshire Rd. and Coventry Rd. in what was called Coventry Village in Cleveland Hts. Irving Gulko opened the delicatessen in 1959. His father and grandfather had both once operated eateries in Cleveland. It was in his blood, even though his food was generally bloodless. There were rumors that he wasn’t really in the deli business, but was in the drugs, prostitution, and bookmaking businesses. We never saw any drug-addled hookers lounging around and laying down bets, but that was neither here nor there.

   The prostitution supposedly went on in the basement, spilling over into the apartment building next door. Jimmy told us there was a secret door leading from Irv’s basement to the apartment building’s basement. “Everybody knows that,” he said. None of us knew it, but we didn’t have the means to rent a hooker, anyway, even if we wanted to. Besides, at the time, we believed in free love.

   At the turn of the century Coventry Village was a retail and restaurant venue for Cleveland’s Jewish community. The Mayfield and Euclid Heights streetcar lines met at the Coventry Rd. and Mayfield Rd. intersection. The streetcars made coming and going more convenient. By the 1920s a profusion of walk-up apartments had been built. There were bakeries and tailor shops. There was a kosher poultry slaughterhouse. By the time we showed up, however, many Jews were packing up and moving to Beachwood and the neighborhood was filling up with head shops and record stores.

   We hung around Coventry Books and flipped through books we weren’t going to buy. Reading was what libraries were for. “Bookstores are a place for youth to come and see people that you wouldn’t see at home,” the owner Ellie Strong said. We followed her advice and did more people watching than reading.

   We didn’t buy books unless we bought them from Kay’s Used Books downtown, where “War and Peace” could be had for 50 cents, but we did buy new records. We bought them at Record Revolution, which had opened a few years earlier. It was up the street from Irv’s. They sold tie-dyed t-shirts and pot paraphernalia, as well, calling the stuff “smoking accessories.” The walls were covered with autographs by Lou Reed, Led Zeppelin, and The Who, among others. Rock critics called it the “coolest place to buy records in Ohio.” It was a dingy place but it had the best LP’s. The rock station WWMS-FM routinely inquired about what was selling and added the albums to its playlist. 

   Many of us didn’t have cars, but some of us had bikes. We kibitzed at Pee Wee’s Bike Shop where they knew everything. If it wasn’t too involved of a repair, Marvin Rosenberg, who was Pee Wee during working hours, fixed things for free. When he was done he always said, “And don’t come back unless you have cash next time.”

   We idled through the High Tide Rock Bottom gift shop. Marcia Polevoi, the owner, never had any advice for us, although she kept an eagle eye on our doings. Shoplifting was endemic. The only customers who always paid were the Outlaws and the Hells Angels. They were criminals but didn’t do any petty thieving.

   The Coventry Street Fair happened for the first time in 1974, drawing close to 50,000 people in a neighborhood where 5,000 was too many. It was dreamt up to draw a new crowd to the scene. There were magicians and fire eaters. We checked out the scene but ran out of breathing room. The crowd was mostly suburbanites curious about the counter culture. “It got so big that the neighbors said they liked it, but whenever it was on, they left town,” said Bruce Hennes, president of the Coventry Neighbors Association. We didn’t leave town although we did what amounted to the same thing. We stayed away. We wouldn’t have been able to elbow our way into Irv’s, anyway.

   We went to the Dobama Theatre. It was a small playhouse in a renovated bowling alley that mostly featured serious style shows. I never saw a musical there. I saw Gore Vidal’s 1972 play “An Evening with Richard Nixon.” The playbill said, “ It is the playwright’s contention that American citizens don’t really remember anything. And a politician is thus able to re-invent himself on a day-to-day basis. Unless it is otherwise noted in the dialogue, what the Nixon character says and does this evening is what Mr. Nixon has really said and done.” I put my toy G.O.P. elephant away in a quiet corner so it could repent its sins. 

   The Saloon was where we went to hear bands. It was more-or-less a rowdy local bar, which worked well when the music was bad, but not so well when the music was good. Stairway and Rocket from the Tombs played there. Our favorite was the Electric Eels. The lead singer liked to dress up in tin foil and rat traps. “Wake up you miracle dumbbells!” he sang. “It’s time to fall out the window!” Their songs were more anti-social noise attack than music. They liked to bring a lawnmower on stage with them. Whenever fans got out of hand the Eels threw glasses of water on them. When that happened, we left, not saying goodbye.

   When we wanted a milkshake we stopped at Tommy Fello’s new dinette, which he called Tommy’s. It was small place with a small menu. He had bought the seven-seat Fine Arts Confectionary two years earlier. He knew how to make three dishes, which were all three of them Lebanese. We stuck to the milkshakes. They were fit for a king and only cost 35 cents each.

   We went to the Heights Art Theatre all the time. It was a 1,2000-seat movie house that opened in 1919. They showed movies nobody else was showing in northeastern Ohio. I saw “The Discrete Charm of the Bourgeoisie” there. The surrealist Spanish movie bowled me over. I was at the midnight showing of it and didn’t make it to Irv’s that night.

   “The Lovers” was screened at the Heights Art Theatre in 1959. It had won a Special Jury Prize at the Venice Film Festival the year before. The local cops weren’t handing out any awards. They cleared the theater and confiscated the film. The Cleveland Plain Dealer called the movie “shockingly nasty.” The manager got arrested and convicted of “public depiction of obscene material.” He cried foul and appealed the verdict. The case worked its way up the chain of command. Five years later the Supreme Court overturned the ruling. They said the criminal conviction was improper and the film was not obscene. “I know it when I see it,” is what Justice Potter Stewart said about obscenity. When I saw the movie years later I thought, “What was all the fuss about?” It was a French movie. Everybody talked a lot and smoked a lot cigarettes more than they did anything else.

   Irv’s Deli was where we hung out and where we went when we were down to spare change. It was also where we ran seeking sanctuary whenever things went wrong out on the street. Even though we went to the C-Saw Café sometimes, we generally avoided it. The baseball fans who rioted at Municipal Stadium during Ten Cent Beer Night the summer of 1974 in the middle of a game between the Texas Rangers and Cleveland Indians, and who ended up at the C-Saw Cafe later that night, didn’t know what they were getting into when they started arguing with the bikers at the bar. It is one thing to drunkenly storm a playing field and attack baseball players. It is another thing to drunkenly attack Hells Angels. The bikers drink more than anybody but never get drunk. When they fight they are all business. They don’t hit singles. When they hit you it is a home run.

   Jimmy the Jet and I were walking past the bar when a man came stumbling all arms and legs out the door and landed on his back. All the breath went out of him. He started gasping. He was followed out the door by a Hells Angel who began kicking him. Before long there was blood coming out of the man’s mouth. His friends poured out onto the sidewalk, but stood back like innocent bystanders. The Hells Angel continued to kick the man. Before I knew it Jimmy was stepping in. “Hey, stop that!” he yelled and pushed the biker. That was a big mistake.

   “What the hell?” the biker bellowed and swung his arm at Jimmy. He was unsteady on his feet, however, and the momentum toppled him over. When he did other Hells Angels came out of the bar. When they did they saw Jimmy and me standing over their fallen motorbike brother. When they glared at us and growled, showing their teeth, we knew the jig was up.

   Jimmy and I ran into Irv’s, the Hells Angels on our heels. We barreled past Irv who was sitting where he always sat. I followed Jimmy when he ran to the back of the deli and through a door. It was the door to the basement. He fastened the dead bolt on the other side as soon as we were through the door. As soon as he did hobnail boots started kicking the other side of it. The boots sounded angry. We ran down the stairs and into the basement of the apartment building next door. I looked around for the helping hand of a hooker, but there weren’t any, not even one. We ran up the apartment building’s stairs to the first floor and back out onto Coventry Rd. There was a crowd of bikers milling around Irv’s front door.

   “What’s going on?” I asked, still breathless.

   “Some punk jumped one of our guys,” a biker said. “When we find him we’re going to feed him to the rats. Then it will be down the sewer for whatever is left of him.”

   We wished him and his friends the best of luck and hurried away. We walked to Jimmy’s apartment. When we got there he set the deadbolt and secured the chain lock behind us. We sat in the gloom. Jimmy kept the lights off like it was a scary movie. He hadn’t said a word since we left Irv’s, setting a new world’s record. He lit a Lucky Strike and started to chill out. He put an LP on the turntable and lowered the needle. It was Jim Croce singing “Bad, Bad Leroy Brown.”

   “It’s too bad more men aren’t angels,” he said, leaning back and idly blowing smoke rings. “If they were we wouldn’t need to be sitting here like this.” There was a full moon that night. A police car siren went past wailing. I left in the middle of the night, but didn’t go home. I went back to Irv’s and splurged on a pastrami sandwich.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

A New Thriller by Ed Staskus

Cross Walk

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Sonic Youth

By Ed Staskus

   I was in my mid-teens when I started nodding off at Sunday mass. Before long I was snoozing at the drop of a hat, no matter what time I had gotten to bed the night before. My mother was a go-along Catholic but my father was a true believer, so the whole family went to church weekly. Part of my problem was familiarity. I had been an altar boy and knew the ceremony inside and out. I even knew the Latin, what was left of it, not that I knew what any of it meant. The other part of my problem was my growing belief in deism. I didn’t disbelieve the Roman Catholic theology but I didn’t believe it, either. I thought the Golden Rule and the Ten Commandments were good ideas, but that was as far as my commitment went.

   The Sunday in 2005 I first saw Jane Scott she was in a back pew at the First Church of Christ in Rocky River, Ohio, one suburb west of where my wife and I lived in Lakewood. I wasn’t a member of the congregation but my wife was. I went to services with her sometimes. Jane was wearing red glasses and a wide-brimmed church crown. She was out cold. I recognized a kindred spirit when I saw one. 

   When the service was over my wife made her rounds, saying hello and goodbye, chatting with the churchgoers she knew best. I stayed to the side. By the time we were ready to go Jane Scott had shaken off the sandman. My wife talked to her for a minute before we left for home.

   “That lady you were talking to, the one with the red glasses, she looked familiar, even though I don’t think I’ve ever met her before,” I said.

   “That’s Jane Scott,” she said. “She used to write for the newspaper. She was their rock ‘n  roll reporter until she retired a couple of years ago.”  She was in her early 80s the day she retired. She had long been known as “The World’s Oldest Rock Critic.”

   She went to work for the Cleveland Plain Dealer in 1952, three days after Alan Freed hosted the Moondog Coronation Ball, the world’s first rock ‘n roll concert. She covered the local social whirl through most of the 1950s. Starting in 1958 she wrote the “Boy and Girl” column. It targeted seven-and eight year-olds. She wrote “Senior Class” about issues relevant to senior citizens. “I covered everything from pimples to pensions,” she said. 

   She reviewed the Beatles concert when they first appeared in Cleveland in 1964 and two years later interviewed them before their sold-out rock fest at the 80,000 seat Municipal Stadium. “I never before saw thousands of 14-year-old girls, all screaming and yelling. I realized this was a phenomenon. The whole world changed.” She was going on nearly fifty years of age when her interview with the Fab Four appeared in the newspaper.

   When she became the rock critic for the Plain Dealer the newspaper became the first major newspaper to have a full-time music critic on staff. “Once I found rock I was never interested in anything else.” Not everybody considered rock ‘n roll to be music. Many considered it to be noise for the neck down. “This rock and roll stuff will never last,” said Mitch Miller, a maestro of the singalong. Others thought it was the “Devil’s Music.” They didn’t like hips gyrating and lyrics on the other side of pious. 

   Jane Scott was a Christian Scientist as well as a boogie on down correspondent. I don’t think she gave a damn about Satan. She knew full well he wasn’t interested in music of any kind unless it was the funeral march kind. He marched to the beat of doom and death. She was a live wire.

   “My husband Harry was Jane’s first boss when she started at the Cleveland Plain Dealer,” said Doris Linge. “Since she and Harry worked together, I would often get invited to her wonderful annual holiday party. She was a character, quirky and real.”

   Jane Scott was born in Cleveland less than a year after the end of World War One. She graduated from Lakewood High School and later from the University of Michigan. She tried out for the college newspaper but didn’t make the grade. During World War Two she enlisted in the Navy, rose to lieutenant, and worked as a code breaker. After the war, back home, she got a job as Women’s Editor for the suburban Chagrin Valley Herald, a community rag. 

   She went to Sunday services. She taught Sunday School. “Jane was a member of the Fifth Church, which was on the border of Lakewood and Cleveland,” said Doris Carlson, a member of First Church in Rocky River since 1957. “When it closed she came to our church. I remember seeing her on the TV news once in 1962, when she performed at an honorary birthday party here in town for President Kennedy. She was a hoot. She sang ‘Happy Birthday’ the same way Marylin Monroe did, even though she was practically a middle-aged woman. She could be sexy when she wanted to be.”

   The 1960s came and went and she missed her chance to go to the Woodstock Festival. Twenty five years later she went to the 25th anniversary show at the age of seventy five, tramping through the same kind of mud on the same kind of wet weekend. “I am going to try to make the 50th anniversary in 2019,” she said. If she made it she would be one hundred years old, she was reminded.

   “I don’t like the word retirement,” she said “Rock ‘n roll is excitement. It’s that unity of feeling you get when the audience is loving and sharing the music together. It’s the unexpectedness and the swift changes. You go from pop to hip-hop. It all melds into rock somehow. It keeps you on your toes.”

   Covering shows night after night, being on the short side, she always tried to get up front so she wouldn’t have to stand on her toes to see over fans. She always carried the same hefty bag slung over her shoulder. “I call it my security kit,” she said. “It includes ear plugs, Kleenex, because when you are at a show with 80,000 people they are sure to run out of toilet paper, safety pins to pin my car keys and backstage pass on, at least four pens because people borrow them and don’t return them, and two notebooks, one for interviews and one for observations.” She always had a peanut butter sandwich in the bag. “Peanut butter doesn’t spoil and sometimes you don’t have time to stand in line for food.” 

   When it came to rock ‘n roll, she always had ants in her pants for the next show and the will power to see her chronicles of the new music through. “She was allowed to take the rock beat because the newspaper thought it was trivial at the time, and a woman could have it,” said Anastasia Pantsios, a Plain Dealer writer and photographer. She had good energy, keeping at it for nearly forty years. “She literally did it ‘my way,’ independent, not afraid to go places by herself, with so much tenacity and work ethic,” her friend Mary Cipriani said.

   Jane made it a point to interview music makers with opinions, contentious musicians like Lou Reed and Frank Zappa. Lou Reed and she were close friends from the late 1960s until their deaths two years apart. “She was one of the only ones to treat me with respect in the early years,” Lou said. “Always fair, always interested.” The man who became the Grandfather of Punk called her Sweet Jane after his song of the same name.    

   The first time Jane saw the Velvet Underground hardly anybody in town noticed they were in town. There might have been as many people in the audience as there were in the band. The band was Lou Reed, a bad-tempered young man from Long Island, Sterling Morrison on guitar, the violist John Cale who doubled on bass, drummer Moe Tucker, who did her drumming standing up, and the partially deaf actress Nico, who sang in deadpan English with a German accent. 

   “I don’t know just what it’s all about but put your red pajamas on and find out,” Lou Reed said.

   Jane Scott was smitten the minute she heard the sound the band made. The man she had been waiting for sounded somewhere between Bob Dylan and Sonic Youth with some Andy Warhol thrown in. The band was about Beat poetry, Pop Art, and the French New Wave. Jane was good with the offbeat but kept the beat steady in her head.

   The Velvet Underground lasted until the early 1970s. When Sterling Morrison left the band he put his guitar down for a foghorn. He found work as captain of a tugboat and later earned a PhD in Medieval Literature. Moe Tucker formed her own one-gal band playing proto punk. The old Lou Reed became the new Lou Reed.

   Before the Velvet Underground there was L. A. and the Eldorados, back when Lou Reed was a student at Syracuse University. His friend Allan Hyman, who had been his friend since third grade, was tasked with getting him to frat party gigs on time. “He’d be asleep under three hundred pounds of pistachio nut shells, because Lou loved pistachios, so I’d have to shake him awake, throw him in the shower, and physically get him dressed,” Allan said. “He would be surly, but he’d play.”

   “Lou Reed was a prick,” said Rich Mishkin, the bassist for L. A. and the Eldorados. “He was not the kind of guy who would be nice to people in most circumstances. We got a lot of beer thrown at us over the years.” Rich drove the band around in his tail-finned white Chrysler with red guitars emblazoned on the sides.

   “It’s no secret that he has lived as well as walked on the wild side, the demi-world of drugs and violence and despair,” Jane said about Lou Reed. “’Heroin’ and ‘White Light, White Heat’ were two of the most popular songs of his first major group, the Velvet Underground in 1967, the same year of ‘I’m a Believer’ by the Monkees and ‘To Sir With Love’ by Lulu. He is wild, changeable, streetwise, poetic, cynical, and offbeat sensitive, maybe.”

   Jane wasn’t wild, although she was plenty streetwise, in a matronly kind of way. “We’re talking about some of the most depraved people in the world,” said Michael Stanley, who played heartland rock ‘n roll for donkey’s years in the Rock Capital of the World. “But with Jane, it was like they were talking to their mom or their grandma. It was, ‘Yes, ma’am’ and ‘No, ma’am.'”  

   Behind her trademark red-rimmed trifocals and dyed-blonde hair, she was unflappable. She was a fan as well as an advocate of the sound. “Since I was a little girl, I remember my dad, whose name was Pepe, enjoyed Jane’s reviews and would read them to my brothers and me after dinner,” said Callie Paris Rini. “We were music lovers. When the Beatles first came to Cleveland, Jane gave my dad a newsprint plate of them, and I still have it. I still have Jane’s review when Jimi Hendrix came to Cleveland, too. I read her articles whenever I went to concerts in the 60s and 70s.”

   The Beatles broke up in 1970. Jimi Hendrix, Jim Morrison, and Janet Joplin all died, all three of them at the age of 27. Rock concerts moved from clubs and small theaters to sports arenas. Disco and glitter rock came and went. Jane Scott went to all the shows, even the new wave ones, where guitars were unplugged and synthesizers were plugged in. “I sat next to her for nearly three years of concerts back in the late 70s,” said Rick Weiner. “She would always ask me if I was enjoying myself. Jane stood out like a sore thumb, but once you conversed with her you knew there was a reason she was there.” 

   Her favorite musician of all time was Bruce Springsteen and her favorite album of all time was ‘Born to Run.’ When she reviewed his show at downtown Cleveland’s Allen Theatre in 1975 she wrote, “His name is Bruce Springsteen. He will be the next superstar.” Before the year was out the Boss was on the covers of Time and Newsweek. At a later Cleveland concert, he dedicated “Dancing in the Dark” to Jane Scott, who was in the audience. “If you can meet Bruce Springsteen, who wants to sit around and play bridge?” she asked tongue in cheek.

   When it came to her job, it was the more the merrier. “Jane was the first to welcome me to the news room when I came to Cleveland in 1979 as a Plain Dealer feature writer,” said Janet Gardner. “After I returned to New York, she would call me between sets from the Peppermint Lounge, breathless with enthusiasm. She was a truly ‘The World’s Oldest Teenager.’”

   In the 1980s superstars continued to sell out, selling out stadium concerts. Alternative rock emerged. Synth-pop got more and more popular. Dance-pop got hot. Hip-hop popped up. Olivia Newton-John recorded one number hit after another. Jane Scott covered them all. The older she got the younger she got. “I met Jane in 1984 when she was covering a Husker Du show at Pirate’s Cove,” said Rev Recluse. “She was the sweetest, kindest person to everyone and melted this too-cool-to-exist teen hipster’s heart by the encore.” The Pirate’s Cove was in the Flats when it was still a rough-and-tumble place featuring a shot and a beer. There were real shots sometimes down dark back alleys. Olivia Newton-John never set foot there. She kept it in the sugar bowl.

   “Jane didn’t critique music,” said Pere Ubu’s frontman Dave Thomas. Pere Ubu was a Cleveland-area avant-garage band. “She reported facts. And, subversively, she demystified the art. She peeked behind the curtain and rooted out the parochial. Every musician sees the media as gullible rubes. Well, Jane just didn’t cooperate. She laid the haughty low with enthusiasm.”

   The 1990s saw rap and reggae get popular. Urban-style music blended jazz, soul, and funk. Fusion genres came and went. Jane Scott stayed on top of it, reviewing everything that came her way. If it was going to be a long night she packed two peanut butter sandwiches in her hefty bag.

   “I had the privilege of attending several concerts with Jane in the 80s and 90s,” said Emile Knud-Hansen. “It was amazing to watch her interview some covered-in-black with safety pins in the eyebrows teenage rocker. She never judged anyone but gave performers ample time to explain their music. I was surprised to learn that she had never gone to a rock concert as a guest. So, my friends and I took her to see Huey Lewis and the News at the Blossom Music Center. We were in front of the amplifiers, right up front. She was happy in spirit and ruffled in appearance.”

   After Jane Scott retired from the Cleveland Plain Dealer and her long-time companion Jim Smith died, her legs started to go bad. She bought a walker and moved into Ennis Court, a small assisted-living facility in her hometown of Lakewood. When she did, Danielle Rose began visiting her, keeping her company.

   “I met her at First Church where we were both members,” Danielle said. “I lived up Detroit Ave. and could walk to where she was living. We started car-pooling to Wednesday Testimony Meetings. One summer night going home we were pulled over by a Lakewood cop car.” The policeman was a woman. She asked Jane if she knew why she had pulled her over.

   Jane thought for a moment. She fiddled with her hefty bag. She finally said, “No.”

   “Your lights aren’t on.”

   “Oh.”

   “Don’t forget to turn them on and drive safely,” the policewoman said.

   Jane had been pulled over in front of one of her favorite ice cream shops. When she noticed the lights were still on in the shop she left the running car where it was and stepped onto the sidewalk. 

   “Do you want to join us?” Sweet Jane asked the policewoman. 

   “She loved ice cream. She was just a big kid. Her car knew where every cone on the west side of town could be gotten,” Danielle said.

   “Thanks, but I’m on duty,” the policewoman said.

   “Maybe next time,” Jane said. 

   “She had a young spirit but she really shouldn’t have been driving anymore,” Danielle said.

   True to her spirit Jane Scott died on Independence Day in 2011. The next month a memorial service was held for her at the Rock and Roll Hall of Fame, which was attended by nearly a thousand people. A year later the museum unveiled a life-size bronze memorial statue of her sitting on a bench and taking notes, created by Dave Deming, past president of the Cleveland Institute of Art. It was permanently installed in the Reading Room of the Rock Hall’s Library and Archives. 

   All it took to get Jane Scott to sit still in one spot while the beat went on was for the clock to run down. “Walk it on home” is what Lou Seed sang in her ear. There was a hell of a band waiting for her in heaven.

Photograph by Janet Macoska.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

A New Thriller by Ed Staskus

Cross Walk

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Kingpin of the T

By Ed Staskus

   The one and only time I met Daffy Dan was at a party in a fourth floor warehouse studio on Superior Ave. between downtown Cleveland and the Innerbelt. It was the ArtCraft Building. There was a car-sized freight elevator in the back, but the front stairs were what all the partygoers used. Nobody knew how to operate the old-fashioned elevator controls. They were ready for a drink by the time they got upstairs. The studio belonged to Joe Dwyer, somebody I had gone to high school with. He was an artist and was making artworks in the studio. He also threw parties there, especially on Halloween, which it was the night I met Daffy Dan. No sooner did I meet him than the lady friend I had come with wandered off.

   When I was introduced to Daffy Dan I realized who he was right away, if only because I had just seen the custom-made fifteen-foot tall caricature of him on the front of the warehouse building across the street. The sign next to the cut-out said, “The Creative Studio of Daffy Dan’s.”

   He was on the short side and wore his hair long, over his shoulders, and parted in the middle. He was 28 years old, slightly older than me. He had a handlebar mustache. It was the kind of mustache lawmen and outlaws wore in the 19thcentury. He wasn’t wearing a costume for the Halloween party. He had on faded blue jeans and a sports jacket over a  t-shirt. The t-shirt featured WWMS-FM, the city’s favorite rock ‘n’ roll radio station. Their buzzard logo, a top hat in one hand and a walking stick in the other hand, was in the middle of the t-shirt. “Ohio Tuxedo” was in bold red letters above the smiling blonde-haired buzzard.

   A campaign-style button was pinned to the lapel of his jacket. It said, “If your t-shirt doesn’t have a DD on the sleeve, it’s just underwear!!” The two exclamation points meant he meant business. Daffy had a can of beer he wasn’t drinking in his hand. Every few minutes somebody stopped and said hello to him.

   “How did you get into the t-shirt business?” I asked. I was interested because I wasn’t in any business of any kind. I floated from one job to another and was consequently relatively poor. Even though Daffy didn’t have a degree of higher learning, after a few minutes of talking to him it became clear he wasn’t a sandwich short of a picnic.

   “I dropped out of high school my senior year and went to work in the record store business,” he said. “I started to carry some rock group t-shirts. I got a catalog of shirts from who knows where. Other record stores started coming to me and asking me where I got them from, and rather than telling them, I looked up a dealer and started to wholesale them.”

   Even though he looked as counter cultural as the best of them, he was bright as a button when it came to commerce and capitalism. He was the city’s top dog of t-shirts. He knew how to circle his way around a dollar. Before long I started to realize, wait a minute, those dealers aren’t doing it right. I can do it better. The rock group t-shirts just took off like a rocket. We located our storefront over on Clifton and West 104th St., and that’s where we really started. From the beginning we marketed ourselves as Daffy Dan’s from Cleveland, Ohio. We opened a single store in 1973.” There were now five of them, with four more planned. “It isn’t tourists, either. It is Clevelander’s buying Cleveland-themed t-shirts and merchandise. It’s a phenomenon.”

   The slogan of Daffy Dan’s first store was, “If You’ll Wear It, We’ll Print It.” By the time I met the man behind the phenomenon he was moving more than forty thousand t-shirts annually. One of his most popular offerings displayed the legend “Cleveland: You Gotta Be Tough.” On another best seller Andy Gibb’s face was the hot potato plastered on bosoms far and wide. It was followed in popularity by Darth Vader and Farrah Fawcett-Majors. 

   “It’s not a fad,” Daffy said. “Blue jeans and t-shirts have become the American way of life.”

   Back in the day t-shirts were called tunics. Well into the 19th century they were simply called undergarments. The first t-shirt was created when a union suit was cut in half with the top long enough to tuck into a waistband. The U. S. Navy put them into circulation as crew-necked, short-sleeved undershirts during World War One. Naval work parties in steaming hot engine rooms took to wearing them all the time. Farmers adopted them during the Great Depression. They were cheap and lightweight. The first printed t-shirt was an Air Corps Gunnery School t-shirt issued in 1942. In the 1960s they got popular as souvenirs, advertisements, and self-expression billboards. A friend of mine had one, featuring an angry Micky Mouse, that said, “My parents went to Disneyland and all I got was this lousy t-shirt.”

   Plain t-shirts were going out of fashion, even though they are versatile, like a blank canvas. Everybody has got something to say. If you don’t get what’s on your chest out on your chest you end up looking like nobody. That’s why you get a t-shirt with an iron-on monkey and the caption, “Here Comes Trouble.” There is no sense messing around. One of Daffy Dan’s t-shirts went in the out door. It said, “I Am a Virgin. This Shirt Is Very Old.” Another one of them was an entreaty for hugs and kisses. “Turkeys Need Love Too.” One got right down to its own bad-tempered point. It said, “Go to Hell.”

   “I love you, Daffy Dan,” Marsha Greene said years later. “You were with me through my teenage hood. I loved wearing your t-shirts. They made me feel proud and you were considered one of the cool kids when you wore a DD t-shirt back then. They helped my self-esteem.” Like they say, is a hippopotamus a hippopotamus, or just a really cool opotamus?

   The Halloween party had gone into overdrive. There were no quiet corners. Smoke from marijuana and tobacco lowered the ceiling. Joe threw an LP by Bobby “Boris” Pickett & the Crypt-Kickers onto the turntable. They started in on their smash hit ‘Monster Mash.’ The singer had a British accent with a sniff of Transylvania. “They did the monster mash, it was a graveyard smash, it caught on in a flash, they did the monster mash.” The speakers weren’t the greatest, but they didn’t have to be. They just had to hold out until the end of the night.

   “You silk screen a lot of rock ‘n’ roll t-shirts,” I said, pointing out the obvious. 

   “Yeah,” he said. “When I was starting, the Agora was packing them in every night. I saw rock ‘n’ roll t-shirts as an absolute natural.”

   “Do you listen to much music? Do you go to shows?” Cleveland was often touted as the Home of Rock ‘n’ Roll.

   “I go to music clubs or concerts every night of the week,” he said. “The offerings are spectacular. The Agora, of course, is at the top of my list, but there are a hundred clubs and concert venues, the Hullabaloo Club, It’s Boss, the Viking Saloon, the Roundtable, Utopia, Atomic Alps, and the Plato. I go to them all. The music scene in Cleveland is like being a kid in a candy store.”

   Joe  slid another record on the turntable. It went round and round. It was the Rolling Stones belting out ‘Sympathy for the Devil.’ Mick Jagger was in fine form. “Just as every cop is a criminal, and all the sinners saints, as heads is tails, just call me Lucifer.” It was a kind of Halloween theme song for the times.

   “Did you really drop out of high school?” I asked. “I thought that’s something you’re not supposed to do anymore, unless the Devil makes you do it.”

   “I was walking down the hall between classes at Shaker Heights High School when the baseball coach grabbed me,” Daffy Dan said. “He grabbed me by the peace sign hanging around my neck on a leather strap and led me to the principal’s office proclaiming that I would not be allowed to graduate with my class in June without a haircut. Mind you, this is 1968, and my hair barely touched my collar and was just a tad over my ears, but according to the coach, not up to the school dress code. The gauntlet had been thrown down and I promptly withdrew from school. That was a proud moment in our household. Not! I was plumb nuts back then.”

   After the Summer of Love in the late 1960s became a fact, entrepreneurs in California started producing t-shirts featuring motifs and emblems, especially anything associated with hippies, the Grateful Dead, and Che Guevara. They silk screened their t-shirts, just like Daffy Dan was doing. When screen printing, a design is separated into individual colors. Water based inks are applied to the shirt through mesh screens, limiting the areas where ink is deposited. The most important factors are making sure the t-shirt is on a flat surface and that the stencil is positioned exactly where the artwork is supposed to appear.

   T-shirts with glow-in-the-dark charts of the periodic elements were silk screened by special order. “My customers are individualists and eccentrics who want something a little different from what you can buy off the rack,” Daffy said. “They want a work of art.”

   The lady friend I had come with was still sight seeing, God knows where. Story of my life. The smell of marijuana was everywhere, even though it was decidedly illegal. Richard Nixon had declared a ‘War on Drugs’ a few years earlier. He said drugs were Public Enemy Number One. He didn’t say what was Public Enemy Number Two, although I might have suggested Tricky Dick himself. Daffy and I had to raise our voices to be understood, especially when Jimi Hendrix got going. “Purple haze all in my brain.” We lowered our voices between songs.

   “How did you get your nickname?” I asked. He told me he had been at a friend’s house pitching his idea of imprinting t-shirts. He was trying to raise capital. His friend’s wife didn’t think much of his business plan. “You’re daffy, Dan,” she said. It made him, Daniel Roger Gray, sit up straight. 

   “I stopped, speechless for a moment. That was it, Daffy Dan’s!”

   It was going on midnight when Joe slipped some Screamin’ Jay Hawkins under the needle. “I put a spell on you because you’re mine, stop the things you do, watch out, I ain’t lyin’, I can’t stand no runnin’ around, I can’t stand no puttin’ me down, I put a spell on you because you’re mine.”

   I said good night to Daffy Dan and looked around for my lady friend. I didn’t find her. I didn’t care all that much. She was slumming, anyway. She was a rich girl with conservative suburban parents. I wouldn’t have minded being rich, but not on her father’s terms. His terms were my way or the highway. She was going to become him sooner or later. I had dinner with her family one time and it was plain as day. 

   Out on the sidewalk it was starting to rain. I looked across the street at Daffy Dan’s Superior Ave. nerve center. His cut-out caricature was lit up by a floodlight. He had been lit up at the party, although not by marijuana or beer. He was glowing with going his own way. He had probably taken some wrong turns along the way but he seemed to have his eye on the prize. His path to flying colors looked somewhat different than most but that didn’t mean he was going in circles. He was no Daffy Duck, that was for sure.

Photograph by Heather Hileman.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

A New Thriller by Ed Staskus

Cross Walk

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Eye on the Prize

By Ed Staskus

   I was planting Japanese yews in our backyard when our next-door neighbor KJ came out his side door with a fistful of Husky trash bags. It was late April and storms were predicted for the next couple of days. The weather forecast suited my purposes. Every new yew got a handful of slow-release fertilizer and a promise of plentiful rain. KJ swung the bags up and into the trash bin. I hadn’t seen him since December. He told me he had been in Los Angeles all winter, pitching a movie idea.

   “What’s the idea?” I asked.

   “One-Eyed Charley is the idea,” KJ said.

   “Who is One-Eyed Charley?” 

   “Charley was a 19th century stagecoach driver who lived as a man and only after he died did people find out he was actually assigned female at birth.”

   My ears pricked up when I heard it was about the Wild West. My wife and I had just watched a restored version of John Ford’s 1939 movie “Stagecoach” on the Criterion Channel. John Wayne was the Ringo Kid. He talked low, talked slow, and didn’t say too much. A roly-poly man called Buck handled the reins and whip on the way from the Arizona Territory to Lordsburg, New Mexico. He sounded like a pre-teen whenever he spoke. Curly Wilcox rode shotgun. He sounded like a he-man. The only people who messed with him were the local savages, who swore by cheap whiskey and unarmed men. By the time they found out Curly was armed to the teeth it was too late for a last shot of rotgut.

   When I first met KJ, it was the late 20-teens and he had just moved in. We talked for a few minutes, getting acquainted. He was easy to talk to. He was also girlish looking. When I mentioned him to my wife, I told her a young woman who was a teacher with a Ph.D. was our new neighbor. The last person who rented the second floor of the two-family house next to us on the west end of Lakewood had not been a good neighbor. The only Ph.D. he had was in headbanging with an undergraduate degree in weed. KJ looked like a big improvement.

   “She specializes in gender studies at Oberlin College,” I told my wife.

   “She drives all that way every day?”

   “I thought it was far, too, but KJ says it only takes her about a half-hour.”

   KJ Cerankowski teaches Comparative American Studies and is a writer with interests in asexuality, queer theory, and transgender issues. He has authored numerous articles, including the 2021 Symonds Prize winning essay “The ‘End’ of Orgasm: The Erotics of Durational Pleasures.” His poetry and prose have been published in Pleiades and DIAGRAM. He is the co-editor of “Asexualities: Feminist and Queer Perspectives” and the author of the recently published book “Suture: Trauma and Trans Becoming.

   “I read and tell in order to be upset, in order to live,” KJ says. “I gather the fragments that will never fit together to make a whole. I want the trauma to be poetry, but I cannot find the right timing, the right words, the right image. I ask how this constellation of events makes me desire or not desire, makes me desirable or undesirable, makes me like a man or a man.”    

    The year after I met our neighbor was when I began to realize she was a gal on her way to becoming a guy. She told me it was a long process, but she was committed to it. For people transitioning from female to male, the process includes hormonal therapy and surgery. Gender-affirming surgery includes chest surgery, such as a mastectomy, and bottom surgery, such as a hysterectomy. I knew there was loads of antagonism in the land about transgender anything, but it didn’t make any difference to me. She looked like she minded her p’s and q’s and didn’t run red lights, which was more than enough for me.

   When somebody runs a red light in front of me and I have to stomp hard on my brakes, I don’t think about what gender they are. I don’t wonder or generalize about their race or income or social status. The first thing that pops into my mind is, “What an asshole!” After that I take a deep breath and go my way.

   “You went to Hollywood to beat the drum for making a movie?” I asked KJ again, even though I knew there is no real place called Hollywood where motion pictures are made. Hollywood is a state of mind, a global business, not a place.

   “Yes, a friend of mine and I have an idea for a movie about One-Eyed Charley,” KJ said. “We had a meeting with Sony. They liked our idea and were encouraging but said it wasn’t right for them. ‘Don’t give up,’ they said. They sent us to their TV division where they thought it might work better. We are teaching ourselves how to write a screenplay.”

   The Cambridge Dictionary last year revised their definition of “man” and “woman” to include people who do not identify with the sex they were at birth. “Man” now includes the definition “an adult who lives and identifies as a male though they may have been said to have a different sex at birth.” The updated definition of “woman” is “an adult who lives and identifies as female though they may have been said to have a different sex at birth.” It made sense to me since sex and gender identity don’t always adhere to one another.

   Talking heads far and wide went ballistic. Daily Caller writer Mary Rooke said, “Fucking traitors to the truth. Cambridge Dictionary is only the latest. If we don’t stop them from erasing women our civilization is ngmi.” I knew what ‘fucking traitors’ meant. I had no idea what ‘ngmi’ meant. Mary Rooke didn’t bother defining it since she was too busy cursing up a storm.

   “Remember, if you control the language, you control the population,” Steven Crowder, a popular conservative TV pundit, posted on Twitter. Since many former employees claim he runs an “abusive” company, where he often spits and screams at the hired hands, including his own father, makes underlings wash his dirty clothes, according to the laundromat, and exposes his genitals, according to the New York Post, I ignored his tweet.

   “Transgenderism is the most dangerous extremist movement in the United States,” Tucker Carlson said on FOX News. Since he has a laundry list of most dangerous extremist movements, I ignored what he said, too. I would never get any sleep if I paid attention to the never-ending warnings of his kind. The end of the world is always near on FOX News.

   Charlotte Parkhurst was born in New Hampshire in 1812. She was orphaned early in life and delivered to an orphanage. She soon enough dressed up like a boy and ran away. She ended up near Boston cleaning stables. A livery owner took her in, raising her as his own, and trained her to handle horses and drive coaches. When the Gold Rush started happening in 1848, she went west to find her fortune. Instead, no sooner did she get there but a horse spooked by a rattlesnake kicked her in the face. She lost her sight in one eye but didn’t lose sight of the prize. She realized she could do better as a skilled stage driver than panning for gold in some God-forsaken stream bed in northern California. She put on a black eyepatch and rode both whip and shotgun for the California Stage Company. She got so good with her whip that she could slice open the end of an envelope from twenty feet away.  She could cut a cigar out of a man’s mouth without drawing blood.

   She became One-Eyed Charley. Some called her Cockeyed Charley, but only behind her back. She became a ‘Jehus,’ one of the best and fastest coach drivers in California. Jehu was a Biblical king who in the second Book of Kings is described as a man who “driveth furiously.” She carried goods and passengers up and down the state for nearly twenty years, mainly on the passages between Monterey and San Francisco, and Sacramento to Grass Valley.

   She was short and stout and a hard-living son-of-a-gun, a loner who chewed tobacco and drank like a fish. She could curse like the devil. Charley had more than her fair share of manpower and could handle all takers in a fight. She slept by herself in station relay stables, curling up with her horses. She kept her whip close beside her. It was a five-foot hickory shaft with buckskin lashes 12 feet long. She kept the lashes well-oiled so they stayed as limber as a snake in the sun.

   One-Eyed Charley dealt with would-be thieves whenever she had to. She was hauling gold bullion for Wells Fargo when she shot and killed Sugarfoot, an infamous road agent, near Stockton after he tried to hold her up. Wells Fargo rewarded her with a solid gold watch and chain. “Indians and grizzly bears were a major menace,” the New York Times wrote in 1969. “The state lines of California in the post-Gold Rush period were certainly no place for a lady, and nobody ever accused One-Eyed Charley of being a lady.” Even though the introduction of thorough braces to the underside of coaches created a swinging motion, making traveling easier and more comfortable, stagecoach work was hard work. Anything might happen trying to control a six-horse team over mountain passes.

   “How in the world can you see your way through this dust?” a passenger asked her one bone-dry summer day.

   “I’ve traveled over these mountains so often I can tell where the road is by the sound of the wheels,” she explained. “When they rattle, I’m on hard ground. When they don’t rattle, I gen’r’lly look over the side to see where I’m agoing.”

   Talking to KJ over the backyard fence I noticed he was sounding more like a man than I had noticed before. He was looking more like a man, too. His hair was cut short. He wore a form-fitting t-shirt that only betrayed a flat stomach. He looked more handsome than womanly.

   “Only a rare breed of man could be depended upon to ignore the gold fever of the 1850s and hold down a steady job of grueling travel over narrow one-way dirt roads that swerved around mountain curves, plummeting into deep canyons and often forded swollen, icy streams,” wrote historian Ed Sams in his 2014 book “The Real Mountain Charley.” On one trip over Carson Pass her horses suddenly veered off the road and the rare breed of woman was jolted off the box. She landed between the wheelers, the two horses at the rear of the team. She hung onto the reins as she was dragged on her stomach in the dirt and gravel. She somehow managed to regain control and got the team back on the road, saving the stagecoach and its passengers. She spent the night soaking and disinfecting her wounds in a tub of carbolic acid.

   Brother Whips were the road warriors of their day. “I think I should be compelled to nominate the stage-drivers, as being on the whole the most lofty, arrogant, reserved and superior class of being on the coast, that class that has inspired me with the most terror and reverence.” Henry Bellows, president of the United States Sanitary Commission, said during a trip to California.

   One-Eyed Charley wore gauntlet gloves to hide her womanish hands and a wide-awake hat to keep the sun off her face. She wore a loose linen duster to conceal her figure and fend off rain. She carried a bugle to announce stage arrivals. She could be testy, for good reason. She blew a  horn but didn’t blow her own horn. Gay, lesbian, bisexual, and transgender were all of them illegal at the time. “It was a crime,” Mark Jarrett, a textbook publisher, spelled out in plain English. “People didn’t go around professing what their real identities were. They hid them.”

   After transcontinental tracks got to the west coast, railroads branched out and muscled out stagecoach businesses. One-Eyed Charley put her driving days behind her, opening a saloon, among other ventures. She retired to a ranch near Soquel in the early 1870s, raising chickens. She voted in 1868 even though women didn’t win the right to vote until 1920. When her one good eye perused the ballot and she decided on Ulysses S. Grant, she became the first woman to vote in a federal election in the United States. She would have used her whip on any man who tried to keep her from the polls. Stepping over his prone body she doubtless would have unleashed a stream of tobacco juice on the unfortunate creature.

   “Why this woman should live a life of disguise, always afraid her sex would be discovered, doing the work of a man, may never be known,” the Santa Cruz Sentinel wrote in their 1880 obituary. “The only people who have occasion to be disturbed by the career of Charley Parkhurst are the gentlemen who have so much to say about ‘woman’s sphere’ and ‘the weaker vessel,’” the Providence Journal wrote soon after her death. “It is beyond question that one of the soberest, pleasantest, most expert drivers in this state, and one of the most celebrated of the world-famed California drivers was a woman. And is it not true that a woman had done what woman can do?” The Journal didn’t want to speak ill of the dead but no matter how expert One-Eyed Charley was in the saddle, she was not a sober nor a pleasant person.

   “How does a nice Polish girl from Parma know how to pitch a movie in Hollywood?” I asked KJ. “That’s not to say you’re a girl anymore, but you’re still from Parma.” Alan Ruck, an actor who portrayed Ferris Bueller’s best friend almost forty years ago, is the best-known movie personality from there. The Miz, a famous wrestler, is the most famous person from Parma nowadays.

   Parma is a southern suburb of Cleveland. It is the biggest suburb in the state of Ohio. It where scores of Ukrainians as well as Poles live. There is a district called Ukrainian Village and another district called Polish Village. Eastern Orthodox Christians like Ukrainians are conservative about sex. Roman Catholic Christians like Poles are even more conservative about sex. There is no Transgender Village. There are no plans to found one anytime soon.

   “I’ve been taking Polish language lessons,” KJ said. “I was taking weekly in-person classes until the pandemic shut everything down. After that I kept up on Zoom, but now that I’m working on our movie, I’ve had to put that to the side.”

   “Now that you’re back in town, what are your plans for the summer?” I asked.

   “I’m going to Chicago this June for a year on sabbatical,” he said. “In fact, I’ve got somebody from Oberlin coming to look at my place any minute now.”

   “I don’t figure you’re going to be pulling out a horsewhip for my asking, but you’re not going to be sub-leasing to any One-Eyed Charley legends, are you?” 

   “No, but he or she might be a Two-Eyed Charley,” KJ said.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

A New Thriller by Ed Staskus

Cross Walk

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Ten Cent Beer Night

By Ed Staskus

   When my friends and I heard there was going to be a Ten Cent Beer Night at Municipal Stadium, we started gathering our loose change. It was Monday morning June 3, 1974. Beer Night was going to be the next day. We didn’t have much time, but we had plenty of motivation. When the big night arrived our pockets were full of nickels, dimes, and quarters. We met at East 30th St. and St. Clair Ave. and took a bus to East 9th St. From there we walked to the ballpark.

   Municipal Stadium opened in 1931 and was the home of both the Cleveland Indians and Cleveland Browns. Two days after it was formally dedicated Max Schmeling fought Young Stribling for the World Heavyweight Championship. The two sluggers brawled for the full fifteen rounds. In the end Young Stribling was covered in more bumps, bruises, and blood than Max Schmeling, so the German won the match on a TKO.  A month later the Tribe played their first game there, losing to Lefty Grove and the Philadelphia Athletics one to nothing. The crowd of  more than eighty thousand set a major league record.

   When it was built, and for many years afterwards, Municipal Stadium was the biggest baseball stadium in the country, although by the 1970s it was drawing the smallest crowds in the country. A month earlier only four thousand fans showed up to watch the Indians beat the Boston Red Sox. There were two reasons everybody stayed home and watched something else on TV. The stadium was built all wrong, for one thing. It was cavernous. God forbid your seat was at the far end of the cavern. Relief pitchers had to be driven to the mound from the bullpen. Even when new outfield fences were installed shrinking the size of the playing field, it was still nearly five hundred feet from home plate to the bleachers in straightaway center field. High and deep fly balls went there to die. We always sat in the cut-rate seats. No wannabe home run ever reached us. The upper deck was even farther from the field. Sitting in the stratosphere meant high-powered binoculars in order to see the action.

   By the late 1960s the place was falling apart. It looked like Miss Havisham’s mansion. It stood on Lake Erie, a wheezy open-air mausoleum squatting on the south shore. It was a dismal hulk, especially in the spring and fall when cold winds blew in off the lake. During the summer, during night games, the lights attracted swarms of midges and mayflies. The bathrooms were unbearable for many reasons. Only the desperate ever visited them, however briefly.

   On top of everything else, the Tribe couldn’t punch its way out of a paper bag. In the 1950s they were routinely winning ninety and hundred games every season. They won championships. By the 1960s they were lucky to win eighty games a season. In 1971 they lost more than a hundred games, finishing so far out of first place fans lit memorial candles. The locker room got sad and gloomy. The Tribe lost more games during the decade of the 1970s than during any other decade of the team’s long life.

   When we got inside the stadium we were surprised by how many fans were there, about twenty five thousand of them, although we shouldn’t have been. Besides the cheap beer, payback time was in play. A week earlier in Texas, the Indians and the Rangers had gotten into it. In the bottom of the  eighth inning a Tribe pitcher threw behind a Ranger batter’s head. A few pitches later the batter laid down a bunt. The pitcher fielded the ball and tagged the runner out. The runner didn’t stop running, clubbing the pitcher in the face with a forearm as he ran past. When he got to first base he head butted the Tribe’s first baseman in the groin. The first baseman started swinging. Both benches emptied. After the fracas, as Indians players and coaches returned to their dugout, they were greeted with giant pretzels and warm beer hurled by Texas fans. Dave Duncan, the short-tempered Cleveland catcher, had to be restrained from storming the stands.

   After the game a reporter asked Rangers manager Billy Martin, “Are you going to take your armor to Cleveland?” Billy Martin said, “Naw, they won’t have enough fans there to worry about.” The following week sports radio talk show hosts whipped up the ire of Cleveland’s baseball fans. The game was billed as “Revenge Rematch Time.” The Cleveland Plain Dealer printed a cartoon of Chief Wahoo wearing boxing gloves. The caption read, “Be Ready for Anything!” 

   Ten Cent Beer Night was the dream child of the Tribe’s sales and marketing department. “We were on a mission to save baseball in Cleveland,” said Carl Fazio, one of the men overseeing promotions. “We did everything possible to make baseball successful in our town. If we were going to fail, it wasn’t going to be because we didn’t try things.”   

   Tuesday was a hot sticky night. The sky was clear and the moon was full. Twice as many fans showed up as the sales and marketing showmen expected. “It was a stinkin’ humid night, and you kind of had a feeling things weren’t going to be good,” said Paul Tepley, a Cleveland Press photographer. “Billy Martin stood in front of the Rangers dugout before the  game heckling the fans, and the fans were heckling him. It had the makings of a bad night.”

   No sooner did anybody step into the stadium than they made a beeline to the special tables manned by teenagers selling the low-cost beer. The legal drinking age in 1974 was eighteen. Banners behind the tables said, “From One Beer Lover to Another.” The regular price was sixty five cents. The promotional price of ten cents was a big discount. There was a limit of six cups a  purchase but no limit on how many purchases anybody could make during the game. The first Beer Night had been staged three years earlier. There were some incidents then but they mostly involved horseplay, vomit, and getting dead drunk.

   Some fans brought pockets full of firecrackers and smoke bombs to Ten Cent Beer Night. They blew them off in the stands and threw some on the field before the game started. When the first pitch was thrown for a strike everybody settled back with their suds and tuned into the matchup. In the second inning a woman sporting a bouffant ran to the on-deck circle, lifted her shirt, and flashed the crowd. She was stacked and beaming smiles. She tried to kiss home plate umpire Nestor Chylack. He was not in a smooching mood., however. Everybody cheered the sight of boobs but gave the umpire a Bronx cheer for ducking the kiss.

   The Rangers took a three to nothing lead when Tom Grieve slammed a home run with men on base. As he went around second base a nearly naked man slid into the bag behind him. He was wearing two black socks. We thought he might be an insurance agent. When the streaker got up he saluted the crowd before dashing away. His butt was road rash red. He ran through center field towards the bleachers. One of his socks got loose. By the time he got to the fence in front of us, he was down to one sock. He vaulted over the fence and disappeared under our seats. The next inning a father and son ran out onto the field and simultaneously mooned the crowd. The son’s butt was light bulb white. The father’s butt was cream cheese white.

   When the special tables selling cheap beer started to run dry the Stroh’s Brewing Co. sent a tanker full of brew to the back of the ballpark. Fans gathered at the industrial spigots fastened to the rear of the truck. Before the truck arrived every Rangers player who stepped up to the plate had been roundly booed. Twenty minutes after the truck got there the crowd started throwing things at them.

    “I bet I had five or ten pounds of hot dogs thrown at me,” said Mike Hargrove, a Rangers rookie playing the infield. “A gallon jug of Thunderbird landed about ten feet behind me.” When he realized what he had done, the man who threw the half-full jug of fortified wine demanded it back. Fans threw rocks, batteries, and golf balls. One man threw a tennis ball and was almost laughed out of the ballpark. The bullpens had to be evacuated after cherry bombs were lobbed into them. 

   Everything went to hell in the home half of the ninth inning. Everybody with kids and a wife had already fled. The Tribe put together four straight hits and a sacrifice fly. They tied the game at five runs apiece. The winning run was standing on second base. Unfortunately for the Indians, that was as far as he ever got.

   Before he could make a move two young men ran out on the field towards Rangers outfielder Jeff Burroughs. They were greased for trouble. One of them tried to steal the ballplayer’s cap. Jeff Burroughs kicked at the man but slipped and fell down. The rest of the Rangers, far away in their dugout, thought the men had knocked their teammate down. Billy Martin led his Rangers players onto the field. “Let’s go get ‘em, boys.” They sprinted to the rescue. They were brandishing every bat they had on the rack. When hundreds of fans poured out of the stands after them, with slats they had torn off from their seats, the riot was on.

   The law and order detail at Municipal Stadium on Ten Cent Beer Night was fifty older part-time men and two off-duty Cleveland policemen. They were swept aside by the flow of drunks. Some of the troublemakers were waving chains. Others had knives. Twenty police cars responded to the call for help. When they got to the ballpark they called for the Riot Squad. When the Riot Squad got there they called for more men. “We would have needed twenty thousand cops to handle that crowd,” said Frank Ferrone, the Chief of Stadium Security.

   Tribe manager Ken Aspromonte ordered his players onto the field to help the Rangers. They armed themselves with bats and formed a phalanx. “They saved our lives,” Billy Martin said. “That’s the closest you’re ever going to see someone get killed in this game of baseball.” He didn’t know it got closer in 1920, when Yankee’s pitcher Carl May hit Indian’s batter Ray Chapman in the head with an errant fastball and killed him.

   A Cleveland player was hurt during the riot when a flying metal chair hit him in the head. He had to be helped off the field. Nestor Chylack’s hand was badly cut and he was hit by a flying chair as well, before finally declaring the game a forfeit. The mob was incensed. More chairs went airborne. “They were animals,” the injured home plate umpire said. ”I’ve never seen anything like it, except in a zoo.”

   The organist played “Take Me Out to the Ballgame” over and over again. Some fans ripped the padding off the third base line fence. They stole all the bases. “This is an absolute tragedy,” declared Joe Tait, one of the broadcasters. “I’ve been in this business for twenty years and I have never seen anything as disgusting as this. I just don’t know what to say.”

   When beat reporter Dan Coughlin tried to interview a rioter, he was punched in the face. When he tried to interview a second rioter he was punched in the face again. After that he put his notebook away and went looking for a drink, something stronger than beer. There was no charm in trying a third time.

   Mike Hargrove had a chunky teenager on the ground and was walloping him. “That kid came up and hit him from behind is what happened,” said Herb Score, the other broadcaster. When the ballplayers fought their way back to their clubhouses, they bolted the doors behind them and left Municipal Stadium under escort of armed guards. The Riot Squad flooded the field with tear gas.

   “It’s not just baseball,” Ken Aspromonte said. “It’s the society we live in. Nobody seems to care about anything. We complained about their people in Texas last week when they threw beer on us and taunted us to fight. But look at our people. They were worse. I don’t know what it was and I don’t know who’s to blame.”

    When the fireworks were all over we walked to Superior Ave., across the bridge over the Cuyahoga River, and crossed West 25th St. We passed the insurance agent streaker. He was wearing what looked like ratty clothes from a thrift shop. He was barefoot, having lost his other black sock. We walked to the Big Egg, where we got late-night grub, hash browns and fried eggs. They hadn’t run out of that day’s gravy. Their sauce was boss. The Big Egg wasn’t the cleanest diner in town, but it stayed open all night and the food was dirt cheap. Their slogan, on the wall behind the long counter, was “Where the Egg is King and the Queen is, too!”

   “I don’t look at it as a black eye at all,” Carl Fazio said afterwards about what took place that night. “It was just one of those crazy things that happened because of a set of circumstances that all came together that night.”

   The next day the Tribe slugged five home runs, pummeling the Rangers in front of eight thousand spectators. The stolen bases were never recovered. New ones had been put in place. My friends and I stayed home. I read about the second game of the series a day later in the Cleveland Plain Dealer. The fans were well-behaved, cheering their heads off but not throwing anything onto the field. They sipped their beer before tossing their plastic cups under the seats. It was a breezy evening with bright stars high in the sky. Everybody kept their cool and kept their clothes on, too.

Ed Staskus posts monthly on 147 Stanley Street  http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Down East http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

Bomb City” by Ed Staskus

“A police procedural when the Rust Belt was a mean street.” Sam Winchell, Beyond Books

Available on Amazon: https://www.amazon.com/dp/B0F1LM1WF9/ref=sr_1_1?crid=2MYAQAOZIC2U9&dib=eyJ2IjoiMSJ9.hTm7BGbiQbSe5ZapFwYPPfcwOpTe-Vdg6VLE4aGyTyk.Z0R-VNBWWEcvKcNaO9LdCOUnNIOOXgvYkRS_FXiXuHk&dib_tag=se&keywords=bomb+city+ed+status&qid=1742136726&sprefix=bomb+city+ed+staskus%2Caps%2C84&sr=8-1

Cleveland, Ohio 1975. The John Scalish Crime Family and Danny Greene’s Irish Mob are at war. Car bombs are the weapon of choice. Two police detectives are assigned to find the bomb makers. Revenge is always personal. It gets personal.

A Crying of Lot 49 Publication

Katya in Asia Town

By Ed Staskus

   The Chinese started settling in the United States in the 18th century. Wherever whenever there were enough of them, they lived close to hand, building their own neighborhoods, appropriately called Chinatowns. There are more than 50 of them across the United States, including at least 16 in California alone.

   There are several of the towns within cities in New York City, the most famous one being in Manhattan. It’s the largest Chinatown in the country, spread out over 40 blocks and home to more than 150,000 Chinese-speaking residents.

   Cleveland, Ohio used to have a Chinatown, a colony at Rockwell Ave. near downtown. Immigrants settled in the area starting in the 1920s. After the Communist takeover of the mainland and into the 1960s more than 2,000 lived in the neighborhood. There was a row of Chinese restaurants, among them the Three Sisters, Golden Coin, and Shanghai, as well as two grocery stores between East 21st and East 24th. Storehouses in the district supplied native eateries one end of the city to the other. There was a temple and a meeting hall.

   Chinatown went into sharp decline in the early 1970s and a few years later, when I moved into what was becoming Asia Town, there wasn’t much left. Most of the residents moved to the suburbs and by the 1980s there were only two half-empty restaurants holding on, catering mostly to business folk and occasional tourists looking for the city’s historic Chinese quarter.

   Asia Town is roughly from East 18th St. to East 40th St. and from St. Clair Ave. to Perkins Ave. It has the highest percentage of Chinese, Koreans, and Vietnamese in Ohio. When I lived on East 34th St. between Payne Avenue and Superior Ave. in the mid to late 70s, there weren’t as many yellow faces yet but they were everywhere. There were dirt poor whites, dirt poor blacks, and a recent influx of college students. It wasn’t as present-day as it would become after the 1990s when Asia Plaza was built at East 30th St. and Payne Ave., when it became a business as well as a residential community.

   My roommate Carl Poston was tall, walked with a lanky slouch, and wore a mop of twisty black hair. Everybody called him Erby. He never said why, and I never asked. He liked to read, tearing through the Plain Dealer newspaper every morning, and liked to play chess, like me, but was better than me. He had a bad-ass motorcycle and several bad-ass friends with motorcycles. He worked downtown for the city helping crunch numbers and delivering bad news as Cleveland went under.

   In 1978 the city became the first one in the United States to go bust since the Great Depression. After the bankruptcy it became known as the Mistake on the Lake, a nickname nobody in the hometown liked. When Mayor George Voinovich showed up at a Cleveland Indians game against the New York Yankees in the 1980s wearing a t-shirt under his sports coat, the t-shirt said, “New York’s the Big Apple, but Cleveland’s a Plum.” Only the Asians liked the plum thing, since plums represent purity and perseverance to them. Nicknames come and go but when Cleveland later became ‘The Land,’ nobody shook their heads in despair. It was far better than the mistake and the plum.

   Our house on East 34th St. was behind another house. There was no backyard or garage. Almost all the houses on the west side of the street were that way. The houses across the street had backyards and most of the houses in the neighborhood had backyards. But there were some houses so tucked away one had to be looking right at them to see them. Our rent was more than reasonable, and my half was even better. The landlord lived in Strongsville. His grandmother lived in Asia Town, like me. In return for checking up on her at the beginning of the week and taking her to Dave’s Grocery at the end of the week, I lived almost rent-free.

   Her name was Katya, and she was hundreds of years old. She was five foot four something short and hunchbacked on top of that. She was always in her kitchen when I knocked on the side door, she always croaked “Come in, honey,” and when I went in, she always asked me what I wanted.

   She had three cats who I never saw. She kept a pan of water next to the door for them but no food bowls or litter. They were freeloaders, running down grub in the wild. She had a stack of old newspapers in a corner and the linoleum kitchen floor was usually covered with them. It was sketchy walking inside. The unfolded papers piled haphazardly on top of each other slid every which way. I had to walk like a duck to stay upright.

   “I keep my kitchen floor clean that way.” she said, peeling back the corner of a newspaper and showing me.

   She bought her clothes from third hand stores but bought her shoes new. She was crazy frugal, but she wasn’t crazy. She was built to last, and her feet had to lead the way.

   Katya was from Slovenia, from sometime back in the 19th century. Her parents were peasants from a village nobody ever heard of southeast of Ljublijana. They came to Cleveland to work in the steel mills in the 1890s. At first, they lived in Newburgh, but when a community started forming along East 30th St., from Lake Erie south to Superior Ave., they moved, finally landing on East 38th St. She still lived in the small house her parents bequeathed her.

   By 1910 there were so many Slovenes in Cleveland that it would have been the third-largest Slovenian city in the world if it was in Slovenia. The immigrants opened enough taverns to drown their New World blues and enough churches to repent their drinking. St Vitus was established in 1893, St. Lawrence in 1901, and St. Mary in 1906. Each had its own school. They published their own newspapers in their mother tongue and formed debating drama and singing clubs.

   The singing clubs were stamping grounds, as well. The Lira Singing Society, located in the St. Clair neighborhood, and adamantly Catholic, was opposed by the Zaria Singing Society, sponsored by atheists and socialists. Everybody knew what the arguments were about.

   Katya was married long enough to have two sons before her husband was shot by mistake by a policeman outside a Collinwood bank during a botched robbery. He bled to death before an ambulance could reach him. She buried him in Woodlawn Cemetery, never married again, raising her sons by herself. She took in sewing days and worked nights during World War Two. Her oldest son moved to Seattle and she never saw him again. Her younger son moved to the west side and had a family, but they didn’t want to visit her.

   “We aren’t going to your crazy grandmother’s house in that terrible neighborhood, and that’s final,” his wife said. What the woman didn’t know was that Katya kept a loaded Colt Pocket Hammerless in her kitchen table drawer. It was a single action blowback .32 caliber handgun.

   “Nobody going to shoot me by accident,” she said.

   Her eldest grandson loved her and made sure she had what she needed to stay afloat. She had a small pension and some social security, too. She told me she had silver dollars buried in the backyard, but quickly shot me a wily look.

   “Forget I say that.”

   When Katya’s husband Janez was buried in Woodlawn, it was the oldest cemetery in Cleveland, the first man being inhumed there in 1853. It was the worst cemetery in Cleveland, too. The Depression wrecked its finances. There were sunken graves, toppled headstones, grass never mowed, piles of rotting leaves, and broken tree branches all over the place. That was before the city found out Louise Dewald, who worked in the finance office, had stolen almost half a million in today’s dollars from the coffers as the Depression picked up steam.

   After that it got worse.

   The cemetery chapel roof and the rest of it collapsed in 1951 and was hauled away. The next year City Council thought about digging up and moving all the bodies somewhere else, but the public outcry was too great. Katya never stopped visiting Janez, no matter what, no matter what it took to get there. 

   One Friday walking her home from Dave’s Grocery she asked me if I could take her to the Slovenian National Home the next afternoon for a luncheon. 

   “I don’t have a car anymore, Katya, sorry.” My 1962 Rambler Custom Six, that I had gotten for free, was no more. When I got it, the car was already on its last legs. It was now rusting peacefully away in a junk lot somewhere up on Carnegie Ave.

   “Oh,” she said. “Maybe you walk with me there?”

   “It’s pretty far,” I said. I didn’t mention taking a bus. She distrusted the metropolitan buses getting to where they were going, ever since the city’s rail tracks had been torn up and the electric cars replaced with diesel transport. She believed half the drivers were addled from the fumes.

   The Home was almost thirty blocks away on East 64th St. and St. Clair Ave. At the rate she walked we would have to start as we spoke. After the luncheon we would have to walk the whole night to get back.

   “Oh, that too bad. Janez and I dance there all the time before he die.”

   “Let me see what I can do.”

   I asked my roommate Carl, in return for my washing the dishes, cleaning the house, and mowing our grave-sized plot of grass, if he would take her there and back.

   “It’s a deal,” he said.

   The next day he schlepped her to the Slovenian Home on his Harley, waiting outside smoking cigarettes and shooting the bull with passersby. She was a big hit with her cronies when they spilled outside after the gabbing and feedbag and saw her climb on the back of the hog, wrap her stumpy arms around Carl’s waist, and glide away.

   The Slovenian Home was where my Baltic kinsmen booked their big wedding receptions and celebrations. The Lithuanian Hall on Superior Ave. was too small in the 1960s and the new Community Center in North Collinwood wasn’t built yet. The Home opened in 1924, with two auditoriums, a stage, bar restaurant kitchen, meeting rooms, a gym, and a Slovenian National Library.

   The main auditorium was plenty big enough for any get together and the stage was plenty big enough for any band. The bar was big enough for even Lithuanians. Europeans drink more alcohol than anybody else in the world and Lithuanians are number one in Europe. Whenever I accompanied my parents to the Slovenian Home for a reception or gala, it was always a long night. There was a big dinner at big round tables, speeches, chatting it up, dancing, drinking, and as the drinking went on, singing. My father and his friends would booze it up well into one and two in the morning, singing “In the Sea of Palanga” and “The Old Roofs of Vilnius” and “Oh, Don’t Cry, Beloved Mother.”

   By then I was snoozing sprawled out in the balcony.

   Unlike our no backyard house Katya had a backyard where she grew Brussels sprouts cauliflower broccoli onions potatoes and anything else she could squeeze in. She liked prosciutto and bread for lunch. Sundays she made loads of yota with turnips beans cabbage and potatoes and a slab of meat loaf with hardboiled eggs in the middle. She kept it in the fridge all week, dinner at her beck and call.

   That fall I had to tell Katya that once the school quarter at Cleveland State University was over, I was going to have to take the next quarter off. I had found a job with an electrostatic painting outfit that was going to send me on the road, expenses like food and motels paid, for a couple of months. We were going to start in Chicago, swing out to the west coast, end up in Texas, and be back in time for the spring quarter at CSU. It was chance for me to earn good money and save almost all of it.

   “I going to miss you,” she said.

   We traveled in three-man crews and worked nights, from about 5:30 to about 1 in the morning. We worked in offices, painting office furniture like metal filing cabinets, desks, bookcases, and storage cabinets. The paint was loaded with a low voltage positive charge and the metal items magnetized negative. The finish was like new, no runs, no brush or roller marks, and there was almost no overspray.

   When I got back from my two-and-a-half months on the road, I picked up my cat Mr. Moto from my parents, did my laundry, and registered for classes for the spring quarter at CSU. I went to visit Katya that evening, but she wasn’t there anymore. The house was vacant. A “For Sale” sign was posted. I asked one of the neighbors, but he said he didn’t know much, just that a moving truck pulled up one morning and by the end of the day she was gone.

   I peeked through the windows. The ground floor rooms were all empty. The only thing left was a stack of old newspapers in a corner of the kitchen.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

A New Thriller by Ed Staskus

Cross Walk

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Raising Cain

By Ed Staskus

   Many cities have a nickname. Detroit is “Motor City.” Las Vegas is “Sin City.” Atlantic City is known as “Always Turned On” although it has been turning itself off for years. Even suckers lose their taste for losing sooner or later. Cleveland was once known as “Forest City.” In the 1960s it was the “Mistake on the Lake” and in the 1970s it became the “Rock and Roll Capital of the World.” Nowadays it is known as “The Land.”

   Cleveland has never been known as a hotbed of anarchy, although at the beginning of the 20th century that is what it was. It was where the notorious anarchist Emma Goldman struck a match. After the match sparked and flared to life the run-up to the fate of the life of the 25th President of the United States took shape.

   When Emma Goldman gave a speech at Cleveland’s Franklin Club in December 1900 she knew she was throwing gasoline on fire. She didn’t know the White House was where the fire was going to spread. Leon Czolgosz was in the audience. He was the glowing ember. He was born in Detroit but lived in Cleveland after his immigrant family moved there. As soon as the speech was over he started putting spare change aside to buy a handgun. He hadn’t held down a job for three years. Money was hard to come by but he made sure to come by it, penny by penny, by hook or by crook. 

   In the meantime, he tried joining Cleveland’s Liberty Club, a local anarchist group, but they said no. They said he was mad as a hatter and couldn’t join their club. All Leon could do was roll his eyes. “I no need to belong to no damn club, not me,” he grumbled. He probably would have refused to join any club that would have him. The lone wolf hoped his aim would be true when the time came.

   Anarchism is a philosophy that believes the state is both unnecessary and undesirable. It advocates the end of hierarchical government. “Anarchism is founded on the observation that since few men are wise enough to rule themselves, even fewer are wise enough to rule others,” Edward Abbey said. What is desirable is a stateless society. Anarchists believe in organizing society on a voluntary basis without recourse to compulsion. They refuse to rely on authority. They have always believed in defunding and dismantling the police. It is the farthest left of anything on the political spectrum. Anarchism is not for or against anything but stands for liberty. “I say, liberate yourself as far as you can,” is what Max Stirner said. 

   Capitalists and communists hate anarchists as much as they hate each other. The police everywhere in the world lock them up. Most people don’t understand them and don’t want to understand them. Others think the worst thing in the world, next to government, is anarchy. Even true believers of the movement have mixed feelings, some believing that when anarchy is declared the first thing to be done is to kill all the anarchists.

   Not long before Emma Goldman, who was billed as the “High Priestess of Anarchy,” lit up Cleveland, New York’s Supreme Court ruled that the act of saying you were an anarchist in public was a breach of the peace and liable to prosecution. The state soon passed the Criminal Anarchy Law, which said nothing prevents the government from punishing political speech that advocates its violent overthrow. Teddy Roosevelt, after taking over from William McKinley, proclaimed that anarchists were criminals and malefactors. “Their perverted instincts lead them to prefer confusion and chaos to the most beneficent form of social order.” His adversaries said that whenever there is a slavish addiction to laws, the only remedy is anarchism.

   Before he became the 26th President of the United Staes, Teddy Roosevelt was the police chief of New York City. He knew who his enemies were. In 1903 Congress passed a law that said no immigrants who were anarchists with “foreign sounding” names were welcome. Go back to Germany. Go back to Russia. Go back to where you came from and don’t come back.

   Emma Goldman wasn’t a windshield wiper kind of anarchist, mincing her words to suit her listeners. She said the same thing to bomb throwers and the judges who put bomb throwers away. What she said in Cleveland was, “Anarchism stands for liberation from the dominion of property and liberation from the shackles of government. The political arena today leaves one no alternative. One must either be a dunce or a rogue. Politicians promise you heaven before election and give you hell after. There’s never been a good government. A man has as much liberty as he is willing to take.” 

   She brought the house down at the Franklin Club. “My head nearly split with the pain,” Leon Czolgolsz said after the speech. “She set me on fire.” He made up his mind to take down the top dog at the top of bad government. He circled the Pan-American Exposition in Buffalo in September on his calendar.

   In the beginning the Franklin Club was the Union Labor Club. It was organized to promote the “brotherhood of humanity.” By 1896 the club was meeting at Forester’s Hall near downtown Cleveland and had changed its name to the Franklin Club. They had two motto’s. The first one was, “Error is harmless if truth is free to combat it.” The second one was, “Labor produces all wealth.” When they met their lectures and discussions revolved around ethics, economics, religion, and free love. After Leon Czolgolsz got done doing what he was planning on doing, and the consequences got rolling, the club’s records were seized by the Cleveland Police and the group disbanded.

   Anarchists had been busy in the years leading up to the new millennium. They believed that since the state was an instrument of violence it was necessary to employ violence against the state. In Chicago in 1886 an anarchist threw a bomb at a group of policemen, killing seven of them. Four anarchists were hanged. In 1893 an anarchist tossed two bombs into a theater in Barcelona, Spain, killing 20 people. That same year an anarchist detonated a nail bomb in the French Parliament. He went to his death by guillotine shouting, “Death to bourgeois society! Long live anarchy!” Over the years they assassinated their fair share of European monarchs, including the Kings of Italy, Portugal, and Greece, the Tsar of Russia, and the Empress of Austria.

   Not all anarchists advocated violence, but nobody paid much attention to those who didn’t. There will be blood is what the pulpit is all about. When Luigi Galleani, who was the leader of a group dedicated to terrorism, published a manual for bomb-making, which included a do-it-yourself guide to nitroglycerin, everybody paid attention. He wasn’t hiding his hopes and dreams. His rants about class warfare and tips about bomb-making were published in his magazine “Chronicle of Subversion.” After one of his followers blew up a Milwaukee police station, he was deported back to Italy, even though the Italians didn’t want him back. Who wants to be re-gifted a bomb-thrower? In retaliation his followers mailed letter bombs to thirty six mayors, governors, congressmen, and the U. S. Attorney General. The Attorney General was A. Mitchell Palmer. Before he was done retaliating, ten thousand foreign-born radicals had been arrested and more than five hundred deported.

   When Leon Czolgosz took a train from Cleveland to Buffalo in late August 1901 he had just enough money to rent a room for a few days, buy bullets for his handgun, and wait for his chance. He got the chance on September 6th when President William McKinley was at the Temple of Music at the Pan-American Exposition. He disguised his handgun by wrapping a handkerchief around it. The president was shaking hands with well-wishers. When the anarchist stepped up to shake the president’s hand, he instead fired two shots. The first bullet hit a brass button over the president’s sternum and bounced away. The second bullet hit William McKinley in the abdomen. He went down gut shot and died eight days later. His last words were, “It is God’s will. Goodbye to all.” 

   The gunman was arrested on the spot. He told the Secret Service men dragging him away his name was “Fredrich Nieman.” It meant “Fred Nobody” in German. “You’re somebody now, you son-of-a-bitch,” one of the Secret Service men said. It didn’t take long for the State of New York to deal with the assassin. He was tried by the Supreme Court in Albany and found guilty in two short days. He was electrocuted on October 29th. His last words were, “I killed President McKinley because I done my duty. He was the enemy of the good people, the good working people. I am not sorry for my crime.” His body was dumped into a lead casket and disintegrated when sulfuric acid was poured into the coffin. He was buried in an unmarked grave. All his personal possessions were burned. Everybody in Cleveland said, “Good riddance.” They did their best to forget all about him.

   Emma Goldman was arrested on suspicion of being involved in the shooting, but later released. There was insufficient evidence she had helped plan or execute the murder. She couldn’t help herself, though, and published “The Tragedy at Buffalo.” She compared Leon Czolgosz to Marcus Brutus, the assassin of Julius Caesar. She said tyrants had to go, one way or the other. She called William McKinley the “president of the money kings and trust magnates.” She was later deported for shooting off her mouth.

   Anarchism didn’t go away after William McKinley’s death and all the crackdowns that followed. The Los Angeles Times Building was bombed in 1910 during a bitter labor dispute. A series of bombings targeted anti-immigration politicians and businessmen in 1919. Judges who had sentenced anarchists to prison were singled out. An anarchist parked a horse-drawn cart in front of the J. P. Morgan building in the heart of Wall Street on a mid-September day in 1920. He walked away. A minute later at 12:01 PM 100 pounds of dynamite in the cart exploded, spraying 500 pounds of metal ball bearings in all directions. The horse pulling the cart was annihilated instantly. More than 30 people died and more than 300 were injured.

   After the Wall Street bombing the anti-anarchist lockups and interdictions of the 1920s were the effective end of them. It wasn’t the end of terrorism, though. In the 1930s terrorism became the favorite form of arm twisting for Adolf Hitler and Josef Stalin. Both were tyrants in their own way. They hated almost everything except themselves and their cronies. After World War Two terrorism became the preferred tool of nationalist anti-colonial forces. In the 1960s the Red Brigade and the Weather Underground employed old methods in new ways. They kidnaped and killed people who they blamed for economic exploitation and political repression. Towelheads took up the sword in the 1980s. After 9/11 they discovered they hadn’t thought through the repercussions.

   Terrorism means getting more bang for your buck, although its persuasiveness is repeatedly obviated by revenge. Northern Ireland suffered more than its fair share of terrorist bombings for decades during “The Troubles.” Even Canadians got in on the action. Quebec separatists robbed armories and set off bombs throughout the 1960s. In 1970 they murdered a Quebec cabinet minister. It didn’t get them anywhere.

  In Cleveland anarchism has largely faded away but hasn’t entirely gone away. In 2012 five local anarchists were arrested by the FBI for trying to blow up a four-lane bridge. They knew they wanted to blow something up but at first weren’t sure what. They talked about blowing up a Ku Klux Klan picnic ground in the suburbs. They talked about blowing up the Federal Reserve Bank building downtown. “We wanted to send a message to big business and the government,” 20-year-old Brandon Baxter said. They finally settled on the bridge.

   They planted C-4 explosive charges at the base of a high-level bridge crossing the Cuyahoga Valley National Park just south of Cleveland. They planned to set the explosives off the next day when anti-government protests were planned to happen downtown. They changed their minds and drove to a nearby Applebee’s, where they sat down to cheap beers and tried to set off the bombs by cellphone. The restaurant was on a bluff overlooking the valley and the bridge. Nothing happened. When they looked at one another, wondering what had gone wrong, FBI agents rushed them, handcuffed them, and frog marched them to the Justice Center. They had been infiltrated by an informant. The C-4 explosive charges were fake. The plot was a bust.

   The FBI had been on to the anarchists for almost a year. Their informant had met the five suspects at a Wall Street Occupy Cleveland rally. He told lawmen about their plans. The lawmen paid him $5,000 to get the goods on them. After the arrests supporters of the “Cleveland Five” gathered outside the Justice Center carrying signs calling for the arrest of the man who was the informant. The FBI ignored them. The informant laughed all the way to the bank.

   Four of the anarchists pled guilty and were sentenced to prison terms and lifetime probation. The fifth man pled ignorance and innocence. He testified he was only along for the ride and that he thought his friends simply wanted to tag the bridge with paint.

   “All I  wanted to do was help my friends,” 24-year-old Joshua Stafford said.

   Lying turned out to be a mistake. He was found guilty as charged after a brief trial. “The defendant’s callous disregard for our community, all in the name of making his ideological views known, reinforces the need to work diligently to stop terrorists from committing violent acts,” said Stephen Anthony, the FBI Special Agent in Charge. Joshua Stafford squirmed in his seat and bit his tongue. He was facing life in prison, never mind lifetime probation.

   The root of the word anarchy is archos, which means no leaders. In its classic sense it is not about chaos and confusion. It is about taking personal responsibility for yourself. When it comes to leaders, it’s buyer beware. The world’s poohbahs have beyond any doubt proven that and continue to prove it. Even though he was not an anarchist, back in the day Bob Dylan warned, “Don’t follow leaders, watch the parking meters.”

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Down East http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

“Cross Walk” by Ed Staskus

“Captures the vibe of mid-century NYC, from stickball in the streets to the Mob on the make.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City, 1956. President Eisenhower on his way to the opening game of the World Series. A hit man waits in the wings. A Hell’s Kitchen private eye scares up the shadows.

A Crying of Lot 49 Publication

Staying Alive

By Ed Staskus

   One of the concerns of Cleveland’s early settlers was that Canada might invade at any time. They were just on the other side of Lake Erie and they had plenty of boats. They might land their Canuck army somewhere in the middle of the night and lay siege to the city. Nobody knew what they would do if they captured Cleveland, they being foreigners who lived on bacon and poutine and littered their mother tongue with ”eh?” Everybody was convinced it was going to happen soon. What could they do?

   When the city fathers finally acted they formed the Cleveland Grays, a volunteer military company, to protect themselves from Canucks on the loose. They weren’t called the Grays at first. At first they were called the Cleveland City Guards but since their uniforms were gray from tip to toe they changed the name the next year. They wore Queen’s Guard bearskin hats that made them look a foot taller than they really were. They adopted “Semper Paratus” as their motto. Nobody knew what it meant because it was in Latin until the man upstairs finally explained it meant “Always Prepared.” Everybody liked that. There were 65 of them. They stayed prepared after that.

   The Cleveland Grays stayed busy even though the Canadians eventually decided to stay on their side of the border. In 1852 they put down a two-day riot at Cleveland’s Medical College. A mob bearing clubs and cleavers attacked the school, protesting the work of Resurrection Men. They were men who robbed graves of the recently deceased for dissection lectures. The rioters broke into the college. The doctors, teachers, and students fled while the bully boys destroyed all the furnishings and equipment. They ransacked the lower level looking for the body of a local woman who they believed had been body snatched. The Grays restored order, but the next day the roughnecks were on their way to burn down the house of one of the anatomy teachers when the Grays had to save the day again. The rioters saw their bearskin hats a mile away and snuck away.

   In 1861 they were the first militia in the country to form a company and respond to the call for Union soldiers. They fought at the First Battle of Manassas. They hauled the first ever captured Johnny Reb cannon of the war from the Cheat River battlefield back to Camp Cleveland in Tremont. The troops called it ‘Cannon Sesech’ after the secessionists. They fired it after every Union victory. They whooped it up loud and clear every hour for 24 hours on the day the war ended. Nobody complained about the noise. Over the years, after a Gray had been a member for twenty-five or more years, he was entitled to be called a “Pioneer” and to wear a leather apron with his uniform. He was also entitled to carry an axe when on parade. Nobody messed with them when they were on parade. They fought in the Spanish-American War and World War One. 

   After that the Militia Act proscribed them and their like from fighting in wars anymore on their own initiative. Uncle Sam still wanted them but only if they wore his regulation uniform. The Cleveland Grays lasted as a “Businessmen’s Camp” into the 1990s.

   They first set up shop on the fourth floor of a building called the Mechanics Block. Thirty years later they needed more space. They moved into a former fire station. Ten years later they moved into the newly built City Armory, sharing it with the Ohio National Guard. Soon after that a fire destroyed the building. They decided to build their own place that would stand the test of time. 

   A three-ton block of sandstone was set in place in 1893 where Bolivar Rd. meets Prospect Ave. for the foundation of the Grays Armory. It grew to be three stories high with a five-story tower on the northeast corner. It was built as an urban fortress. There is a black iron drop-gate and iron barriers in front of the solid oak front doors. Iron rods were bolted to the brick walls as window protectors. 

   The armory was built to store weapons and ammo. The drill room, which doubled as a ballroom, was where the Grays marched up and down in tight formations. But it wasn’t long before it became a kind of Blossom Music Center. The Cleveland Orchestra’s first concert in 1918 was staged there. The first time the Metropolitan Opera came to town they sang songs of doomed love and hellfire there. When John Philip Souza first marched into town his band played there. 

   Even though in the early 1970s I was living on Prospect Ave. near Cleveland State University, and later in nearby Asia Town, I didn’t know the first thing about Grays Armory. The few times I saw it I dismissed it as an old ramshackle castle with a cool-looking tower. I did, at least, until Joe Dwyer invited me to his new digs there.

   Joe and I went to St. Joseph’s High School the same four years in the 1960s and for a few years in the 1970s lived a street apart in Asia Town. Many of the suburban kids who went beatnik and hippie in those days moved downtown like us. Many of us lived in reduced circumstances, trying to keep our heads above water, living catch as catch can in our counterculture world. Joe was living rent-free in the caretaker’s quarters on the top floor of the tower. He was keeping a part-time caretaking eye on the armory.

   He showed me around the building. He told me it had just been added to the National Register of Historic Places. It looked like a forest had been chopped down for the floors, doors, stairs, and wainscoting. It was a sunny day and sunlight poured in through the windows. Everything was old but gleaming like new. We played a game of pool in the Billiard Room. We peeked into the basement where there was a 140-foot-long shooting range. We played some haphazard notes on the Wurlitzer pipe organ that had been installed a couple of years earlier. It came from a silent movie theater in Erie, Pennsylvania. It sounded creepy in the empty ballroom. Three or four concerts a year were being sponsored by the Western Reserve Theater Organ Society.

   Twenty years later my wife and I were living in Lakewood when we received a friend’s wedding invitation in the mail. The reception was being held in the main ballroom of Grays Armory. We checked the box saying we would be attending the festivities. My wife bought a new dress and I polished my dress shoes,

   We parked on Erie Ct. alongside the Erie Street Cemetery on the day of the big day. It was where Lorenzo Carter, the first permanent settler of Cleveland, was buried. It was where Chief Joc-O-Sot, who fought the first settlers, was buried. It was where almost a hundred Civil War veterans were buried, including General James Barnett, who was a commander of the Cleveland Grays. After the war he served on the commission that got the Soldiers’ and Sailors’ Monument built on Public Square. We walked to the end of the block to the armory. The lobby was carpeted in red. There was some kind of ancient ticket booth off to the side. There was a grand staircase. The posts and railings were carved from a single slab of wood. The posts were engraved with ‘CG’ for Cleveland Grays.

   After toasts, dinner, a slice of wedding cake, and some dancing, we were standing around when somebody in our group said the armory was haunted. “Lots of people have seen ghosts here,” the man in the know said.

   “Like who?” I asked. 

   “Plenty of people,” he replied.

   “I saw a handsome young man with light brown hair, parted on one side, with a crown imperial goatee,” said Chris Woodyard, who has written a series of books about haunted places. “The spirit was wearing a Cleveland Grays woolen jacket, decorated with a glockenspiel pattern down the front, formed by braids and buttons.” Staff members said a woman wearing white often appeared at the armory’s piano. She didn’t play it but no matter where it was moved to, she was always there. She wanted to dance but didn’t have a partner. Day and night doors locked and unlocked themselves and disembodied sinister voices whispered in the shadows. Ghostly footsteps were forever setting off security alarms.

   One day the spirit of a soldier walked through a wall to get into the ballroom. A cleaning man was mopping up after a party. He watched the spirit watching him. A woman spirit wearing a party dress appeared and walked up to the man spirit. When the cleaning man coughed the spirits melted away. Another day a maintenance man was working at the back of the ballroom when a glowing green hand closed the door. He ran to the door, and opened it, but there was nobody there. The door knob oozed wormwood.

   After another drink my wife and I went looking for spooks. “Don’t bother looking for Lou,” we heard a voice behind us say. “He’ll find you.” My wife didn’t like the sound of that, but she was game and went with me. “Who is Lou?” she asked.

   Lou was a caretaker who once lived at the top of the tower in the same quarters Joe had lived in. He died of a heart attack making his rounds. He still made his rounds. Most ghosts are about unfinished business. He often walked behind people in the ballroom. When they heard his footsteps they turned to see who it was, but there was never anybody there, although they could smell the aroma from his cherry-vanilla pipe. Whenever there was a meeting in the first-floor tower room, where there was an oversized potted plant, he liked to shake it violently until it fell over.

   “Do you believe in ghosts?” I asked my wife.

   “Not during the day,” she said.  

   “How about at night?”

   “I’m a little more open-minded at night.”

   It had gotten to be night when we went on our self-guided tour of Grays Armory. We went upstairs. We stepped into the Club Room where the Grays used to sit around and puff on stogies. There were comfy leather sofas. The mahogany was dark and the atmosphere cozy. We stepped into the Billiard Room where Joe and I had shot pool years earlier. There were antlers of long dead deer on the walls. We peeked into the rooms on the upper floors. One of them was a smaller ballroom for meetings. Back in the day folks wanted to be high up so they wouldn’t have to smell the horse shit in the street. There were unlit fireplaces everywhere. We found cupboards in the Mess Room where members used to hide their booze during Prohibition. There wasn’t a drop of spirits left.

   With every step we took we had the feeling somebody or something was behind us, but every time we looked around we were alone. After a while being alone got scary. It’s better to be alone than to be in bad company, I reassured myself.

   “Maybe we should go back,” my wife suggested.

   “We’re not after fish but let’s do a little more fishing,” I said.

   We went up and down the tower. We stepped into the ground floor room. The lights went on by themselves. We heard footsteps and bumps in the night. A big dusty potted plant that looked like it was a hundred years old started to shake. It fell over.

   “That’s enough fishing for the day,” my wife said, backing up.

   In the end we didn’t see any ghosts, except for maybe Lou, which wasn’t to say we were ready to say there weren’t any. The Ghost Hunters, a paranormal team on the TV show SyFy, rooted around Grays Armory one day and found evidence of hauntings. Every time they left a room something closed the door behind them. When they investigated the basement they heard an unseen somebody say “Hello.” When they left the voice said “Goodbye.” They concluded there were spirits, but they seemed to want to have a good time more than cause a ruckus. Ghosts just want to have fun sometimes.

   “Have you ever noticed that ghosts are always wearing clothes?” my wife asked.

   “I’ve noticed without really noticing it,” I said.

   “How do their clothes get into the other dimension with them?” she asked.

   “That’s a good question,” I said. “If you ever get the chance, ask one of them.”

   “There’s a fat chance of that ever happening,” she said.

   We hadn’t seen anything substantial but we had seen enough. We had felt the presence of spirits in the shadows. We went back to the wedding reception in the ballroom. The bride and groom were the life of the party on the dance floor. True love can be like a ghost. Everybody talks about it but not many have ever seen it. They were doing the hustle to a Bee Gee’s tune being spun by the DJ. Disco is a surefire remedy for ghost sightings. The Lady in White, the lonely dancing spirit who had long haunted the armory, was nowhere in sight. She was dancing to her own tune.

   “Feel the city breakin’ and everybody shakin’, and we’re stayin’ alive, stayin’ alive,”  the Bee Gees sang in their eerie falsetto voices.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

A New Thriller by Ed Staskus

Cross Walk

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Salty Dog Days

By Ed Staskus

   A football team can have the best running backs, linemen, and defensive backs but if they have a goat taking the snap instead of a GOAT, they are unlikely to make it to the Super Bowl. If they have competent role players and a ‘Greatest of All Time’ spiraling TD passes here there and everywhere, they are not only likely to get to the promised land there’s a good chance they will be hoisting the Vince Lombardi Trophy and going to the White House to be hosted and boasted by POTUS. Tom Brady has proven that to everybody’s satisfaction and Bill Belichick’s discomfiture. Nobody needs the best coach of all time. They simply need the best QB of all time.

   Almost everybody develops osteoarthritis sooner or later, even the GOAT’s and POTUS’s of this world. Live to be a hundred and the odds are hard against you. Live to be two hundred, like the ageless Tom Brady will probably do, and you can absolutely bet the family farm on it.

   I knew my hip replacement surgery scheduled for the third day of spring had been coming for ten years. What I didn’t know was that Light Bulb Supply, a commercial lighting distributor in Brook Park I worked twenty-five years for, was going to go out of business as fast as they did. When they did my blue-chip health insurance disappeared in the blink of an eye. Without it I couldn’t afford the surgery. I pushed the idea to the back of my mind. It stayed there for a long time.

   I started walking more, flipping upside down on a Teeter, taking supplements, taking yoga classes, and ignoring get-healthy-quick claims, but not before trying some of them. I might as well have set my paper money on fire. I waited to get on Medicare. Two years ago, I fell down walking on a beach when my hip gave out. It was a warning shot. I kept limping along, even though my mind was made up. When the 19 virus made its appearance, the flat tires in the Oval Office ignoring it, the ineptitude screwed everything up, but eventually I got to see Dr. Robert Molloy, who had been recommended to me.

   I had never been operated on. I wasn’t looking forward to it. But there was no going back because there was no future with the bone-on-bone bad news I had unless I was up for crawling.

   “How are you walking?” the surgeon asked after looking at my x-rays.

   “On one leg, more-or-less,” I said.

   If Dr. Molloy didn’t have a stubble beard, he would have looked like Doogie Howser, maybe younger.

   “Let’s get you going on two legs.”

   Five minutes later he was done with me. One of his outfit walked in and made an appointment for the procedure. Five minutes after that I was in my car driving home. After that it was a matter of waiting. The week before surgery was a long week. I wasn’t allowed to take Celebrex, which is an anti-inflammatory. Until then I hadn’t realized what a nitty-gritty role the drug played in keeping me on my feet. I barely made it to the Cleveland Clinic’s Lutheran Hospital under my own power

   An operating team is like a football team. It is made up of many moving parts. The surgeon is the top dog but unlike teams that throw catch kick balls, he is less the star of the show and more the lead man of the ensemble. He doesn’t spit snort chaw or scratch his balls while at work. The surgeon, the team, and  the operating room have to be as sterile as possible. The surgeon doesn’t pretend what he does matters, like pro athletes do, because it does matter. He doesn’t throw interceptions because what he does is a matter of life and death.

   Dr. Robert Molloy doesn’t earn the kind of the paycheck Tom Brady does, although if it was a left-brain world he would, and more. But it isn’t, so sports heroes have the key to Fort Knox. He doesn’t do hip replacement surgeries in front of 70,000 crazy cheering fans, which is probably a good thing. What if they were cheering for the other side? When Tom Terrific makes a mistake, he gets a do over the next time the offense takes the field. That isn’t necessarily the case with surgeries.

   “While I’ve done over 10,000 operations and invented devices that are used every day in surgery, the joy I receive from watching even one person take back their health just can’t be surpassed, and certainly can’t be measured monetarily,” Steve Gundry, a heart surgeon, said. In the meantime, Tom Brady has $4 million dollars of sheet metal parked in his garage, including a Rolls Royce Ghost, two Aston Martins, a Bugatti Veyron Super Sport, and a Ferrari. “Moderation in everything,” he says is his go-to mantra. Hip, hip, hooray for moderation.

   Hip replacements got going in Germany in 1891. Themistocles Gluck used elephant ivory to replace the ball on the femur attaching it with screws. The cement he used was made from plaster of Paris, powdered pumice, and glue. He might have added some spit to the mix. I’m glad I wasn’t the patient. He couldn’t have lasted long. Molded-glass implants were introduced in the 1920s but were mechanically fragile. Metallic prostheses started to appear in the 1930s.

   The first metallic total hip replacement was performed in 1940 at Columbia Hospital in South Carolina. It ushered in a new age. Modern technological advances spare surrounding muscles and tendons during total hip replacement surgery. The surgery protects the major muscles around the joint and the surgeon can see that the components fit just right. It allows the patient under the knife to take advantage of better motion and muscle strengthening after surgery. About 400,000 of the procedures are performed annually in the United States, making it the most common of joint replacements.

   Once I was checked in, checked out, and fitted with a one-size-fits-all gown, I was wheeled to the staging area, which is the pre-op room. It looked like the deck of the Starship Enterprise. There were computers and flat screens everywhere. LED lights blinked and there was a buzz in the air. The body shop nurses and doctors came and went, some of them dressed like spacemen.

   Two nurses were attending to somebody next to me. I could hear them on the other side of the curtain. “I don’t know how Amazon does it,” one of them said. “You order what you want and it’s at your house the same day, the next day at the latest.”

   “I know,” the other one said. “It’s like a miracle.”

   When I looked around, I thought, Amazon puts things in boxes, puts the boxes in trucks, and then puts the boxes on your front porch. It doesn’t seem like a miracle by any stretch of the imagination. The miracle is this pre-op room.

   An anesthesiologist with a Brazilian nametag asked me some questions. “We’ll have you up and dancing at Carnival sooner than later,” he said. He asked me to sit up and hug a pillow, hunching over it. I felt a cold solution being rubbed on my lower back. The next thing I knew somebody was waking me up. I was in the recovery room. There was a group of men and women standing around and looking down at me.

   One of them reminded me of Doogie Howser. “It went very well,” Doogie said. Whoever he was and whatever he was talking about went over my head and I fell instantly back asleep. The next time I woke up I was in a different room, cold and shivering. My left side felt like I had fallen from a ten-story building and landed on that side. When I gingerly felt for the soreness, my hand landed on an ice pack. That explained the shivering. I drew my blanket tighter around me and fell asleep again.

   The night nurse came and went, taking my vitals. I tried to explain to her how vital it was that I sleep, but she woke me up with her thermometer and blood pressure gizmo every couple of hours. I was hooked up to an IV. She told me it was for my own good, full of anti-inflammatories and pain killers.

   “It still hurts like hell,” I said.

   She brought me a small white pill that she said was Oxycodone. It did the trick. I fell asleep and stayed asleep, at least until she came back to get more vitals. It was two in the morning when she woke me up. She had brought a walker.

   “It’s time for you to take a walk,” she said.

   She must be new, I thought. I patiently explained that I had come out of major surgery just a few hours earlier and that there was a foreign object made of ceramics and plastic, titanium alloys, and stainless steel inside of me. Nurse Ratched shrugged it off and before I knew it, I was out of bed and plodding down the long hallway. She made sure I stayed on my feet and got me back into bed safely. She gave me another small white pill and I went back to dreamland, which was nothing if not wide-screen technicolor.

   When breakfast arrived the next morning, I wolfed it down like I hadn’t eaten anything for nearly two days, which I hadn’t. Its tastiness belied its reputation for blandness. When the lady who delivered the breakfast came back for the tray, she asked me how it had been.  

   “Better than hospital food is supposed to be,” I said. 

   “That’s good, honey, that’s good, got to keep your strength up,” she said.

   After breakfast the day nurse strolled in and stuck a memory stick into the flat screen on the wall at the foot of my bed. It was a 45-minute Cleveland Clinic video about what recovery was going to encompass. Halfway through the video a troop of nurses walked in to check on the Palestinian in the room with me, and me, too. I paused the video. The Arab had been there when I arrived and was still there when I left. He had a Frankenstein-like incision on one side of his Adam’s apple. “They did surgery on my neck, on some herniated disks,” he said. All that morning a nurse had been trying to get his medicine to go down, but even when they crushed and mixed it with apple sauce, he couldn’t swallow it. His throat was so swollen he couldn’t swallow anything. After a doctor showed up with something new, he was right as rain an hour later. When his wife came for a visit, they called their children to let them know how it was going. They toggled their phone to speaker. While they talked to their kids in all-Arabic, their kids responded in all-English.

   When the troop of nurses was done with my roommate, they turned their attention to me. One of them asked what I thought of the video. “It’s good,” I said. “The lady doing the talking got off to a slow start, sort of fumbling around, but got her footing and some spice soon enough. I liked the part about doing recovery the Cleveland Clinic Way and not the Burger King Way.” The narrator meant don’t do it your way, do it our way. “She’s a Salty Dog, that one,” I said.

  “Meet the Salty Dog,” one of them said, motioning to a woman at the back of the pack. It was Karen Sanchez. She was the leader of the pack. She was the Salty Dog. She shot me a tepid look. I wished I was still out cold.

   One day after entering the hospital I was on my way home. I said goodbye to the Palestinian. “Remember, follow the rules or follow the fools,” he said. The day nurse wished me luck and called for transit. “Ron will be up in ten minutes,” she said. The last person I saw before leaving my room was Karen Sanchez. She came alone and gave me a stern talking to about what to do and what not do the next few weeks. By the time she was halfway through I was convinced. She wasn’t convinced and continued her lecture. When she was done, I gave her a thumb’s up. She gave me a reassuring smile from behind her mask.

   I was put in a wheelchair and wheeled to an elevator. My last look back was of the stern watchdog admonishing somebody trying to get out of bed on his own. “What are you doing?” she barked. “Get right back in bed and ring for your nurse.” She was as much mother hen as anything else

   The pre-op and post-op teams, the check-in and check-out teams, had done their jobs. The transit team was Ron. He sported a jet-black Elvis pompadour and asked if I liked rockabilly. “I don’t like anything just now,” I said. I couldn’t have gotten into my car without him. My wife watched while he showed me the tricks of the trade. If I had tried to do it myself, I probably would have dislocated my new hipbone and he would have had to wheel me right back inside. Everybody described that kind of thing happening as “excruciating.”

    Surgical teams need a top dog, but unlike fun and games in colorful jerseys, they need a team as good as the surgeon to get the patient to the operating table and afterwards get the patient back on his feet. The goal isn’t to kick a field goal and win the Super Bowl, while the other guy slouches away dejected. The goal is for one and all to win the Super Bowl. The day after the operation I went home. When I got there, it took me five minutes to get up to the second floor, on the same steps my grade school niece and nephew could barrel up in less than five seconds. Our cats always ran the other way. They looked me up and down quizzically.

   It was a cold and overcast day. It was raining. I got into bed and slept for thirteen hours. The next day was cold again but sunny. My aftermarket hip needed breaking in. I broke open the recovery book the Salty Dog had given me, flipping to page one, and got down to business. 

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

“Cross Walk” by Ed Staskus

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Late summer and early autumn. New York City, 1956. Jackson Pollack opens a can of worms. President Eisenhower on his way to the opening game of the World Series where a hit man waits in the wings. A Hell’s Kitchen private eye scares up the shadows.

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