Tracks of My Tears

   By Ed Staskus

   I didn’t watch much TV growing up because we didn’t have a TV. It wasn’t until a couple of years after we moved from Sudbury, Ontario to Cleveland, Ohio that my parents bought a used 1955 Philco Custom 400. It was a 21-inch model in a cabinet of white oak with a finger-tip tuning system. It had a Double Gated Automatic Picture Control tuner that never worked during weather of any kind, whether it was drizzling or thunder storming.

   At first, I wasn’t impressed with what I saw. The shows were the likes of “McHale’s Navy,” “Car 54, Where Are You,” and “My Three Sons.” I had no use for “Hazel” and “I Love Lucy” drove me loopy. Lucy was a nut, and everybody hollered and played pratfalls like there was no tomorrow. I liked watching baseball and football games, although baseball games went on forever and football games were only broadcast on Sundays. The Cleveland Browns were a powerhouse, and everybody citywide stayed patriotically stuck to the tube when they were playing.

   Cartoons were fun and westerns were my favorite, especially “Maverick,” “Bart Masterson,” and “Have Gun – Will Travel.” My parents enjoyed “Bonanza” and watched it every Sunday night which meant my sister, brother, and I watched it almost every Sunday night. They took in every single episode, whether we were there, or not. I didn’t care for it, the Cartwright’s being irredeemable do-gooders, but I couldn’t and didn’t say anything to my parents about my point of view. They were always telling me to be a good boy.

   My favorite was “Route 66.” It was about two young men driving around the country in a Chevy Corvette convertible. Besides the adventures, what I liked about the show was that every episode was shot on location in a new state. It was my kind of geography.  I would have given my tooth fairy money to be them. I didn’t mind being good, but I didn’t want to be too good.

   I had been to the neighborhood Shaw-Hayden Theater plenty of times and seen plenty of space adventure and monster movies. My friends and I always sat in the front row. Movies were the real deal and TV was lame compared to the big screen. Movies were stupendous while TV was furniture.

   At about the same time we were watching Godzilla movies on the big screen the chairman of the Federal Communications Commission gave a speech to the National Association of Broadcasters. After praising the professionals in the room, he said that television should uphold the public interest. Then he said TV was a “vast wasteland.” He didn’t stop there. “When television is bad, nothing is worse.” 

   When I started watching “Queen for a Day” one summer I watched it every day. It didn’t matter that my friends were riding bikes playing ball messing around outside. I watched it laying on my stomach on the floor a few feet from the TV. I only watched it for three or four weeks, although it was more than enough to make me sweat bullets. When I stopped watching it, I went cold turkey and never watched it again. I didn’t grow much older watching the sob show, but I seemed to be growing up way too fast on the tracks of melodrama and avarice.

   The show was originally a local affair on radio in Los Angeles but became popular enough that NBC picked it up and started broadcasting it nationally on television. The broadcast was live from the Moulin Rouge theater cum restaurant in Hollywood. Its ratings got so high that the network increased its running time from 30 to 45 minutes so they could sell more commercials. They were raking in $4,000 a minute, a premium price nobody else was getting. Sponsorships poured in. Every single prize came from sponsors. Models in faux medieval outfits plugged the products. They looked more slutty than maidenly. They had to put up with Jack Bailey the host saying things like, “Let’s give Mary Ann a big hand for finally doing something right.” Pre-recorded commercials ran between segments. Naming all the sponsors at the end of the show took more than five minutes.

   The show went to ABC from 1960 to 1964 until it finally folded up its circus tent. The television writer Mark Evanier has called it “one of the ghastliest programs ever produced, tasteless, demeaning to women, demeaning to anyone who watched it, cheap, insulting, and utterly degrading to the human spirit.” After that nobody bothered asking him what he really thought.

   The idea behind the show was simple and savage. “Queen for a Day” was about four women sharing their stories of unhappiness and tribulation in front of an all-female audience. There was always a box of Kleenex on the curtained table behind which the women sat. The host was a pencil mustached man who always looked like he needed another drink. The stories were about dead husbands and sons crippled with polio. One woman wanted to win so she could repair the bullet holes in her bedroom walls where her husband had committed suicide. He missed several times before getting it right. Determined widows with healthcare problems were a staple. If they had a small dying child, to boot, they were sure to win. 

   “I had two handicapped sons,” one woman said. “I lost them, and then I took care of an elderly lady in a wheelchair. She passed away, along with my mother and my father, and then my husband passed away. I feel that I would like to have a vacation.” She got her vacation. Another woman related the tale of her legally blind uncle and cousins. They were a poor farm family in Kansas. Everybody in the family had serious vision troubles. She came in second place and consequently none of her relations got new eyeballs.

   “On the show when Jack Bailey introduced my mother, he made a big deal about her being a long-lost cousin because her last name was Bailey,” one woman’s daughter recalled. “Since she was a farm girl, he asked her if she milked cows, and she demonstrated on his fingers. She became the queen that day. My uncle was given everything my mother asked for and more. He got a complete piano tuning tool set and a scholarship to a piano tuning school in Seattle. My mom got a full set of living room furniture and an Amana freezer that lasted for twenty-five years.”

   “My husband died,” one contestant explained. “Then my children and I were evicted and were out in the cold with nowhere to turn.” The show was the bases for all the reality TV shows that came after it.

   “Well, ha, ha, ha!” Jack Bailey laughed like he was at a circus. “Today is your lucky day, getting to tell your story here and having the chance at being chosen QUEEN FOR A DAY!” Sometimes, unable to help himself, he guffawed at the sad stories and threw out sarcastic remarks, immediately explaining that he was just kidding.

   After the ladies finished, the audience applauded for the woman they wanted to see become “Queen for a Day.” The winner was determined by a decibel-reading Applause Meter, what I called the Thing-O-Meter. I didn’t always agree with the contraption, but what did I know. The winner was fitted with a jeweled crown and robed in a sable-trimmed robe. She got money, appliances, clothes, and vacations, among other things.

   “I always thought losing was the worst,” said Bill Costello, who like me found himself glued to the boob tube. “Then you find out your life sucks, but not enough.”

   Not just anyone was picked to be on the show. They had to somehow appeal to the  producers before they ever got to a live audience and the tens of millions watching at home. One woman explained she wanted to be on the show because “it would help me to regain my identity, which I seem to have lost somewhere between the maternity ward and the washing machine.” The best approach was delivering enough pathos and bawling to turn the trick. One woman said she would give her right arm to be on the show.

   My mother spotted me on the living room floor one day staring up at the TV, engrossed in the black and white pathos. She put her dish towel away and sat down in a sofa chair behind me. When the day’s episode was over, she shut the TV off. “Don’t watch that show anymore,” she said. She had never forbidden me to watch anything before. I knew there was something wrong with the show but couldn’t put my finger on it. It held me in its sordid grip. The women told fantastic stories, whoever got the most applause for her miserable tale won, got crowned, and walked away with prizes up the wazoo. What could be better?

   One winner said her husband was killed in a car crash, the family ended up poor as church mice, their savings exhausted, and needed help bad. “My mother was 28, pregnant, my sister was 8, and I was 5,” her daughter remembered years later. “My father had promised my sister that if she got good grades, he would buy her a pony. She did but he died before he could fill his promise. My mother won two bedroom sets, a living room set, a dining room set complete with dishes for a service for eight, a set of silver ware, a cook-set, a built in mixer, a hot water heater, a 7-piece patio set, a complete set of Tupperware, twelve complete outfits that included dress, matching shoes and handbags, twelve pairs of stockings, a complete set of Sarah Coventry jewelry, a complete set of rhinestone jewelry, a diamond encrusted watch, a four piece matching mother-daughter outfit, a swimsuit, a check for $1,000, and a Shetland pony.” When she came up for air she checked the time on the jewel-encrusted watch.

   Jack Bailey always said in his trademark signoff, “Make every woman a queen, for every single day.” He never said what the losers got, although I always assumed they got nothing. Once my mother put a grip on the show, she disliked it instantly. My parents were World War Two refugees from Lithuania and didn’t believe a word about getting something for nothing.

   “I was babysitting my aunt’s four children in 1944 when the Russians came,” she said. “We ran away on a cart pulled by a horse with a cow tied to the back. On our way through East Prussia, we had to sell the cow for food. There was no milk for the baby. We slept under the cart every night and every night either the Germans or Russians bombed us. After the war I lived in Nuremberg in one room with three other women and worked at the Army Hospital. When I went to Canada where I had gotten a visa and a job, the job was as a nanny for a family of thirteen. When your father joined me the next year, he had no money and went to work in a cement factory the next day. When we got married, we had no money, but we had the three of you and bought a small house. It’s shameful to go on a TV show, telling all the world your troubles for prizes.”

   She hadn’t seen her parents uncles aunts brothers sisters cousins for almost twenty years. The Iron Curtain was locked up tight. My parents never complained about it. They both went to work weekdays and on weekends worked around the house when they weren’t doing something at the church or with the scouts. They didn’t help us with our homework or drive us to the library. We did our own homework and walked to the library.

   She wasn’t telling me anything about “Queen for a Day” I didn’t already know, although I couldn’t if my life depended on it have put it into words. I knew I didn’t like the clapping like crazy for the most miserable story of the day. “Sure, the show was vulgar and sleazy and filled with bathos and bad taste,” the show’s producer Howard Blake said after the program’s nine-year run ended. “That was why it was so successful. It was exactly what the public wanted.”

   He didn’t stop there. He knew it was a trashy show that played on people’s misery, while those same people played out their tearjerkers to cash in on the American Dream.

   “Everybody was on the make, NBC and later ABC, the producers, the sponsors, and the suppliers of gifts. And how about all the down-on-their-luck women who we used to further our money-grubbing ends? Weren’t they all on the make? Weren’t they willing to wash their dirty linen on coast-to-coast TV for a chance at big money, for a chance to ride in our chauffeured Cadillac, for the free tour of Disneyland and the Hollywood nightclubs? What about one of the most common wishes they turned in? ‘I’d like to pay back my mother for all the wonderful things she’s done for me.’ The women who made that wish didn’t want to pay back their mothers at all. They wanted us to do that.”

   We never clapped and cheered when anybody in our grade school class at St. George’s Catholic School had a bad day. None of us clapped and cheered when a nun slapped one of us and made him or her stand in the hall. Nobody clapped and cheered when somebody was a step slow getting to the CTS streetcar taking us home. We yelled and slapped on the windows for the driver to stop and pick the kid up.

   None of us wanted to be finks for a day, or any other day.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

A New Thriller by Ed Staskus

Cross Walk

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

X Marks the Spot

By Ed Staskus

   As many times as I met Matt X. Sysack was as many times I didn’t meet his father Russell X. Sysack. Matt was my brother-in-law’s best friend. They met during their freshman year at St Ignatius High School on Cleveland’s near west side. My wife and I and my brother-in-law and Matt often went out together to weekend breakfasts, to shows, and to haunted houses. We went to honky-tonks to listen to the rock and roll band my brother-in-law played lead guitar for. After the two young men finished college and started on career tracks, they decided to not be too serious about life, at least not just yet. They decided to be fun guys while there was still some fun to be had.

   Neither of them lived on their own at the time. When they bought motorcycles they kept them in our garage. When they bought a Jet Ski together they kept it and its trailer in our garage. They launched the Jet Ski from Eddy’s Boat Harbor in the Rocky River Metropark a couple of minutes from our garage. We called the Metropark by its local name, which was the Valley. There was a bait shop at Eddy’s that sold ice cream. I had a cone one day while I watched the Sunday sailors launch their craft.

   It was only a couple thousand feet down the river to Lake Erie and fun riding the waves, except when they ran out of gas a half-mile out on the lake. When they did they discovered there wasn’t a paddle on board. A Good Samaritan in a power boat threw them a towline and got them safely to shore. It wasn’t long after that before they stopped cranking the throttle on the craft’s impeller. 

   Both Matt and my brother-in-law eventually sold their motorcycles and their Jet Ski and mothballed fun and games for the foreseeable future. “Hustle it up” is what they said. They put their noses to the grindstone. Matt’s father, Russell, always had his nose to the grindstone. He was a hard-working man with a family to support. At the same time, he never put his irreverent sense of fun away. He wasn’t going over the hill anytime soon. He knew over the hill meant picking up speed on the other side.

   Russell X. Sysack was born in Cleveland and went to John Carroll University, a Jesuit school in University Hts. After graduation he became co-owner and manager of the family business, Sysack Sign Co., in Old Brooklyn on Cleveland’s near west side. He sported a Waylon Jennings beard and overalls at work. The work he did was hand-painted signs, from small displays to big-size displays. When Russell’s father Harry X., who opened the business in 1940, punched the time clock for the last time, Russell took over. Over the years the Sysack Sign Co. gave the high life to innumerable storefronts.

   Russell mixed business with pleasure. He was a libertarian and provocateur, more in your face than subtle. He was outspoken. He was subtle as a sledgehammer. His signs were everywhere around northeastern Ohio. In the meantime, he had his own op-ed billboard at the front of his sign shop. It was across the street from a public library. His work for others expressed what their goods and services were about. His personal billboard was where he expressed himself. It was where he expressed himself In 2002 when he compared Martin Luther King, Jr. to Osama bin Laden. The comparison let the terrorist play his own tune; it insulted Martin Luther King, Jr. The billboard was set on fire one night. The Cleveland Police wrote up an incident report and filed it. Congresswoman Stephanie Tubbs Jones led a protest march. 

   “Mr. Sysack has said that over the years he’s been sued and received bomb threats because of his signs,” the Sun Press reported. Russell explained his resilience by saying “I take the right of free speech very seriously.” Stephanie Tubbs Jones wasn’t having any of it. “The right to free speech is limited,” she said. Nobody is allowed to falsely shout “fire” in a crowded theater, she added. The First Amendment doesn’t protect words “that incite people to violence.”

   The community was divided. “Those signs were the highlight of my day when I was stuck in traffic on W. 25thSt.,” Anna Namoose said. For some, his words were signposts. “I love his truthfulness,” Dale Bush said. “Sorry if the truth hurts.” Some were perplexed. “Every time I see his signs I’m struck with the same thought,” ‘Silent Dot’ said. “Sir, what do you think happens next? Do you think that someone driving by will stop and read your sign and go ‘Holy cow!’ this guy with the sign is a genius. I’m going to drive to the State House to speak my mind right now!” Others were outraged. “I hope your racist business closes,” Monica Green said. Some took an art school approach. “This is a special kind of batshit insane outsider art,” Adam Ohio said.

   One man, at least, took a philosophical approach. “Russell Sysack has been in our consciousness since the ’80s,” Tim Ferris said. “He really got going on issues in the ’90s when Mayor Mike White began compromising the public interest. He might be extreme, but he’s necessary. He forces us to think back towards a middle position. By temperament, perhaps by training, he’s a cartoonist, and it’s his purpose to distort and amplify so as to reveal or enlighten. We shouldn’t take cartoons too literally. Those who do, do so with the intent of silencing him. We also need to realize that we can’t look for good taste when it comes to addressing outrageous or extreme abuses. He speaks to big problems, and he uses strong talk.”

   He posted his strong talk on his personal billboard year after year and appeared regularly on local mouth-foam talk radio. His targets were Martin Luther King, Jr., the city’s African American mayors, and Black History Month. Politicians weren’t his favorite creatures. If they were Democrats, so much the worse for them. He celebrated Edward Kennedy’s death on his personal billboard, despite the Massachusetts senator being still very much alive. Public education and the Catholic church were targets of his ire. Anything new-fashioned was fair game. He compared environmentalists to Nazis. “The only way to make the earth green and stop global warming is for all humans to die” was what one sign said.

   The near west side sign man worked in the “Simon Sez” tradition even though he worked outside of the tradition.  Buddy Simon was the sign man on the near east side of town. He hung a “Simon Sez” sign outside his Carnegie Ave. shop every week for more than 30 years. They were usually wry and funny observations about the way we live today. He kept his nose out of race, religion, and politics. He stayed on the Mr. Rogers side of the street. Nobody ever set any of his signs on fire. 

   Russell X. Sysack was more of a soapbox man than Buddy Simon, although his soapboxing was more diatribe than not. He was a worried man singing a worried song. He was worried about how the present was going to affect the future. He stood by Abraham Lincoln, who said, “You cannot escape the responsibility of tomorrow by evading it today.”

   Splashing his op-ed sign on the street where everybody could see it, he wasn’t holding back.  He said he standing up for the taxpayer and the small businessman. He told anybody who would listen he was a defender of the American way of life, by which he meant capitalism. He said he was a patriot. He was met with threats, vandalism, and litigation. There were widespread complaints of racism. “I’m just expressing my opinion,” he told the Cleveland Plain Dealer, the city’s morning newspaper. 

   In this corner, still undefeated, it was Russell X. Sysack’s long-held opinions and beliefs. He didn’t need a referee. He gave as good as he got, even though his facts weren’t always reliable. Free speech advocates argued he was entitled to his own opinion. His detractors said he wasn’t entitled to his own facts. “Opinion has caused more trouble on this earth than plagues and earthquakes,” said the French Enlightenment writer Voltaire. The trouble with opinion is, more often than not, the fewer the facts the stronger the opinion. The White House under the thumb of a latter-day rabblerouser testifies to the trouble that can ensue.

   In retirement, Russell X. Sysack became a crossing guard for the Parma schools, working the streets in his neighborhood. He helped children cross the street safely. His presence made parents feel easy in their minds about their children walking to school. He reminded drivers in no uncertain terms of the presence of underage pedestrians. Nobody was ever run down on his watch. Pity the fool who tried to barrel down the road at 21 MPH.

   After he stepped aside from the sign company his sister Nancy took over the business, She lived in a house attached to the back of the sign shop. She was a chip off the old block. She kept up the family practice of posting the Sysack point of view on the op-ed billboard in front of their building. One of them had to do with migrants.

   “The head of DHS is a Communist & a Treasonist. On May 11th he will open the southern border. No illegal will be refused entry. US troops will transport them to every city in the US. They went to Panama to organize this invasion using NGO’s & the cartels with taxpayer money. 8 million will enter this country by year’s end from 150 countries. China has warships in the Bahamas. The plan is to overwhelm our system, crash our economy, and create a national emergency. There will be a fundamental change of our country into Communism. What are u going to do about this invasion?” 

   As it happened, nobody did anything because there were no Chinese warships in the Bahamas and no US troops were escorting anybody anywhere. The secret messages and conspiracies went up in smoke. The invasion was a nonstarter. Nancy went back to the drawing board.

   Her “Ugly Ugly Ugly” sign ruffled more than one feather in 2017.  It featured a woman’s wide open Rolling Stones-like mouth outlined in bright red lipstick. It said “All Women Are Beautiful Until They Open Their Mouth” and listed some women the sign maker considered loudmouths. It was in the tradition of bad taste making more millionaires than good taste.

   “The sign suggests women only have, or their mouths in particular, only have one purpose, and I find that greatly offensive,” said Christopher Demchak, one of the organizers of a demonstration. “Particularly in this political climate and particularly when young children and families are driving by.” The protestors were hoping a demonstration would influence the sign company to stop posting offensive content. They didn’t know who they were going up against.

   “We don’t want to cover up this message and stop somebody’s voice, since this was a woman who put this message out, interestingly enough,” said Christen DuVernay, the other organizer. “But, we do want to provide alternative messages for young girls in the community to say ‘your voice does matter.'” 

   President Barack Obama became the dartboard for Nancy’s darts when he was elected. “Now that red-necked and facist America elected Obama on a campaign of change, will blacks show their gratitude & change? Hell no. Will Jesse Jackson & Rev. Al stop being racists? Hell no. Will blacks stop using slavery as an excuse? Hell no.”

   When Russell invoked the First Amendment one of the things he meant was, if you can guarantee never offending anybody, you don’t need the amendment. It doesn’t guarantee you the right to be heard, though. Nobody has to read or listen to anything you have to say. All media has an on-off switch, even billboards, Look the other way if it rubs you the wrong way. You don’t need a weatherman to know which way the message blows.

   Russell X. Sysack died in 2009. He was in his mid-60s. He had run whatever race he was running. Wherever he has ended up, with the stand-up saints or the fallen angels, he is undoubtedly making his idiosyncratic voice heard, loud and clear.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

A New Thriller by Ed Staskus

Cross Walk

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.