All posts by Edward Staskus

Edward Staskus is a freelance writer from Sudbury, Ontario. He lives in Lakewood, Ohio. His crime thrillers "Cross Walk" and "Bomb City" can be found on Amazon.

Smoke Signals

By Ed Staskus

   Not everybody was too big at Born to Travel, but except for Sally, the office secretary, and my sister Rita, they were either full to the brim or getting close to it. Sharon, Karen, and Vivian were in love with the feedbag. Gino had a hankering for the beefy mixed with gravy. Sandy Eisen and Sima Zucker had fallen into the trough a long time ago and weren’t coming up for air.

   The travel agency was in Beachwood, a far east side suburb of Cleveland. The office wasn’t the biggest to begin with, making it a tight fit. It was a squeeze coming and going to the desks. The staff of six and the two boss women had to wiggle sideways to make their way around the cramped space.

   Everybody except Rita and Gino were Jewish. Gino was Italian, a gay man, and hated Sandy and Sima. Even so, he was there before Rita started working at the agency and he was still there when she gave notice after a gasoline tanker truck flipped over outside their doors. She had had enough by then and called it quits.

   Rita was the goy blonde girl who was good for business. Before she went to work at Born to Travel, she worked at another travel agency on Fairmount Circle, not far from John Carroll University. A jug-eared man who lived down the street owned the business. He put her desk in the window. He wasn’t hiding it. He thought she would attract whitish waspy people from the college.

   “Oh, look, they have a Christian girl there,” is what he hoped all the Christians would say.

   Sandy Eisen and Sima Zucker were sisters. They owned the agency. They were from Israel, like their cousin, who was Orthodox. Sandy and Sima were on the lighter side of Reformed. They didn’t take it seriously, although they could get serious in a second, if need be. They came to the United States when they were children. By the time they were teenagers it was as though they had always lived in McMansions in Beachwood. They only ever talked about the homeland when one of their tour groups was going there.

   In the 1970s Sandy was a dancer in downtown Cleveland. She worked at a disco bar serving drinks and dancing in a cage. The place was the Mad Hatter. It had a bubble machine, a strobed multi-colored dance floor, and sticky red-shag carpeting. She wore white go-go boots. Twenty-five years and 200 pounds later she showed Rita a picture of herself, in a shimmering sleeveless fringe dress, doing the funky chicken.

   Rita could hardly believe it and said so. Sandy didn’t like her tone. She lit a Virginia Slim cigarette and puffed on it, vexed, smoke coming out of her ears.

   Sandy and Sima’s world revolved around food. They loved all-you-can-eat buffets. Their favorite time of day was breakfast lunch dinner. They weren’t food snobs. Their motto was, eat up now. They were supposed to fast during the Jewish holidays, but because they were fat, they were diabetic and had to take medication. They had to take their pills with food, so they couldn’t fast. But they were sticklers about breaking the fast. Sandy would rush home right away and make a batch of potato latkes.

   Sima had two sons in high school. Her husband worked at a grocery store. He was the head butcher. He brought kosher beef and lamb home. Sandy had three daughters and her husband, a tall balding man with a nice smile, was a porno movie wholesaler. He sold them to video stores around the state. He made a good living selling glossy naked girls.

   All of Sandy’s daughters were pudgy-cheeked fat and fluffy. The youngest one was 22 years old and clocked in at close to three hundred pounds. The middle gal never went anywhere without her portable fridge. The oldest one’s neck was turning black because oxygen was being blocked by blubber. When they started hunting for husbands all three got gastric bypass surgery and lost weight by the boat load.

   No one ever knew what got into her, but Sima went to Weight Watchers for a month. She kept a journal and wrote down what she ate morning, noon, night, and snacks. But she lied to her journal. She made it all up.

   “I’m not going to say I ate all that,” she explained.

   “They’re not going to be checking up on you,” Rita said. “You’re just lying to yourself.”

   Gino didn’t believe she was going to lose any weight. “It’s a pipe dream,” he said. He chewed his cud about it. Rita encouraged her to keep it up, but Sima didn’t lose any weight, not that anybody thought she would.

   Sandy went on the Adkins Diet. She loved meat and started eating a slab of bacon every day. She brought it to the office in the morning. There was a microwave in the fax machine room. She tossed slices of bacon into it every morning, heated them up, and ate all of it. The office smelled like a fry shop for hours.

   “I don’t know about all that bacon,” Rita said. “It can’t be good for you.”

   “I’m on the Adkins Diet,” Sandy said. “I’m allowed to eat as much of it as I want.”

   “She’s double-crossing herself,” Gino said. Everybody looked the other way. Sandy didn’t lose any weight, the same as Sima.

   Whenever Sandy had to go to the bathroom, she would hoist herself up from the desk. It took a slow minute. She could have used a lift-o-matic. “Oy, vey” she complained. Her knees were giving out. When she came back from the bathroom and flopped down in her chair, it bounced, the hydraulic hissing and groaning.

   Every year, two or three times a year, Sandy and Sima went on cruises. They loved cruises for two reasons, which were food and gambling. They didn’t care what cruise line it was, so long as it was the cheapest. No matter how cut-rate it was, you could still eat all you wanted, and they all had casinos. They loved to gamble. The nightlife didn’t matter, either. The ports they stopped at didn’t matter. The only thing that mattered was that it was a floating chuck wagon with one-armed bandits.

   Rita went on one of their dime-a-dozen cruises. The ship was creaky old but not yet rusty. It sailed out of Miami into the Caribbean for a week. Sandy and Sima spent every waking minute eating and betting. Rita got sun poisoning at the pool the first day and couldn’t sit on the sunny side of the street after that. The rest of the trip she had to stay on the shady side of the street with the 70-year-olds. She was bitter about it every minute of the cruise.

   When gambling started showing up on computers, Sandy started gambling at work. She played winning and losing games at her desk and made Sima do all the work. She bossed Sima around most of the time, anyway. Sandy was the older of the two, although Sima was the harder worker, so Sandy could throw everything at her without caring too much about it.

   They bought clothes by remote control because they couldn’t find their sizes at department stores. Catalogs arrived at the office every day. Their clothes were XXL, but nice looking. They didn’t wear sack dresses. Most of the clothes were sets, coordinated stretchy pants and a top, like turquoise pants and a turquoise blouse.

   Sandy and Sima were both top-heavy, even though both had skinny legs. Sandy talked about her legs all the time. “Look how thin I am,” she said, pulling up her pants. “My legs are so thin.” But from the waist up she was huge. She never pulled her top up or down. It would have been indecent.

   It was when Sima got false teeth that she finally lost weight. Her real teeth were a mess from smoking and eating sugary greasy processed food and not brushing and flossing nearly enough. She was in pain for months because of the new teeth and hardly ate anything. Her dentist told her to stop smoking, too. She wasn’t happy about it, but she lost weight for a while.

   She didn’t like having to buy new shoes before their time, but she had to. Her fat feet had gotten skinnier, and she needed them. She only ever had one pair of shoes, a kind of basic black loafer. When they were worn out, she would buy another pair the same as before. “I can’t live with sore feet,” she said.

   Sandy wasn’t happy about the change in her sister. She didn’t like Sima losing weight, especially whenever she sprang out of her chair like a spring chicken to go to the bathroom. Sima started saying, “Oh, I can’t stand that smell,” whenever Sandy lit up, since she had stopped smoking. They were sisters, but they bickered most of the time, arguing about whoever did whatever it was they were doing better than the other.

   Everybody in the office smoked, except for Rita. Sima went back to blazing. They were always blowing smoke out of their mouths and noses. They were in a non-smoking building, but nobody cared. They were all addicted to tobacco. Besides opening the windows to air out the office, they bought devices that supposedly sucked smoke out of the air. One was next to Rita’s desk, although she was never sure it did any good.

   One day after work she met one of her friends for dinner. When they got to the restaurant her friend said, “We can sit in the smoking section if you want to.”

   “Have you ever seen me smoke?” Rita asked.

   “No,” she said.

   “OK then.”

   Gadi Galilli, Rita’s boyfriend, made her change her clothes the minute she stepped into the house after work. He didn’t smoke and didn’t like the smell. “I know they are well off, but it smells like poverty,” he said.

   She always smelled like smoke, since she sat in the office all day, an office where somebody was always lighting up. Gino’s desk faced hers, which made it worse. She had a cloud of smoke in her face most of the day. It wasn’t just them, either. Most of their clients had the same bad habit, as though the agency specialized in people who smoked cigarettes.

   If Sandy wasn’t lighting up a Virginia Slims, Sima was lighting one up. One or the other was always huffing and puffing. They were a pair of choo-choo’s. Sandy’s wastebasket under her desk caught fire one afternoon. She absentmindedly flicked a butt into it instead of stubbing it out in the ashtray. They had to call the building’s security guard, who had to find a fire extinguisher, and by the time he got it under control the fire burned the underside of the desk and all the wires to her computer.

   She never said she hadn’t done it, at least not to anyone in the office. She never said anything about it. But she denied it to the insurance company. She didn’t want to pay for a new desk and a new computer. She didn’t start the fire purposely, which made it all right in her mind, and she got her settlement in the end.

   One day a few days before Halloween a gasoline tanker truck overturned on Chagrin Blvd., turning too fast on the ramp coming up I-271, just outside the office building. The street slopes downward for a quarter mile as it wends east. The gasoline from the ruptured tanker ran down the road like smeary water. None of them knew anything about it until a fireman with all his gear burst in.

   “Everybody out!” he said. “We’re evacuating the building.”

   Gino, Sally, and Rita grabbed their coats. Sandy leaned halfway up from her chair.

   “Nobody takes their car,” the fireman said. “The ignition could spark the gas. If anybody even tries to start a car, you’re going to get arrested.”

   Sandy and Sima wrestled themselves up to their feet. They all went into the hallway, everybody from the upstairs offices coming down the emergency stairs, shuffling towards the front door, stopping, and waiting their turn to go outside. Standing in line, rocking back and forth, Sandy pulled out her box pack of cigarettes, her BIC lighter, shook out a Virginia Slims Luxury Light 120, flicked the lighter, and lit up.

   The fireman came running over to them. “Stop!” he yelled. “What the hell do you think you’re doing?”

   He pulled the cigarette out from Sandy’s lips and crushed it between his gloved fingers. “Give me that lighter,” he said. Sandy gave it to him. She was furious but didn’t say anything. Rita thought she was going to burst, but she gave the fireman the stink eye, instead. 

   He didn’t give the look a thought. He threw the BIC lighter in the trash. He kept his eyes on her.

   When they got outside everybody was walking up the road, up to the bridge over the highway, away from the gasoline. Sandy and Sima turned the other way. The office followed them. As they walked past the gas pooling on Chagrin Boulevard where it levels off, splashing down into the storm drains, Rita realized why they were walking in the opposite direction from everybody else. Sandy and Sima couldn’t walk far and besides, they had trouble walking uphill. They could walk farther if they were going downhill. They were also going towards the stretch of fast-food restaurants where all the fire trucks and emergency vehicles, their lights flashing, were blocking the road.

   They stopped at Burger King and had burgers and fries. Firemen tramped in and evacuated everybody. They had to move on. They stopped at Taco Bell and had chicken tacos. The next thing they knew firemen were evacuating everybody again. They stopped at Wendy’s, and everybody had a frosty.

   The gas smelled like more gasoline than Rita had ever smelled in her life. She didn’t have an appetite, although she had a strawberry frosty to pass the time. Sally had one, too. The rest of the office had the empty feeling, a hunger that got bigger and bigger, and scarfed up.

   Sandy called her husband from the phone booth outside Wendy’s, and he came and picked them up in his family van. He deposited Sandy and Sima at home, drove the rest to their residences, and dropped Rita off in Cleveland Heights.

   While parked in front of Rita’s up and down double, the engine running, he turned in his seat and said, “You’re a very pretty girl, have you ever thought about being in dirty pictures?” He flashed her a warm smile.

   “No,” she said.

   “You could make a lot of money,” he said. “We’re always looking for sick minds in healthy bodies.”

   “No thanks,” she said.

   He looked down in the mouth for a minute but took it like a man.

   Walking up the sidewalk to her front door, as Sandy’s husband drove away, she thought, “I’m going to have to quit my job soon. Who needs a sex maniac, and all those stinky butts? That can’t be good for me.” That’s what she did, finally, the week after New Year’s. “Where there’s smoke, there’s smoke blowing in my face,” she said to Gadi. She was peeved. “They don’t even pay me hazard pay.” 

   They never asked her, “Do you mind if we have a cigarette?” She was just the blonde girl to get the goys to cough up. They were topping off the tank, Virginia Slimming, rolling in the dough, while she was saving every spare penny to get ahead.

   “I don’t care if they are spoiled rotten, or not,” she told Gadi after clearing her throat and breaking the news. “They don’t pay me enough to stay. I’m not bringing home the bacon I need. I’ve got to go.” 

   Gadi waved his hand, brushing away imaginary smoke. “Go change your clothes,” he said.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

A New Thriller by Ed Staskus

Cross Walk

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

King of the Surf Guitar

By Ed Staskus

   When I saw Dick Dale at the Beachland Ballroom in 2003 I didn’t know he was dying. If somebody had told me that after the show, I would have said they were crazy. By the time he was done with the encore he had put on a set piece of steel string twang. He had a bass player and a drummer with him but he was essentially a one man band. I had to stand in a shoulder-to-shoulder crowd from beginning to end. I was tired of standing by the end of the night. He was more than fifteen years older than me and spent the show the same as me, standing, except he did it while putting on a three ring circus on his Stratocaster.

   “I’ve been performing since 1955 and I’m going to keep performing until I die because I’m not hoping to die in some rocking chair with a beer belly,” he said. “I’ll never die, not that way. I’ll just explode, right before your eyes, onstage.” He spent 60-some years performing before he went kingdom come.

   What I didn’t know was he had been diagnosed with cancer more than thirty years earlier. When that happened, he went to Hawaii for sunshine and treatments. It sidelined him for years. “You know what the doctors call me to this day? They call me ‘The Cancer Warrior.’” He stayed in trim through thick and thin, playing his guitar upside down and backwards. He was born a lefty.

   Before Jimi Hendrix was the Jimi Hendrix Experience, he was the bass player for Little Richard. He was in Little Richard’s back-up band the Upsetters. “We were both left-handed, Jimi and me, but we would use a right-handed guitar held upside down and backwards. He developed my slides and my riffs. He used to say, ‘I patterned my style after Dick Dale.’”

   Dick Dale cut his teeth and made a name for himself at the Rendezvous Ballroom in Orange County. The ballroom was built in 1928 and had long been a swing and big band music hall. He started playing there in 1961. Seventeen people showed up at his first show, all of them surfer friends of his. Less than a year later thousands of fans were attending his nightly gigs. The shows were called “The Surfer Stomp.”

   The Rendezvous Ballroom burned down in 1966. It happened the day after the Fresno band the Cindermen performed there. Although it was a suspicious coincidence, nobody blamed them. When the surf guitar craze died down in the mid-60s, Capital Records declined to renew their contract with Dick Dale. His father Jim and he went back to pressing their own singles. The British Invasion was in full swing. The Beatles were on the throne. The Monkees were on the horizon. Dick Dale took a back seat. “You’ll never hear surf music again,” Jimi Hendrix sang on his 1967 song “Third Stone from the Sun.”

   In the 1970s Dick Dale suffered an accident on his surfboard that almost cost him a leg. It took him a long time to recover. He stopped performing, trying to get his feet back under him. He scored his first comeback in the 1980s when he was nominated for a Grammy alongside Stevie Ray Vaughn for their cover of the Chantay’s “Pipeline.” It was back to the beach and his Stratocaster.

   Satan’s Satellites opened for him when he came to Cleveland. When they were done stirring the pot it was time for the mainline. Dick Dale was dressed like a cowboy, mostly in black. He had an aquiline nose and his hair had gone white. The Stratocaster being driven to a reverb-heavy frenzy in his hands was yellow. The guitar was nicknamed “The Beast.” It was fitted up to be played loud, with thick gauge strings. “I call them cables,’’ he said. “That’s what gives me my fat sound.’’ He was compelled to use heavy picks to make an impact on the strings. His staccato picking led to him breaking dozens of picks every show. He kept many of them in his back pocket. The Stratocaster didn’t have tone controls. What it had was a master volume and a toggle that activated the neck and middle pickups.

   “My philosophy is the thicker the wood, the thicker the sound,” he said. “The bigger the string, the bigger the sound. My smallest string is a 14 gauge.”

   Dick Dale wasn’t born “The King of the Surf Guitar.” He was born Richard Mansour, the son of a Lebanese father and a Polish mother. He learned to play the piano at an early age and moved on to the ukulele. His uncle played the oud and the tarabaki and taught them to his nephew. In his teens he bought a used guitar and it was off to the races. He blended tarabaki drumming with guitar playing, developing a picking technique he called “the pulsation.” When his family moved to southern California, he learned to surf on weekends. He took his board to the beach from sunup to sundown. One thing led to another and the Middle Eastern music he had grown up with became the emerging genre of surf music.

   Surf music popped up seemingly out of nowhere in the late 1950s. It didn’t morph out of anybody else’s sound. The first wave was instrumental surf, played by the likes of Manuel and the Renegades, Eddie and the Showmen, and Dick Dale and His Del-Tones. Dick Dale pioneered the surf sound, folding his boyhood influences in with rock-n-roll, a spring reverb, and rapid alternate picking. His 1961 song “Let’s Go Trippin’” was a big hit and launched the popularity of the new beat.

   The second wave was vocal surf, coming out of the mouths of bands like the Beach Boys, Jan & Dean, and Ronny and the Daytona’s. It was the kind of music meant to stir the hearts of teenage girls and get them to buy records. “Little surfer little one, made my heart come all undone, do you love me, do you surfer girl, surfer girl my little surfer girl,” is how the Beach Boys put it. They weren’t above repeating “surfer girl” four times in one verse.

   Dick Dale wasn’t an old geezer, but he wasn’t a young geezer, either, the night I saw him perform. He was in his mid-60s, an inch or two shorter than six foot, and looked fit as a fiddle, although a little thick around the middle. He wasn’t fiddling around, though. He looked like the kind of guy who knew his way around. He looked like he might have a switchblade somewhere on his person. He looked like the kind of guy you wouldn’t want to get into a knife fight with in a phone booth.

   “I can be a mean maniac,” he said. “Someone once threw a firecracker at a show and I jumped off the side of the stage and whacked them on the side of the head.” He knew how to whack hotheads, having raised wild animals for many years on his ranch. “When I was surfing, I would get a rumble sound,” he said. It was the sound he tried to capture on his guitar. “At the same time, I was raising forty different exotic animals. So, when my mountain lion, he’d go, ‘Waaah!’ I’d imitate that on my guitar. When my African lion wanted his dinner, he’d go, ‘Ooowwwahhhhrrrgh!’ They were matching the sounds of what you go through when on a 15-foot wave.”

   He started the show at the Beachland Ballroom with “Misirlou,” an old Middle Eastern song originally known as “Egyptian Girl.” It was from where his father and uncle came from. He learned it as a boy from his uncle who played it on the oud. “I started playing it,” Dick Dale said, “but I said, ‘Oh no, that’s too slow.’ And I thought of Gene Krupa’s drumming, his staccato drumming. When we moved to California, I got my first guitar, but I was using this rocket-attack, Gene Krupa rhythm on the guitar.”

   The reason Dick Dale was in Cleveland was the movie “Pulp Fiction.” The director Quentin Tarantino used the song “Misirlou” in his mid-90s movie and just like that surf music was back in the spotlight. He released a new album and hit the road again. He announced from the stage he had another new album out called “Spatial Disorientation.” It sounded just about right.

   The Beachland Ballroom hadn’t always been home to the most wide-ranging rock ‘n roll on Lake Erie’s south coast. The building was built in Cleveland’s North Collinwood neighborhood in 1950 as the Croatian Liberty Home. It came with a ballroom and a bar. It was where local Croatians celebrated weddings and lamented deaths. After a shot and a beer, it was time to live it up on the dance floor grooving to the gajde. A kitchen and back bar were added in 1976. During the Age of White Flight most of the Croatians moved farther east to suburban Eastlake and built a new National Home. The old building was boarded up. It became the Beachland Ballroom in 2000. 

   Surf music is usually played on electric guitars in straight 4/4 time with a medium to fast tempo. It is known for its use of a spring reverb incorporated into Fender amps. The Fender Reverb Unit developed in 1961 was the first to feature a wet surf reverb tone. It is the effect heard on Dick Dale recordings from that time on. 

   “People just loved the sound,” he said.

   They loved the sound in California, for sure. “Kids called it surf music, although I didn’t call it that,” he said. “I didn’t go to Julliard. I’m into just chopping, chopping at the strings. That’s the sound, the sound of the waves chopping. The surfing sound is not the reverb. When so-called music historians say reverb’s the surf sound, they don’t know what they’re talking about. It’s the heavy machine gun, the staccato sound. It’s the waves.”

   Halfway through the show, halfway through “The Wedge,” he grabbed a pair of drumsticks and played part of the song on his guitar’s fretboard with them. Music historians everywhere shook their heads. “Where’s the reverb?” they asked. The Rock and Roll Hall of Fame in Cleveland stuck by their decision to not induct him into their museum. They inducted the Ventures instead. It was a wise decision.. Museums are for the antiquated. Dick Dale wasn’t museum fodder. He was a live wire. 

   His staccato sound was a loud sound. Leo Fender was the man who made it loud and louder. He created the first eighty five watt transformer especially for the plank spanker. It peaked at a hundred watts. Leo Fender called it the ‘Showman.’ “It was like going from a little VW Bug to a Testarossa,” Dick Dale said. The Ferrari Testarossa was a championship-winning racing car in its day. The name means “red head” in Italian, referring to the red-painted cam covers on the 12-cylinder engine. In time the ‘Showman’ became a hundred watt transformer peaking at one hundred and eighty watts. Leo Fender called the new deal the ‘Dual Showman.’ Everybody hearing it called it a game changer.

   “Leo is the guru of all amplifiers,” Dick Dale said. “It was him who gave me a Stratocaster. He became a second father to me.” He became Leo Fender’s quality control tester. If an amp could survive his show, it was ready to go big-time. Along the way, Dick Dale destroyed fifty-some standard 30-watt boxes. “Dale and Leo would continue to work together on upping the ante, building a speaker cabinet that could house two 15-inch speakers to sustain his vicious riffage,” is how the Fender folks put it. 

   After he ripped through “Misirlou” to open the show, Dick Dale ripped through “Shake ‘n’ Stomp” and “Rumble” and “Jungle Fever” and “Hava Nagila” and “Banzai Washout” and “Shredded Heat.” He slowed it down for a minute playing “Caterpillar Crawl.” The drummer got to be excited on “Surfing Drums.” After that came “Tidal Wave” and “Ghost Riders in the Sky.” There wasn’t much banter between songs. When one was over and done with it was on to the next one.

   “I’m going to play my goddamn guitar and that’s all there is to it,” he said. “I’m going to make people happy. I’m going to make them forget about all their pains.” He meant get happy and forget your troubles for two-and-a half hours.

   When the show wrapped up after one encore, we shuffled out into the springtime night. There was a full moon in the empty sky. My friends and I wandered along the half mile of storefronts towards East 185th St. The neighborhood had been the headquarters of the Irish Mob in the 1970s. Motorcycle gangs showed up after the Irish were gone. The neighborhood was slowly turning the corner, though. It was becoming the Waterloo Arts District, bustling with art and entertainment.

   Dick Dale died sixteen years after I saw him at the Beachland Ballroom. He was fast off the starting line when I saw him, all the while suffering from diabetes, kidney disease, and heading towards more cancer. What sustained him getting to the finish line was beyond me. Maybe the music kept him going. He said as much when he said, “I make my guitar scream with pain or pleasure. It makes people move their feet and shake their bodies. That’s what my music does.”

   Like the reggae man Bob Marley once said, “One good thing about music, when it hits you, you feel no pain.”

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

A New Thriller by Ed Staskus

Cross Walk

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Cloak and Dagger

By Ed Staskus

   The Cleveland Police plainclothes detective kept his eyes fixed on nothing. He wasn’t tall or short. He wasn’t thin or chunky, either, except when he wore a bulletproof vest, which made him look chunky. He was able-bodied enough, although he was near-sighted. The closer something was to him the better he saw it. When he had to, he wore brow line glasses to see far away. He kept his hair not-too-neat and didn’t shave too often. He read the Cleveland Plain Dealer newspaper every morning except Sunday when there was too much of it. There was hardly anything about him likely to draw anybody’s attention. When he was in some bar, at the bar with a beer in front of him, a Lucky Strike smoking itself at his elbow, nobody ever gave him a second look. 

   He worked out of the third floor of the Cleveland Police Department’s Central Station at East 21st St. and Payne Ave. The Central Station had been in business for fifty years. It replaced the Champlain Street Headquarters. When it did the Plain Dealer reported, “The minute the new station opens, the ancient Champlain Avenue mausoleum of crime and rats which has been functioning as a police headquarters for perhaps twenty-five years too long will start to crumble before the wrecking engines.” Fifty years later the Central Station was in the same boat, overflowing with crime and rats.

   Frank Gwozdz looked at his bottle of beer in front of him. He took a short pull. It was getting lukewarm. It didn’t matter to him. It was only there so he could hide behind it. He loosened his already loose tie and the top button of his shirt. Mitzi Jerman was working the bar. She asked if he wanted fresh peanuts. “Thanks, but no,” he said. He hadn’t touched the bowl. The bar didn’t serve food, just peanuts, pretzels, and pickled eggs. He hadn’t touched anything, yet, although he might if the two collectors stayed long enough. He was getting hungry. He knew the goon with jug ears doing all the talking had worked the numbers for Shondor Birns. He was sure enough the other one had been up to the same thing. He wondered why they were close by downtown and not the near east side where the Negroes lived. That’s where their bread and butter was this time of night. 

   Jerman’s Café was on East 39th St. and St. Clair Ave., although it wasn’t actually on any street. It wasn’t in a storefront like most corner bars, and it wasn’t on a corner, either. It was on the ground floor of a house. It was set back from St. Clair Ave. with a parking lot on the side. If a drinker didn’t know the bar was there he might end up high and dry. It opened in 1908 when a Slovenian immigrant and his wife opened it. It had lived through World War One, the New Deal, World War Two, and the 1956 Cleveland Indians World Series win, when the celebrating didn’t stop for days. It stayed open as a speakeasy during Prohibition, not missing a beat. Mitzi’s uncle smuggled booze from Canada those years, making the run across Lake Erie in a speedboat by himself. Mitzi’s mom and dad hid the rum and whiskey with neighbors whenever Elliot Ness was on the loose.

   Mitzi came back to where Frank was sitting and parked herself in front of him. “Working tonight, handsome?” she asked, drying freshly washed glasses with a bar towel. Frank wasn’t exactly handsome anymore, just like he wasn’t exactly young anymore.

   “I’m working right now,” the police detective said in a quiet voice.

   Mitzi had been born upstairs in the apartment above the bar. It was where her parents lived all their working lives. She slept in the same room she had been born in. There was a piano and a juke box in the bar. A pool table squatted at the rear, alone and lonely. Mitzi watched Tribe games in living color on a TV set placed high up on a wall. Her pooch Rosco slept at her feet. The bar Frank was sitting at was oak, and the ceiling above him was zinc. Mitzi served Pabst, Stroh’s, and Budweiser on tap.  Everything else came in a bottle. Frank fiddled with his bottle of Anchor Liberty Ale.

   One of the men at the back table snapped his fingers. Mitzi looked at them. They were looking at the neighborhood girl who worked nights with Mitzi. She was a looker. Some men wanted to hang their hats on her. Mitzi sent her to their table. They ordered two more glasses of Pabst and gave her a pat on the behind for her trouble.

   “Are you working those two bums?” Mitzi asked.

   “I only work bums, and it looks like they are the only two of their kind in this place right now.”

   “Is anything going to happen in my place tonight?”

   “Not if I can help it,” he reassured her.

   Shondor Birns had run the numbers racket for years, until he was blown up on Easter Saturday outside of his favorite strip club three and a half months ago. “SHONDOR BIRNS IS BOMB VICTIM” the Cleveland Plain Dealer headline in block letters blared on March 30, 1975. The big news out of Vietnam that day was below the local bomb story. “Communists capture Da Nang” it said. The strip club was Christie’s Lounge, where Shondor Birns spent the evening drinking and ogling the naked girls bumping and grinding. When he was good and drunk, he staggered to his Lincoln Continental parked in a lot across from St. Malachi’s Catholic Church. As soon as he turned the key in the ignition the dynamite wired to the ignition came to life. He was blown in half, his upper body catapulted through the roof of the car. Some of him landed in the parking lot. Some of him was sling shotted into the webbing of the surrounding chain link fence. The rest of him disappeared. Celebrants at the Easter Vigil rushed out of the church when the explosion made the stained-glass windows shake and rattle.

   The racketeer had been arrested more than fifty times since 1925 but was hardly ever convicted. He had killed several men, but no charges ever stuck. He ran a theft ring. He ran the vice resorts. He became Cleveland’s “Public Enemy No. 1.” When he got into the protection racket many small businessmen discovered they needed protection. “He was a muscleman whose specialty was controlling numbers gambling on the east side, keeping the peace among rival operators and getting a cut from each of them,” was how the Cleveland Press, the city’s afternoon newspaper, put it. “He was a feared man because of his violent reaction to any adversary.”

   What little was left of Shondor Birns was buried in Hillcrest Cemetery on April Fool’s Day. He was officially gone. They had taken his picture down from the top row of the big board at the Central Station. Somebody else had taken his place, although the mystery man’s picture wasn’t on the board, yet. The policy games weren’t going to stop with Shondor Birns gone. His fast fists hadn’t been fast enough to save him. The next boss was already taking care of business. Frank wanted to know who that was.

   When the two men at the back table got up and left, Frank got up and left, too. They got into a green Plymouth Duster. He wasn’t going to have any trouble following it. He got into his unmarked Ford Crown Victoria. The dark blue car wasn’t much to look at, since it looked like every other unmarked police car in the country, but no other car was going to outrun it if it came to a chase. The Duster drove to East 55th St,, turned on Euclid Ave, and at Mayfield Rd. turned again going up the hill to Little Italy. They parked behind Guarino’s Restaurant and went in the back door. Frank parked five spaces away, near the entrance to the lot.

   He turned the car off. He was hungry but didn’t go inside right away. He thought about going home. Nobody had assigned him this shadow job. He had taken it upon himself. He could go home anytime he wanted to but he didn’t want to go home. He wanted to see his kid but didn’t want to see his wife. She had been getting unhappier by the day since the day she stopped nursing their boy. That was three years ago. She was miserable at home and had taken to drinking. Frank threw away every bottle he found hidden away somewhere, but he never found the last bottle. He could smell it on her breath every day when he got home.

   She was eleven years younger than Frank. He knew it was a mistake but at the time he hadn’t been able to control himself. She had gotten to be sneaky and patronizing. She complained about him being a policeman. She complained about his unpredictable hours. She complained about his pay and how he dressed. When he tried to explain the dress code behind being an plainclothes man, she was condescending about it, calling him “you poor dear man.” They didn’t kiss anymore, much less talk much. She complained about the housework, even though she did less and less of it. She had started to neglect their child, leaving the boy with a teenaged babysitter those afternoons she went to the Hippodrome.

   “What’s at the Hippodrome?” he asked.

   “Movies,” she said.

   The Hippodrome had the second largest stage in the world when it was built in 1907. It was in an eleven-story office building with theater marquees and entrances on both Prospect Ave. and Euclid Ave. in the heart of downtown. It hosted plays, operas, and vaudeville, at least until the movies took over. After that it was all celluloid. It became the country’s biggest theater showing exclusively big screen fare. A new air conditioning system pumped in cold water from Lake Erie, keeping everybody cool on sweltering summer nights.

   Frank tailed her there one day. She went to the Hippodrome but didn’t go to the movies. She went downstairs to the lower-level pool hall. She walked to the back and through a door marked “Private.”

   “What’s behind that door?” he asked one of the pool players.

   “The boss is behind that door,” the pool player said.

   “Would that be Danny Vegh?”

   “Naw, this is Danny’s joint, but Vince runs the place. Why all the questions?”

   “No reason, just curious.”

   “If you want to see Vince, you don’t want to right now. He’s got a woman in there and it’s going to be some time before they finish up their business.”

   “Thanks pal,” Frank said. “How about a game of nine ball?”

   An hour later and twenty dollars the worse for wear, Frank gave up. His wife was still in Vince’s office. The door was still shut tight. He walked out and up the stairs to Euclid Ave. He crossed the street, leaned against a light pole, and lit a Lucky Strike. His wife walked into broad daylight a half hour later. A car pulled up to the curb and she got into the front seat. Frank followed the car to their home in North Collinwood. The car pulled into the driveway. His wife got out and went in the front door. The car drove away.

   “Son of a bitch,” Frank muttered to himself. It was looking to him like she was a wife and mother gone over to monkey business. She had promised him at the altar far more than he was getting. He wasn’t getting any of her love, for sure. He could kill her for what she was doing, except for the kid. He might kill her anyway. There was more than enough room in the backyard for an unmarked grave. He could plant poison ivy to mark the spot.

   Frank’s stomach grumbled. He was hungry as a flatfoot at the end of a long day. He hadn’t popped even a single peanut into his mouth at Jerman’s Café. He could eat at the trattoria and keep an eye on the two collectors at the same time. He got out of the Crown Victoria, locked it, and walking through the vineyard patio went into Guarino’s. The restaurant had been around since before the 1920s. A Sicilian family ran it then and the same Sicilian family ran it now. It had been redecorated in a Victorian style in 1963, but the décor didn’t affect the food. Mama Guarino led him to a two-top table. He ordered veal saltimbocca. The waitress brought him half a carafe of chianti. He took his time eating, making sure his wife would be asleep when he got home.

   He had always thought there was nothing more romantic than Italian food. He wasn’t feeling romantic tonight, but at least the food was delicious. He took a bite of veal and gulped down a forkful of angel hair. No man could love a cheater and not pay the price for it. Things fall apart when they’re held together by lies. His thoughts grew dark. He filled his wine glass with red relief and drank it slowly thoughtfully.

Excerpted from “Bomb City.”

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

“Bomb City” by Ed Staskus

“A police procedural when the Rust Belt was a mean street.” Sam Winchell, Beyond Books

Available on Amazon: https://www.amazon.com/dp/B0F1LM1WF9/ref=sr_1_1?crid=2MYAQAOZIC2U9&dib=eyJ2IjoiMSJ9.hTm7BGbiQbSe5ZapFwYPPfcwOpTe-Vdg6VLE4aGyTyk.Z0R-VNBWWEcvKcNaO9LdCOUnNIOOXgvYkRS_FXiXuHk&dib_tag=se&keywords=bomb+city+ed+status&qid=1742136726&sprefix=bomb+city+ed+staskus%2Caps%2C84&sr=8-1

Cleveland, Ohio 1975. The John Scalish Crime Family and Danny Greene’s Irish Mob are at war. Car bombs are the weapon of choice. Two police detectives are assigned to find the bomb makers. It gets personal.

A Crying of Lot 49 Publication

Sledgehammer Hill

By Ed Staskus

   The weekend my mother-in-law Terese and her husband Dick moved out of Reserve Square in downtown Cleveland, they moved out of twin Brutalist inspired apartment towers into a turn of the century house. They had lived in their apartment for more than twenty years, on the 17th floor facing Lake Erie. During the National Air Shows flying out of Burke Lakefront Airport they sat on their balcony and watched the Blue Angels streak past like roadrunners on the loose.

   There’s nothing like the sound of F/A-18 Hornets roaring a few hundred feet overhead and veering away at the last second from skyscrapers dead ahead. They are jets able to perform high angle of attack tail sitting maneuvers and can fly formation loops dirty, their landing gear down. The sound of silence once they’re gone is deafening.

   Terese and Dick bought an abundance of a house with four bedrooms and three bathrooms on the corner of East 73rd St. and Chester Ave., in the blighted Hough neighborhood, ten minutes from downtown. It was built in 1910 in the colonial style. When they got done restoring it, they had added an attached garage, put on a new roof, installed new vinyl windows and siding, a new interior staircase, and a new kitchen. It went from ghetto to gentrified as fast as the contractors could make it happen.

   Almost 100% of the people living in Hough in 1999 were black. Only 2% of them were white. Terese was Lithuanian and Dick was Italian. They were part of the 2%. She was from Cleveland. He was from Rochester. Everybody and their uncle tried to talk them out of buying the house. The racial make-up of the neighborhood was the stumbling block of all their opinions. The color barrier, however, was not a stumbling block to Terese.

   Terese was a self-taught chef who owned four restaurants in her time and made herself into one of the city’s top-notch confectioners. The opera star Luciano Pavarotti searched her out and pigged out on her cookies and cakes whenever he was in Cleveland. “That man can eat,” she said. When he was done eating he was good and ready for an aria.

   Her signature creation was a 17-layer cake based on a recipe that Napoleon brought to Lithuania during his ill-fated Russian campaign. Terese, Dick, my wife, brother-in-law, and I helped make them Novembers and Decembers, working out of her kitchen, freezing them, and selling them during the holidays through the Neiman Marcus catalog. I went home most nights needing to shower clouds of flour off me. 

   Terese and Dick bought the house in Hough because she had grown up nearby, when the neighborhood was more white than not, and wanted to go home again. It wasn’t the same, but she saw what she wanted to see. She remembered the neighborhood from her childhood and made the reality fit her memory. She had a streak of magic realism running through her.

   My wife and I lived in Lakewood. I had a red Schwinn mountain bike that I frequently rode in the Rocky River Metropark, on the paved trail, the horse trails, and the single tracks. I rode downtown sometimes, winding my way through Ohio City and across the Hope Memorial Bridge, especially on weekends when all the bankers, lawyers, and city workers were at home. I usually rode the Hope Bridge over the Flats so I could see the Guardians.

   The 6,000-foot-long art deco truss bridge crosses the Cuyahoga River. Four pairs of immense stone statues officially named the “Guardians of Traffic” are sculpted onto opposite-facing pylons at each end. Each of the Guardians holds a different vehicle in its hands, a hay wagon, a covered wagon, a stagecoach, a 1930s-era automobile, and four different kinds of trucks. I always crossed an index and middle finger while going by in hopes of keeping traffic away from me.

   I got it into my head that I wanted to ride around on the east side of town, through Cleveland Heights and Shaker Heights. I thought about East Cleveland but thought better of it. The city had gone to hell in a handbasket. I asked Terese if I could park my car in their driveway while I rode. She said yes but cautioned me to bring my rear-mounted rack into the garage. Law and order was sketchy in her neighborhood. When I had stored the rack away she invited me into the kitchen to snack on  croissants fresh out of the oven.

   She was in the middle of two projects. One was chocolate-covered plastic spoons that turned into a steaming drink when hot water was added. There were rows of the spoons on baking trays. The other project she was working on was perfecting a handy self-serve pan to make the dry, hard-textured Italian cookies called biscotti. I preferred croissants fresh out of the oven.

   Whenever I had ridden downtown with friends and wanted to push ahead into Cedar and Fairfax, what my friends called the black hole, they always turned back. “I don’t want my husband getting killed by some spade,” one of their wives told me. I didn’t bother trying to explain that hot under the collar rednecks driving pick-ups were far more dangerous. It wouldn’t have done any good.

   I rode up the hill to Little Italy and Lake View Cemetery. The riding was twisty throughout the graveyard. I couldn’t see the lake, no matter what. I stopped at the Garfield Monument. President Garfield was shot four months into his term of office and died two months later from infections caused by his medical staff. He was determined to live but stood no chance against his White House doctors. The shooter was hung the next summer. On the gallows he recited a poem he had written called “I Am Going to the Lordy.” He signaled he was ready for his fate by dropping the paper it was written on. The hangman kicked the paper aside and didn’t screw around securing the noose.

   There are thousands of trees and 100,000 graves in the 280-acre cemetery, from nobodies to moguls. One of the most striking grave markers is the life-sized bronze statue called The Angel of Death Victorious but known as Haserot’s Angel. The statue is seated on the gravestone of Francis Haserot, holding an extinguished torch upside-down. The man made his fortune canning foodstuffs and importing tea and coffee. 

   The angel’s wings are outstretched and looks like it is crying black tears. “They formed over time,” Terese told me. “It’s an effect of the aging bronze.” She had taken drawing and painting classes at the Cleveland Institute of Art. I took her word for it.

   I rode Fairmount Blvd. to Shaker Hts. and bicycled around the Nature Center at Shaker Lakes. The green space was created in 1966 to stop the Clark Freeway from going in. Those behind the effort called themselves ‘Freeway Fighters.’ Cuyahoga County Engineer Albert Porter called the Shaker Lakes a “two-bit duck pond” and vowed that the highway would get built come hell or high water. The highway never got built, regardless.

   The twenty acres of the Nature Center has eight mapped natural habitats, four gardens for native plants and insects, and two trails. I rode the trails and tried not to squash any insects. I wheeled out on the 7-mile long Shaker Blvd. to Beachwood and back. Shaker Hts. was built by Oris and Mantis Van Swerington, early 20thcentury developers. They modeled the suburb and the boulevard after examples of English Garden City planning. They laid rapid transit rail service down the middle of the boulevard. Broad tree-shaded lawns front the mansions on either side of the road. One of my cousins and her husband lived in one of the mansions, but I was crusty from sweat and didn’t stop to visit.

   The best thing about riding up Mayfield Rd. to the cemetery was riding down Mayfield Rd. from the cemetery. It was a long enough stretch that I could go as fast as I wanted, although I feathered the brakes all the way down. I didn’t want to end up laid out next to President Garfield.

   Terese always let me wash up when I got back to her house, made me a cup of coffee, and put something tasty she had baked on a plate. She had never gone to cooking school, instead learning her craft by getting the cooking done. Everything she made was as good as the cookbooks said it was supposed to be. In her time she had been the pastry chef at Max’s Deli in Rocky River and Gallucci’s Italian Foods in Cleveland.

   One weekend I rode my tricked-out Schwinn, which was equipped with front shock absorbers and disc brakes, and went looking for Sledgehammer Hill in Forest Hills Park. The city park is lodged between East Cleveland and Coventry Village. The sloping land rises to a plateau. It was where John D. Rockefeller’s private summer estate was in the 19th century. He could afford it because his estimated net worth was equivalent to 1.5% of America’s GDP at the time. He was and still is the richest man in American business and economic history.

   There were lakes and bridle trails. There was a racetrack and a golf course. Before John D. Rockefeller died the property went to his son, John, Jr., who transferred one third of it to Cleveland Hts. and two thirds to East Cleveland. His only stipulation was the land be used for recreation and nothing else. The new park opened in 1942. It was about half forest and half meadow. It has been improved over the years, with tennis courts, a swimming pool, picnic areas, as well as basketball courts, football fields, and baseball diamonds.

   When I was growing up we hardly ever went there summers, but went there many times in the winter. We lived at East 128th St. and St. Clair Ave. and getting there was no trouble. We went ice skating on the man-made lagoon and sledding down Sledgehammer Hill. That wasn’t its official name, if it even had one. It was what all of us called it because of the killer bump near the bottom.

   Skating was loads of fun. There was a boat house on the man-made lagoon. It was where we changed into skates. My father had taught us to skate growing up in Sudbury, Ontario. The mining town is north of the Georgian Bay and south of Wanapitei Lake. He would spray our front yard with a hose in the winter and the water froze hard as concrete in no time. When we moved to Cleveland in the late 1950s we took our skates with us. Neither my brother, sister, nor I were big leaguers on the ice, but we skated like dervishes, living it up as we tried to toe loop and pirouette.

   Sledgehammer Hill was a hill that started at the top of the plateau and ran down a wide treeless slope. When I went looking for it my memory of it was that it was long, fast, and deadly. I didn’t give my memory much credence, though, believing it must have really been short, slow, and safe. You never know when you’re making up the past.

   When I found it, thinking that I would ride down on my Schwinn, I was startled by what I saw. I backed away from the lip of the hill and got off my bike. I walked back to the edge and looked down. It looked even longer and more dangerous than I remembered. I saw the bump near the faraway bottom and remembered hitting it, going airborne, and landing like Godzilla had body-slammed me. Many kids veered away from the bump. None of us ever blamed them. We had all done the same thing one time or another. Only the innocent went over the bump full-bore the first time and lived.

   I don’t know how fast our sleds went, maybe 20 or 25 MPH, but they went fast as hell. We didn’t wear helmets. We wore knit caps. You were considered a sissy if you wore earmuffs. I started wearing earmuffs after one icy winter weekend my ears froze and almost fell off. Insults were easier to bear than frostbite.

   Our parents always went skating with us or watched from a bench, in case the ice started to  crack, but when we went sledding, they dropped us off and went on their way. My sister rarely sledded, my brother sometimes did, but I couldn’t get enough of it. We rode Speedaways, Yankee Clippers, and Flexible Flyers. Only the foolhardy among us rode Sno Wing Blazons. They were too fast for Sledgehammer Hill. Most of us wanted to go as fast as possible but not necessarily break our necks. We sledded until it started to get dark and our parents came back to pick us up. 

   I didn’t take a chance going down the hill on my Schwinn. I rode away from Sledgehammer Hill, roaming around the park plateau instead, taking in the highlights of the past. I rode to the north end of the hill where John D. Rockefeller’s mansion had stood. It burned to the ground under unexplained circumstances in 1917.

   It was early in the evening by the time I pedaled back to Terese’s house. After I told her about the hill she stepped into the middle of her kitchen, pretending to be standing on a snowboard, balancing with her arms stretched out, and racing to the bottom. 

   She had performed professionally as a ballet dancer when she was younger and taught the fine points of footwork to Cleveland’s Lithuanian folk dancing groups. I applauded her performance when she was done, but if she had tried that stunt on Sledgehammer Hill, professional dancer or not, she would have gone flying headfirst when she hit the killer bump, and there wouldn’t have been enough croissants in her kitchen to break her fall.

Ed Staskus posts monthly on 147 Stanley Street at http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Down East http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

“Bomb City” by Ed Staskus

“A police procedural when the Rust Belt was a mean street.” Sam Winchell, Beyond Books

Available on Amazon: https://www.amazon.com/dp/B0F1LM1WF9/ref=sr_1_1?crid=2MYAQAOZIC2U9&dib=eyJ2IjoiMSJ9.hTm7BGbiQbSe5ZapFwYPPfcwOpTe-Vdg6VLE4aGyTyk.Z0R-VNBWWEcvKcNaO9LdCOUnNIOOXgvYkRS_FXiXuHk&dib_tag=se&keywords=bomb+city+ed+status&qid=1742136726&sprefix=bomb+city+ed+staskus%2Caps%2C84&sr=8-1

Cleveland, Ohio 1975. The John Scalish Crime Family and Danny Greene’s Irish Mob are at war. Car bombs are the weapon of choice. Two police detectives are assigned to find the bomb makers. It soon gets personal.

A Crying of Lot 49 Publication

Tracks of My Tears

   By Ed Staskus

   I didn’t watch much TV growing up because we didn’t have a TV. It wasn’t until a couple of years after we moved from Sudbury, Ontario to Cleveland, Ohio that my parents bought a used 1955 Philco Custom 400. It was a 21-inch model in a cabinet of white oak with a finger-tip tuning system. It had a Double Gated Automatic Picture Control tuner that never worked during sketchy weather of any kind, whether it was drizzling or thunder storming.

   At first, I wasn’t impressed with what I saw. The shows were the likes of “McHale’s Navy,” “Car 54, Where Are You,” and “My Three Sons.” I had no use for “Hazel” and “I Love Lucy” drove me nuts. Lucy was a fruit loop and everybody hollered and played pratfalls like there was no tomorrow. I liked watching baseball and football games, although baseball games went on forever and football games were only broadcast on Sundays. The Cleveland Browns were a powerhouse. Everybody citywide stayed patriotically stuck to the tube when they were playing.

   Cartoons were fun and westerns were my favorite, especially “Maverick,” “Bart Masterson,” and “Have Gun – Will Travel.” My parents enjoyed “Bonanza” and watched it every Sunday night which meant my sister, brother, and I watched it every Sunday night. I didn’t care for it, the Cartwright’s being irredeemable do-gooders, but I couldn’t and didn’t say anything to my parents about my point of view. They were always telling me to be a good boy.

   My favorite was “Route 66.” It was about two young men driving around the country in a Chevy Corvette convertible. Besides the adventures, what I liked about the show was that every episode was shot on location in a new state. It was my kind of geography.  I would have given my tooth fairy money to be them. I didn’t mind being good, but I didn’t want to be too good.

   I had been to the neighborhood Shaw-Hayden Theater many times and seen plenty of space adventure and monster movies. My friends and I always sat in the front row. Movies were the real deal and TV was lame compared to the big screen. Movies were stupendous while TV was furniture. At about the same time we were watching Godzilla movies on the big screen the chairman of the Federal Communications Commission gave a speech to the National Association of Broadcasters. After praising the professionals in the room, he said that television should uphold the public interest. Then he said TV was a “vast wasteland.” He didn’t stop there. “When television is bad, nothing is worse.” He was a starry eyed idealist who didn’t pay attention to the commercials.

   One summer when I started watching “Queen for a Day” I watched it every day. It didn’t matter that my friends were riding bikes, playing ball, and messing around outside. I watched it laying on my stomach on the floor a few feet from the TV. I only watched it for three or four weeks, although it was more than enough to make me sweat bullets. When I stopped watching it, I went cold turkey and never watched it again. I hadn’t grown much older watching the sob show, but I seemed to be growing up way too fast on the tracks of melodrama and avarice.

   The show was originally a local affair on radio in Los Angeles but became popular enough that NBC picked it up and started broadcasting it nationally on television. The broadcast was live from the Moulin Rouge theater restaurant in Hollywood. Its ratings got so high that the network increased its running time from 30 to 45 minutes so they could sell more commercials. They were raking in $4,000 a minute, a premium price nobody else was getting. Sponsorships poured in. Every single prize came from sponsors. Models in faux medieval outfits plugged the products. They looked more slutty than maidenly. They had to put up with the sad sack-looking host saying things like, “Let’s give Mary Ann a big hand for finally doing something right.” Pre-recorded commercials ran between segments. Naming all the sponsors at the end of the show took more than five minutes.

   The show went to ABC from 1960 to 1964 until it finally folded. The television writer Mark Evanier has called it “one of the ghastliest programs ever produced, tasteless, demeaning to women, demeaning to anyone who watched it, cheap, insulting, and utterly degrading to the human spirit.” After that nobody bothered asking him what he really thought.

   The idea behind the show was simple as dog eat dog. “Queen for a Day” was about four women sharing their stories of unhappiness and tribulation in front of an all-female audience. There was always a box of Kleenex on the table behind which the women sat. jack Bailey was the host. He was a pencil mustached man who always looked like he needed another drink. The stories were about dead husbands and sons crippled with polio. One woman wanted to win so she could repair the bullet holes in her bedroom walls where her husband had committed suicide. He missed several times before getting it right. Determined widows with healthcare problems were a staple. If they had a small dying child, to boot, they were sure to win. 

   “I had two handicapped sons,” one woman said. “I lost them, and then I took care of an elderly lady in a wheelchair. She passed away, along with my mother and my father, and then my husband passed away. I feel that I would like to have a vacation.” She got her vacation. Another woman related the tale of her legally blind uncle and cousins. They were a poor farm family in Kansas. Everybody in the family had serious vision troubles. She came in second place and so none of her relations got new eyeballs.

   “On the show when Jack Bailey introduced my mother, he made a big deal about her being a long-lost cousin because her last name was Bailey,” one woman’s daughter recalled. “Since she was a farm girl, he asked her if she milked cows, and she demonstrated on his fingers. She became the queen that day. My uncle was given everything my mother asked for and more. He got a complete piano tuning tool set and a scholarship to a piano tuning school in Seattle. My mom got a full set of living room furniture and an Amana freezer that lasted for twenty-five years.”

   “My husband died,” one contestant explained. “Then my children and I were evicted and were out in the cold with nowhere to turn.” The show was the forerunner of all the reality TV shows that came after it. “Well, ha, ha, ha!” Jack Bailey laughed like he was at a circus. “Today is your lucky day, getting to tell your story here and having the chance at being chosen QUEEN FOR A DAY!” Sometimes, unable to help himself, he guffawed at the sad stories and threw out sarcastic comments, immediately explaining that he was just kidding.

   After the ladies finished, the audience applauded for the woman they wanted to see become “Queen for a Day.” The winner was determined by a decibel-reading Applause Meter, what I called the Thing-O-Meter. I didn’t always agree with the contraption, but what did I know. The winner was fitted with a jeweled crown and robed in a sable-trimmed robe. She got money, appliances, clothes, and vacations, among other things.

   “I always thought losing was the worst,” said Bill Costello, who like me found himself glued to the boob tube. “Then you find out your life sucks, but not enough.”

   Not just anyone was picked to be on the show. They had to somehow appeal to the  producers before they ever got to a live audience and the tens of millions watching at home. One woman explained she wanted to be on the show because “it would help me to regain my identity, which I seem to have lost somewhere between the maternity ward and the washing machine.” The best approach was delivering enough pathos and bawling to turn the trick. One woman said she would give her right arm to be on the show.

   My mother spotted me on the living room floor one day staring up at the TV, engrossed in the black and white pathos. She put her dish towel away and sat down in a sofa chair behind me. When the day’s episode was over, she shut the TV off. “Don’t watch that show anymore,” she said. She had never forbidden me to watch anything before. I knew there was something wrong with the show but couldn’t put my finger on it. It held me in its sordid grip. The women told fantastic stories, whoever got the most applause for her miserable tale won, got crowned, and walked away with prizes up the wazoo. What could be better?

   One winner said her husband was killed in a car crash, the family ended up poor as church mice, their savings exhausted, and needed help bad. “My mother was 28, pregnant, my sister was 8, and I was 5,” her daughter remembered years later. “My father promised my sister that if she got good grades, he would buy her a pony. She did but he died before he could fill his promise. My mother won two bedroom sets, a living room set, a dining room set complete with dishes for a service for eight, a set of silver ware, a cook-set, a built in mixer, a hot water heater, a 7-piece patio set, a complete set of Tupperware, twelve complete outfits that included dress, matching shoes and handbags, twelve pairs of stockings, a complete set of Sarah Coventry jewelry, a complete set of rhinestone jewelry, a diamond encrusted watch, a four piece matching mother-daughter outfit, a swimsuit, a check for $1,000, and a Shetland pony.” 

   When she came up for air she checked the time on the jewel-encrusted watch.

   Jack Bailey had a trademark signoff, which was, “Make every woman a queen, for every single day.” He never said what the losers got, although I always assumed they got nothing. Once my mother came to grips with the show, she disliked it instantly. My parents were World War Two refugees from Lithuania and didn’t believe a word about getting something for nothing.

   “I was babysitting my aunt’s four children in 1944 when the Russians came,” my mother said. “We ran away on a cart pulled by a horse with a cow tied to the back. On our way through East Prussia, we had to sell the cow for food. There was no milk for the baby. We slept under the cart every night and every night either the Germans or Russians bombed us. After the war I lived in Nuremberg in one room with three other women and worked at the Army Hospital. When I went to Canada where I had gotten a visa and a job, the job was as a nanny for a family of thirteen. When your father joined me the next year, he had no money and went to work in a cement factory the next day. When we got married, we still had no money, but we had the three of you and bought a small house. It’s shameful to go on a TV show, telling all the world your troubles for prizes.”

   She hadn’t seen her parents, uncles, aunts, brothers, sisters, and cousins for almost twenty years. The Iron Curtain was locked up tight. My parents never complained about it. They both went to work weekdays and on weekends worked around the house when they weren’t doing something at the church or with the Boy Scouts. They didn’t help us with our homework or drive us to the library. We did our own homework and walked to the library.

   She wasn’t telling me anything about “Queen for a Day” I didn’t already know, although I couldn’t if my life depended on it have put it into words. I knew I didn’t like the clapping like crazy for the most miserable story of the day. “Sure, the show was vulgar and sleazy and filled with bathos and bad taste,” the show’s producer Howard Blake said after the program’s nine-year run ended. “That was why it was so successful. It was exactly what the public wanted.”

   He didn’t stop there. He knew it was a trashy show that played on people’s misery, while those same people played out their tearjerkers to cash in on the American Dream. “Everybody was on the make, NBC and later ABC, the producers, the sponsors, and the suppliers of gifts. And how about all the down-on-their-luck women who we used to further our money-grubbing ends? Weren’t they all on the make? Weren’t they willing to wash their dirty linen on coast-to-coast TV for a chance at big money, for a chance to ride in our chauffeured Cadillac, for the free tour of Disneyland and the Hollywood nightclubs? What about one of the most common wishes they turned in? ‘I’d like to pay back my mother for all the wonderful things she’s done for me.’ The women who made that wish didn’t want to pay back their mothers at all. They wanted us to do that.”

   We never clapped and cheered when anybody in our grade school class at St. George’s Catholic School had a bad day. None of us clapped and cheered when a nun slapped one of us and made him or her stand in the hall. Nobody clapped and cheered when somebody was a step slow getting to the CTS streetcar taking us home. We yelled and slapped on the windows for the driver to stop and pick the kid up. None of us wanted to be finks for a day, or any other day.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

A New Thriller by Ed Staskus

Cross Walk

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

X Marks the Spot

By Ed Staskus

   As many times as I met Matt X. Sysack was as many times I didn’t meet his father Russell X. Sysack. Matt was my brother-in-law’s best friend. They met during their freshman year at St Ignatius High School on Cleveland’s near west side. My wife and I and my brother-in-law and Matt often went out together to weekend breakfasts, to shows, and to haunted houses. We went to honky-tonks to listen to the rock and roll band my brother-in-law played lead guitar for. After the two young men finished college and started on career tracks, they decided to not be too serious about life, at least not just yet. They decided to be fun guys while there was still some fun to be had.

   Neither of them lived on their own at the time. When they bought motorcycles they kept them in our garage. When they bought a Jet Ski together they kept it and its trailer in our garage. They launched the Jet Ski from Eddy’s Boat Harbor in the Rocky River Metropark a couple of minutes from our garage. We called the Metropark by its local name, which was the Valley. There was a bait shop at Eddy’s that sold ice cream. I had a cone one day while I watched the Sunday sailors launch their craft.

   It was only a couple thousand feet down the river to Lake Erie and fun riding the waves, except when they ran out of gas a half-mile out on the lake. When they did they discovered there wasn’t a paddle on board. A Good Samaritan in a power boat threw them a towline and got them safely to shore. It wasn’t long after that before they stopped cranking the throttle on the craft’s impeller. 

   Both Matt and my brother-in-law eventually sold their motorcycles and their Jet Ski and mothballed fun and games for the foreseeable future. “Hustle it up” is what they said. They put their noses to the grindstone. Matt’s father, Russell, always had his nose to the grindstone. He was a hard-working man with a family to support. At the same time, he never put his irreverent sense of fun away. He wasn’t going over the hill anytime soon. He knew over the hill meant picking up speed on the other side.

   Russell X. Sysack was born in Cleveland and went to John Carroll University, a Jesuit school in University Hts. After graduation he became co-owner and manager of the family business, Sysack Sign Co., in Old Brooklyn on Cleveland’s near west side. He sported a Waylon Jennings beard and overalls at work. The work he did was hand-painted signs, from small displays to big-size displays. When Russell’s father Harry X., who opened the business in 1940, punched the time clock for the last time, Russell took over. Over the years the Sysack Sign Co. gave the high life to innumerable storefronts.

   Russell mixed business with pleasure. He was a libertarian and provocateur, more in your face than subtle. He was outspoken. He was subtle as a sledgehammer. His signs were everywhere around northeastern Ohio. In the meantime, he had his own op-ed billboard at the front of his sign shop. It was across the street from a public library. His work for others expressed what their goods and services were about. His personal billboard was where he expressed himself. It was where he expressed himself In 2002 when he compared Martin Luther King, Jr. to Osama bin Laden. The comparison let the terrorist play his own tune; it insulted Martin Luther King, Jr. The billboard was set on fire one night. The Cleveland Police wrote up an incident report and filed it. Congresswoman Stephanie Tubbs Jones led a protest march. 

   “Mr. Sysack has said that over the years he’s been sued and received bomb threats because of his signs,” the Sun Press reported. Russell explained his resilience by saying “I take the right of free speech very seriously.” Stephanie Tubbs Jones wasn’t having any of it. “The right to free speech is limited,” she said. Nobody is allowed to falsely shout “fire” in a crowded theater, she added. The First Amendment doesn’t protect words “that incite people to violence.”

   The community was divided. “Those signs were the highlight of my day when I was stuck in traffic on W. 25thSt.,” Anna Namoose said. For some, his words were signposts. “I love his truthfulness,” Dale Bush said. “Sorry if the truth hurts.” Some were perplexed. “Every time I see his signs I’m struck with the same thought,” ‘Silent Dot’ said. “Sir, what do you think happens next? Do you think that someone driving by will stop and read your sign and go ‘Holy cow!’ this guy with the sign is a genius. I’m going to drive to the State House to speak my mind right now!” Others were outraged. “I hope your racist business closes,” Monica Green said. Some took an art school approach. “This is a special kind of batshit insane outsider art,” Adam Ohio said.

   One man, at least, took a philosophical approach. “Russell Sysack has been in our consciousness since the ’80s,” Tim Ferris said. “He really got going on issues in the ’90s when Mayor Mike White began compromising the public interest. He might be extreme, but he’s necessary. He forces us to think back towards a middle position. By temperament, perhaps by training, he’s a cartoonist, and it’s his purpose to distort and amplify so as to reveal or enlighten. We shouldn’t take cartoons too literally. Those who do, do so with the intent of silencing him. We also need to realize that we can’t look for good taste when it comes to addressing outrageous or extreme abuses. He speaks to big problems, and he uses strong talk.”

   He posted his strong talk on his personal billboard year after year and appeared regularly on local mouth-foam talk radio. His targets were Martin Luther King, Jr., the city’s African American mayors, and Black History Month. Politicians weren’t his favorite creatures. If they were Democrats, so much the worse for them. He celebrated Edward Kennedy’s death on his personal billboard, despite the Massachusetts senator being still very much alive. Public education and the Catholic church were targets of his ire. Anything new-fashioned was fair game. He compared environmentalists to Nazis. “The only way to make the earth green and stop global warming is for all humans to die” was what one sign said.

   The near west side sign man worked in the “Simon Sez” tradition even though he worked outside of the tradition.  Buddy Simon was the sign man on the near east side of town. He hung a “Simon Sez” sign outside his Carnegie Ave. shop every week for more than 30 years. They were usually wry and funny observations about the way we live today. He kept his nose out of race, religion, and politics. He stayed on the Mr. Rogers side of the street. Nobody ever set any of his signs on fire. 

   Russell X. Sysack was more of a soapbox man than Buddy Simon, although his soapboxing was more diatribe than not. He was a worried man singing a worried song. He was worried about how the present was going to affect the future. He stood by Abraham Lincoln, who said, “You cannot escape the responsibility of tomorrow by evading it today.”

   Splashing his op-ed sign on the street where everybody could see it, he wasn’t holding back.  He said he standing up for the taxpayer and the small businessman. He told anybody who would listen he was a defender of the American way of life, by which he meant capitalism. He said he was a patriot. He was met with threats, vandalism, and litigation. There were widespread complaints of racism. “I’m just expressing my opinion,” he told the Cleveland Plain Dealer, the city’s morning newspaper. 

   In this corner, still undefeated, it was Russell X. Sysack’s long-held opinions and beliefs. He didn’t need a referee. He gave as good as he got, even though his facts weren’t always reliable. Free speech advocates argued he was entitled to his own opinion. His detractors said he wasn’t entitled to his own facts. “Opinion has caused more trouble on this earth than plagues and earthquakes,” said the French Enlightenment writer Voltaire. The trouble with opinion is, more often than not, the fewer the facts the stronger the opinion. The White House under the thumb of a latter-day rabblerouser testifies to the trouble that can ensue.

   In retirement, Russell X. Sysack became a crossing guard for the Parma schools, working the streets in his neighborhood. He helped children cross the street safely. His presence made parents feel easy in their minds about their children walking to school. He reminded drivers in no uncertain terms of the presence of underage pedestrians. Nobody was ever run down on his watch. Pity the fool who tried to barrel down the road at 21 MPH.

   After he stepped aside from the sign company his sister Nancy took over the business, She lived in a house attached to the back of the sign shop. She was a chip off the old block. She kept up the family practice of posting the Sysack point of view on the op-ed billboard in front of their building. One of them had to do with migrants.

   “The head of DHS is a Communist & a Treasonist. On May 11th he will open the southern border. No illegal will be refused entry. US troops will transport them to every city in the US. They went to Panama to organize this invasion using NGO’s & the cartels with taxpayer money. 8 million will enter this country by year’s end from 150 countries. China has warships in the Bahamas. The plan is to overwhelm our system, crash our economy, and create a national emergency. There will be a fundamental change of our country into Communism. What are u going to do about this invasion?” 

   As it happened, nobody did anything because there were no Chinese warships in the Bahamas and no US troops were escorting anybody anywhere. The secret messages and conspiracies went up in smoke. The invasion was a nonstarter. Nancy went back to the drawing board.

   Her “Ugly Ugly Ugly” sign ruffled more than one feather in 2017.  It featured a woman’s wide open Rolling Stones-like mouth outlined in bright red lipstick. It said “All Women Are Beautiful Until They Open Their Mouth” and listed some women the sign maker considered loudmouths. It was in the tradition of bad taste making more millionaires than good taste.

   “The sign suggests women only have, or their mouths in particular, only have one purpose, and I find that greatly offensive,” said Christopher Demchak, one of the organizers of a demonstration. “Particularly in this political climate and particularly when young children and families are driving by.” The protestors were hoping a demonstration would influence the sign company to stop posting offensive content. They didn’t know who they were going up against.

   “We don’t want to cover up this message and stop somebody’s voice, since this was a woman who put this message out, interestingly enough,” said Christen DuVernay, the other organizer. “But, we do want to provide alternative messages for young girls in the community to say ‘your voice does matter.'” 

   President Barack Obama became the dartboard for Nancy’s darts when he was elected. “Now that red-necked and facist America elected Obama on a campaign of change, will blacks show their gratitude & change? Hell no. Will Jesse Jackson & Rev. Al stop being racists? Hell no. Will blacks stop using slavery as an excuse? Hell no.”

   When Russell invoked the First Amendment one of the things he meant was, if you can guarantee never offending anybody, you don’t need the amendment. It doesn’t guarantee you the right to be heard, though. Nobody has to read or listen to anything you have to say. All media has an on-off switch, even billboards, Look the other way if it rubs you the wrong way. You don’t need a weatherman to know which way the message blows.

   Russell X. Sysack died in 2009. He was in his mid-60s. He had run whatever race he was running. Wherever he has ended up, with the stand-up saints or the fallen angels, he is undoubtedly making his idiosyncratic voice heard, loud and clear.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

A New Thriller by Ed Staskus

Cross Walk

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Dogs Never Bite Me

By Ed Staskus

   Maggie Campbell was working at her friend’s hair salon in Old Brooklyn and was halfway through an overlay when her husband called. She couldn’t pick up since her hands were full. When she listened to the voice mail later, she heard Steve say he was sorry.

   “Honey, I’m sorry,” he said. She could hear talking in the background, and somebody laughing. The laughing man sounded like Fat Freddie, Steve’s brother.

   “What did you do?” she thought, sitting in the lunchroom, making a sandwich, waiting for it to heat up in the toaster oven. He rattled on for more than a minute. She took a bite of her ham and cheese sandwich. It was raining cats and dogs outside.

   “Oh, man, what did you do?” she thought to herself louder than before.

   “She was walking in the street,” he said. “She looked like she was trying to get hit by a car.”

   “Oh, he rescued another dog,” Maggie realized.

   He said the dog looked so bad that he pulled over, turned around, went back, and picked her up. Fat Freddie sat in the back with man’s best friend, who was shivering. “She was just looking for somebody to hit her,” Steve told Maggie over dinner that night. “She just wanted to die.” But there she was safe and sound at their feet.

   Steve found her on the east side, on Superior Ave. on the other side of downtown. No collar and no tags. She was a purebred German Shepherd, between two and three years old. Fat Freddie wanted her right away. He lived in Little Italy where he had some sketchy neighbors. But, because Steve’s brother had a hateful girlfriend, she said no, and that was that.

   When Steve brought her back to their house in West Park, Maggie fell in love with the pooch. “She’s so sweet I can’t stand it. I don’t know if I’m going to be able to give her to anybody.”

   She curled up on the sofa between them when they watched TV. If they got up at the same time, she didn’t know which one of them to follow. Wherever they went she was right behind them. She lay next to the claw tooth tub when Maggie took a bath. She had to step over the dog, which was hard to do with her short legs.

   She was wondering what the dog’s tale was.

   Maggie was going up the stairs to take a bath, stripping as she went, when she found out. She was taking her belt off when the dog almost pooped herself. She could not get away from the sight of the belt fast enough. The Shepherd stumbled down a few steps before recovering her balance, and disappeared fast

   Maggie muttered “son-of-a bitch” under her breath. “All because I took my belt off. How about that?”

   When they first got her, the dog was depressed and miserable. She wouldn’t eat for a week. At first, Maggie and the pooch shared rice chips. She wouldn’t eat anything else, and she wouldn’t touch dog food, but then she got back in the swing of eating chow.

   She had a bad ear infection, but, luckily, Maggie had ear medication left over from other dogs they had rescued. Their vet came over to check her out because she had some small lumps on her chest. Tracy the Vet said they were probably fatty lumps and nothing to worry about. She ran the dog’s blood, just in case.

   Steve put a call in to the pound and left a description of the dog and his phone number, but no one ever called back. Maggie didn’t know if she was going to be able to give her to anybody, but thought she had to find her a home, even if it was only with another rescuer.

   They put up fliers with other rescuers, passing them to each other, by word of mouth and on Facebook. They found a home for her in no time. A few days after Steve found the German Shepherd, Maggie tagged her sister about a Yorkie.  Her sister had needed to put her own Yorkie down a couple of months earlier.

   “I want the dog,” she said.

   Maggie called about picking up the Yorkie.

   “When can I grab the dog?”

   She drove to Elyria and picked up the eleven-month-old dog. He was going to be Maggie’s sister and nephew’s Christmas present, but they had to fix him up first, in more ways than one.

   An older woman had bought the dog from a breeder, but she broke her leg and ended up in a nursing home. Her kids locked the puppy in the garage for three weeks. They were sick idiots. They fed him, sure, throwing some food into the garage now and then, but they neglected the animal. He went from being spoiled rotten to having no one, no matter how rotten they were.

   Finally, a neighbor took the Yorkie, but soon decided the dog was vicious.

   “Oh, it’s vicious, vicious, it snarls at me, and lunges at me,” the lady said.

   “All seven pounds of it” Maggie said.

   “Yes, he won’t let me pass out of the kitchen.”

   “Just give me the dog,” Maggie said.

   People are so stupid, she thought. Sometimes I hate them. “Dogs never bite me, only people,” she told the Yorkie. “Honestly, I’d rather hang out with dogs,” she told anybody who would listen.

   Most of the Yorkie’s problem was that he had never been neutered. That was going to take a lot of his attitude out of him. The rest of it was they let him act like that. You don’t let a dog act like he wants to. You are the alpha dog, not the dog. He learned quick enough who the alpha dog was in Maggie’s house.

   “When they’re aggressive you have to show them that you’re more dominant than they are.”

   Maggie said no, and the Yorkie growled, showing his teeth, and she picked him up and put him on his back. If it’s a little dog, you put them on their backs. If it’s a big dog, you press on their backs until you hear the sigh of release.

   “We don’t do that in this house,” she explained.

   She put him in a cage.

   “Ugh,” he said, and said it again.

   But cage training is better than force training. After that he was a good boy, running around on the couch, playing with his rope and toy. When she gave him to her sister, she explained how to restrain him when he acted out, and to make sure she had a cage for him, just in case.

   The next day Steve came home with another Yorkie.

   “It’s for my cousin,” he said.

   Steve’s cousin Clint had been a heroin addict who had to have his legs amputated.

   “He isn’t still using, is he?” Maggie asked.

   “He needs a dog,” Steve said, and that was all he said.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

Help support these stories. $25 a year (7 cents a day). Contact edwardstaskus@gmail.com for details

“Cross Walk” by Ed Staskus

A Cold War Thriller

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn, New York City, 1956. Stickball in the streets and the Mob on the make. President Eisenhower on his way to Ebbets Field for the opening game of the World Series. A killer waits in the wings. A Hell’s Kitchen private eye scares up the shadows.

A Crying of Lot 49 Publication

Front Row Seat

By Ed Staskus

   The documentary “Night and Fog” is 32 minutes long, unless it’s watched thirty times in a row, which makes it 16 hours long. I was studying literature and film at Cleveland State University in the late 1970s when I saw it for the first time and the thirtieth time. It had been made twenty years earlier by the French filmmakers Jean Cayrol and Alain Resnais. It is about the Nazi concentration camps of the 1940s, specifically Majdanek and Auschwitz. It is a monster movie without the pretend.

   The reason I watched “Night and Fog” thirty times successively by myself in a small dim room wasn’t because I was especially interested in World War Two or the Holocaust. In fact, the documentary spooked the hell out of me. Dennis Giles, the one and only professor of film in the Communications Department at Cleveland State University, had suggested I write a paper about it. He made me a teacher’s assistant so I could have a closet-sized office on the 16th floor of Rhodes Tower down the hall from his office. In return, I screened motion pictures for his film classes, which was hardly a chore. The rest of the time, which was most of the time, was my own. 

   Nazi Germany and its Axis allies built thousands of concentration camps and other incarceration and extermination sites between 1933 and 1945. They stayed busy as killer bees. Majdanek was outside Lublin, Poland and run by the SS. The SS were the black-uniformed and self-described “political soldiers” of the Nazi Party. There were many gallows and seven gas chambers. Auschwitz was also in Poland, a complex of forty camps. It was run by the SS, too. It had more gallows and more gas chambers. The camps were what the Nazis called the “Final Solution to the Jewish Question.” They asked themselves the question and dreamed up the answer among themselves. The camps were also the solution about what to do with gypsies, homosexuals, Russian prisoners, and anybody else who got in the way of the Third Reich.

   My teacher’s assistant office was no-frills cinderblock, like the grind houses of the 1960s and 70s, which were old movie houses in bad neighborhoods showing low-budget horror movies. I was given access to a 16mm projector and a spotless copy of the documentary. It was the only thing clean about it. If the Nazis thought they were cleaning up the world, they had a dirty way of doing it. There was a method to their madness, but it was madness, nevertheless.

   Dennis Giles graduated from the University of Texas with a master’s degree. His thesis was “The End of Cinema.” He got a Ph.D. from Northwestern University and then showed up in Cleveland. He was tall, thin, lanky, dressed like a beatnik, and smoked like a chimney. He lived in Ohio City near the West Side Market. The neighborhood was a mess, but in the past ten years the Ohio City Redevelopment Association had gotten more than a hundred structures restored or redeveloped. Houses were being refurbished by the young upper middle-class, proto Yuppies, leading to complaints of gentrification. 

   If Dennis Giles was part of the gentrification, he didn’t look the part. He looked scruffy as a beatnik. He looked like he had spent too much time watching movies by himself. He was a member of the National Film Society. He liked to say film was art and television was furniture. He didn’t mean the furniture was any good, either.

   It took me a few days to figure out how to tackle the project. I finally decided to do a shot-by-shot analysis, zeroing in on how the shots were the brick and mortar of the scenes and sequences. I reasoned that if I tried writing about the gruesome nature of the subject, I would never get out of the weeds.

   The film goes back and forth between past and present, between black-and-white and color, with some of it shot by the filmmakers and some of it stock footage. The first shot is of a deadpan sky. The camera tracks downwards to a dreary landscape. It then tracks to the right and stops on strands of barbed wire. The second shot is of a field with a line of trees on the horizon. “An ordinary field with crows flying over it,” the narrator says. But it’s not an ordinary field. The camera again tracks to the right revealing posts with more barbed wire strung from post to post. The wire is electrified. The third shot tracks from an open road once more to the right to another tangle of more wire.

   After a while the tracking shots to the right and the wire everywhere start to look like a normal landscape. “An ordinary village, a church steeple, and a fairground. This is the way to a concentration camp,” the narrator says. When he says “steeple” the shot on screen is of an observation tower, machine guns at the ready.   

   The city of Siaulai is in the north of Lithuania, which is north of Poland. It is home to the Hill of Crosses. It is place of pilgrimage, established in the 19th century as a symbol of resistance to Russian rule. There are more than 100,000 big and small crosses on the hill. During World War Two almost every single Jew who lived in Siaulai bore his own cross. Most of the natives didn’t worry about them. They had more than enough of their own problems to worry about, squeezed between the Nazis and the Communists.

   My father was born in the mid-1920s and grew up in Siailiai. His father was the police chief who was swept up by the Russians in 1941 and deported to a Siberian labor camp for ideological reasons. He never stood a chance. He died of starvation the next year. My father was in his mid-teens. He had to take over the family farm. When the Germans invaded, capturing and imprisoning vast numbers of Red Army troops, he applied for and was granted labor rights to a dozen of them. There were severe manpower shortages. The Russians worked 12-hour days and slept in the barn. When they groused about the work, he passed out Bulgarian cigarettes and bottles of vodka. When they escaped, the Germans gave him more men and told him to lock the barn doors.

   The first part of “Night and Fog” is about the rise of fascist ideology in Germany. The second part contrasts the good life of loyal Germans to the travails of the concentration camp prisoners.  The third part details the sadism of the captors. The fourth part, all in black-and-white, is about gas chambers and piles of bodies. It is nothing if not dreadful. Even the living are bags of bones in their dingy barracks. The Nazis shaved everybody’s heads before they gassed them. They said it was for lice prevention and that the gas chambers were showers. They collected and saved the hair. It was used to make textiles at factories in occupied Poland. The last part is about the liberation of the camps and the bearing of responsibility.

   Everybody, even the next-door neighbors, said they didn’t know anything about the camps, or if they did, were just following orders. “We SS men were not supposed to think about these things,” said Rudolf Hoss, the commandant at Auschwitz. “We were all trained to obey orders without even thinking, so that the thought of disobeying an order would simply never have occurred to anybody, and somebody else would have done it just as well if I hadn’t. I never gave much thought to whether it was wrong. It just seemed a necessity.”

   The next shots of the film are of the rail lines to the camps and their gates. “All those caught, wrongly arrested, or simply unlucky make their way towards the camps,” the narrator says. “They are gates which no one will enter more than once.” The train tickets were all one-way. There was a 16-foot wide sign above the entrance gate to Auschwitz that said, “Work Makes One Free.” It didn’t say what kind of work.

   After World War Two started and the Nazis incorporated the Baltics into the Reich Ostland, there were about 240,000 Jews in Lithuania, about 10% of the population. The first thing the Einsatzgruppen did was start gunning them down in the countryside, aided by Lithuanian auxiliaries. By August 1941 most of them were dead or gone to ground. Then the SS killers started in the cities. There wasn’t a lot of search-and-destroy involved, so the grim business didn’t take long. 

   “Gangs of Lithuanians roamed the streets of Vilnius looking for Jews with beards to arrest,” said Efraim Zuroff, who didn’t wear a beard but whose wife and two sons were taken to Likiskis Prison and shot. Karl Jaeger, the commander of an Einsatzgruppen unit that did its work in Vilnius, kept an account book of their work. On September 1, 1941, he recorded those recently killed as “1,404 Jewish children, 1,763 Jews, 1,812 Jewesses, 109 mentally sick people, and one German woman who was married to a Jew.” When the war finally ended there were only 10,000-some Jews left in Lithuania, slightly more than 0% of the population. It was the largest-ever loss of life of any group in that short a period in the history of the country.

   The middle shots and scenes of the film are without narration. They show crowds of disheveled people being strong-armed into boxcars. The last shot is of a father leading his three children along a railroad platform. The father looks resigned and the children look bewildered. They are shoved into a boxcar. “Anonymous trains, their doors well-locked, a hundred deportees to every wagon,” the narrator says. “Neither night nor day, only hunger, thirst, and madness.”

   The Nazis occupied Siauliai in 1941. All the Jews were made to wear a yellow Star of David on their chests. Their children were forbidden to go to school. Their businesses were taken away from them. At the end of summer, the Einsatzgruppen and Lithuanian auxiliaries rounded up more than a thousand Jews, took them to a forest, ordered them to strip, and shot them down like dogs. They shoved their naked bodies into open pits. When the shooters left, they took all the watches, jewelry, wallets, and purses with them. “Today the sun shines,” the narrator says in the 70th shot of the film, tracking through the sunlit trees. “Go slowly along, looking for what? Traces of the bodies that fell to the ground?”

   The rest of the town’s Jews were made to move into a ghetto. Two years later two thousand adults and a thousand children were transported to Auschwitz and gassed. The next year the few of them left were sent to the Stutthof concentration camp. That finished off the Jews in Siauliai, once and for all.

   Nearing the end of the film the narrator asks, “How discover what remains of the reality of those camps, shrill with cries, alive with fleas, nights of chattering teeth, when they were despised by those who made them and eluded those who suffered there?” One of the last shots is of a macerated man lying on his side on the ground and drinking something from a bowl. “The deportee returns to the obsession of his life and dreams, food.” The next shot is of a dead man, legs akimbo in the mud, ignored by those around him. “Many are too weak to defend their ration against thieves and blows. They wait for the mud or snow. To lie down somewhere, anywhere, and die one’s own death.”

   My father fled Siauliai for East Prussia when the Red Army swarmed the country in 1944. His two sisters and mother were already on the run. One of his sisters made it to Germany, the other sister didn’t, going into hiding, while his mother was arrested and sent to Siberia, where she remained for the next ten years. Even though he fled with almost nothing except a handful of cash, a few family photographs, and a change of clothes, he had nothing to lose. The Russians would have shot him on the spot if they had captured him.

   Like most Lithuanians my father had no use for Jews. He never had a good word to say about them. He never let on to me, and never talked about went on in Siauliai, except as it related to his family, but I caught enough snatches of talk at parties, community events, and get-togethers to know what the score was. My father wasn’t a bad man, just like most Lithuanians weren’t bad men and women. He wasn’t any different than most people. He worked hard to support his family, community, and country. He was a Boy Scout leader and helped get the local church and parochial school built.

   The film ends with aerial shots of Auschwitz. It is 1945. The war is almost over. “There is no coal for the incinerators The camp streets are strewn with corpses.” One of the last sequences shows captured Nazi soldiers lined up by Allied forces outside a concentration camp. All of them look sullen and demoralized. Many of the soldiers are women. They carry rail thin corpses slung over their shoulders, throwing them into a pit, and going back for more. You never realize how thick the murk is until it lifts. Prisoners barely alive but suddenly free stand next to useless strands of rusting barbed wire. 

   In a Nuremberg courtroom one after another Nazi official says he was not responsible. “Who is responsible then?” the narrator asks. The Master Race all look like somebody’s bland Uncle Ernie. Nobody responsible says anything, although many at least were convicted of war crimes and hung. They should have been broken on the wheel and quartered for their evil deeds.

   Short of cannibalism, what the Nazis did to those they herded into their concentration camps was the worst thing they could have done. After I finished my thirtieth viewing of every shot, scene, and sequence in the film, I wrote my paper and turned it in. I got an A- for misspelling some words. I got to keep my cubbyhole. I knew I wouldn’t watch the documentary ever again. 

   One groundhog day after another had gotten me down in the dumps. Enough was enough. I returned my print of “Night and Fog” to the university library. I caught my breath and went for a walk in the brimming light of day.

A version of this story appeared in Literary Heist Magazine.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

“Cross Walk” by Ed Staskus

“Captures the vibe of mid-century NYC, from stickball in the streets to the Mob on the make.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City, 1956. President Eisenhower on his way to the opening game of the World Series. A hit man waits in the wings. A Hell’s Kitchen private eye scares up the shadows.

A Crying of Lot 49 Publication

Juke Joint

By Ed Staskus

   When Matt Lavikka and I slowly but surely stopped playing chess and started playing Go we didn’t know we were sitting down to the oldest board game played continuously to the present day. The game was invented in China 3,000-some years ago. It is a contest for two players in which the goal is to capture more stones and surround more territory than your opponent. The way of the game is inexorable. The way anybody plays is one’s own choice.

   The playing pieces are called stones. One player uses the white stones and the other one the black stones, taking turns placing them on the vacant intersections of the board. The stones can’t be moved once placed, but are removed from the board if it, or a group of stones, is surrounded on all adjacent points, in which case it is captured. At the end the winner is determined by counting each player’s surrounded territory along with captured stones. 

   Games can and do end when one player is very tired or has gone brain dead. Our games usually went for two to three hours. The longest game ever played was played in Japan in 1938 between two Go masters. It lasted 54 hours. Shusai Meijin, the older of the two masters, died immediately after the marathon due to the aftereffects of the ordeal. He played the game with life and death determination. 

   The chess board starts with everything on it. The last man standing wins. The Go board starts with nothing on it. Whoever is the more ruthless and determined ends up on top. It’s the way of the world. Even though the rules of Go are simple, the play is complex, especially the longer the action goes on. It has a larger board than chess with more scope for play and more alternatives to consider. The number of board positions in Go has been calculated to be greater than the number of atoms in the observable universe. The Japanese believe no two matches have ever been or ever will be the same. They deem the game to be a microcosm of everything everywhere all at once.

   If we had known that we probably would never have started playing. By the time we found out it was too late. We had been sucked into the black hole of Go. Getting out of the hole meant going down to the Harbor Inn for a pick-me-up. It was another hole, on the west bank of the Cuyahoga River in the Flats. It either was or wasn’t the oldest bar in town. Either way, the place wore its reputation on its sleeve.

   “The place was always shoulder to shoulder with bikers and their molls,” said Dan Coughlin, a sportswriter for the Cleveland Plain Dealer. “Wally had a virtual armory behind the bar. He had pistols and shotguns. One night in the middle of the summer we stacked up cases of beer bottles and fired at them from the hip, with shotguns blasting away. I put a hole in the stop sign in front of his bar.”

   Wally was Vlado Pisorn, an immigrant from Slovenia who had taken over the Harbor Inn sometime in the indeterminate past. We called him Vlad the Impaler. He had the kind of beer we liked, the kind from Germany and Czechoslovakia. The wine came from a hose and died on the tongue. After a couple of near deaths, we never drank it again.

   Matt had served a tour of duty in the armed forces, was on a prolonged stretch of R & R, and in the meantime was boning up for the entrance exams for mailman, fireman, and policeman. He was hedging his bets. He finally found employment with the Bay Village Fire Department, which was like working at a posh nursery school. There were hardly ever any fires anywhere near the lakefront suburb. There were, however, lots of old folks having heart attacks and strokes and the EMS trucks kept up an endless shuttle to St. John West Shore Hospital.

   One night Matt and his duty partner Chuck were called to a house where the man of the house was having chest pains. He was on his back in bed, his eyes closed. When they stepped up to him in the bedroom his wife whispered that she thought he was dead. “The poor dear man,” she said. Chuck was in the lead. As he walked up to the bed, he slipped on a throw rug and went head over heels on top of the man, body slamming him, the bedsprings recoiling.

   “If he’s not dead yet, he’s dead now,” Matt thought. 

   “Is he OK?” the woman asked, alarmed. 

   “Your husband will be OK,” Matt said. 

   “No, not him,” the woman said. “I meant the other fireman.” 

   “What the hell is going on!” the dead man suddenly spat out, jolting awake. “Get your fat ass off me.” He rolled Chuck off the bed, who fell to the floor. From then on, Chuck was known as Lazarus back at headquarters. It took years for the sobriquet to fade away.

   Virginia Sustarsic introduced me to Matt. How they knew each other was beyond me. She was Slovenian and a hippie through and through. He wasn’t, not by a long shot. He was a cool customer and Finnish on top of everything else. He played chess, like me, and we got to know one another playing now and then. I had moved out of the Plaza Apartments, where Virginia still lived, and was living on a forgotten street in North Collinwood, a couple of blocks south of Lake Erie. I lived upstairs in a two-bedroom Polish double. Ray Sabaliauskas, a fellow Lithuanian, owned the house and lived downstairs with his Southeast Asian wife and a prize German Shepherd. He had come home safe and sound from the bright shining lie that was the Vietnam War.

   I found my Go game at a garage sale in the neighborhood. It was practically brand new, the instruction sheet still in the box. I paid a dollar for it in pocket change. Reading the rules took less than five minutes. Explaining the rules to Matt took less than one minute. Our first game took five hours. We played on the front porch. The contest was suspended due to darkness when the sun set.

   “The best strategy is to spread the pieces far apart and stretch them out, to encircle and attack the opponent, and thus win by having the most points vacant,” Go master Huan Tan said nearly two thousand years ago. We were both bug-eyed after our first game. We didn’t know the game’s strategy from a seesaw. It was like wrestling a gorilla. You don’t quit when you’re tired, you quit when the gorilla is tired. Go is considered the most difficult board game in the world. Sleeping became my new go-to after a long match.

   I started jogging on Lakeshore Blvd. west out of North Collinwood, where everybody was a working man in one way or another, through the village of Bratenahl, where everybody was tall, trim, and filthy rich. They oozed pride in their state of being. When I was running in their neighborhood I hesitated to even spit on the tree lawns. I had put exercise on the back burner in my early 20s. I never thought I would be working out again to be able to sit quietly hour after hour staring at a square board of intersecting lines.

   When I was a teenager I ran track and field as part and parcel of Zaibas. It was a Cleveland Lithuanian sports club formed in 1950. In 1951, at the 1st North American Lithuanian Games, members participated in basketball, volleyball, and table tennis. The next year the club hosted the games in our hometown and fielded a full team in track and field. 

   In the 1960s I ran around in circles encouraged by Algirdas Bielskus. He was a small man with a round face and a championship head of hair. He was the director of a men’s vocal ensemble, co-founder of a choir, and concertmaster of the Ciurlonis Ensemble. He was also the Zaibas track and field coach for sixty years. He had the voice to make himself heard loud and clear from the far end of any quarter-mile track. Every weekend fair or foul all I heard was “Go! Go! Go!”

   He always carried a briefcase, briefcases he was always losing, stuffed with notes about how we were progressing. Rita Kliorys, one of his top-notch runners, made him a Christmas gift of a new one in 1966. “It was the accordion kind,” she said. “I remember it cost $100.00, and I collected one dollar from many people. He actually did not lose it, either.”

   He coached thousands of youngsters who ran hundreds of thousands of miles. “I thought of him afterwards whenever I saw a turquoise and orange Howard Johnsons and would remember how he took us there for ice cream sometimes,” Regina Thomas said. “Although I was a klutz at sports, he never made me feel like one. I never thought much about it as a kid, but what a commitment to youth and sports.” The small man with the big voice was seemingly tireless, championing fitness among Cleveland’s Baltic off-spring.

   “He worked for my dad’s company, Transmission Research, in the basement of our house,” Dalia Nasvytis said. “Sometimes we would hear strange noises downstairs late at night and realize he was still down there running off schedules for the next athletic meet he was organizing.” He was unrelenting about the fettle of immigrant kids.

   Once we started playing Go, Matt and I made a commitment to it. We played all that spring, summer, and through the winter, two and three games a week. It wasn’t an obsession, although it was. We played on the front porch until it got too cold to play outside. After that we played in the living room at a coffee table, sitting opposite one another, all four of our eyes glued to the board.   

   The game demands concentration, which is born out of silence. Some of our best moves and long-term maneuvers were made quiet stealthiness. I found out the more time I spent noiseless, the more illumination lit me up. We hardly talked, going for a half-hour without saying a word. Every so often Matt smoked a Marlboro. Before long he would tap another one out of the red and white flip-top box. Whenever I joined him, the living room filled with smoke, a gray-white cloud stewing over the entanglements of Go.

   When we first started playing our plan of attack was capturing stones. We both saw that surrounding other stones and taking them prisoner yielded points. It was like taking a piece in chess. After a while we discovered the object of Go is not to surround and capture the opponent’s stones. The object is to surround empty territory on the board. The way to do it is by building walls around empty intersections. If your territory includes some opposing stones, all the better. Then it’s grab and go. From then on it became a contest to capture territory rather than simply capture stones.

   In the Eastern world Sun Tzu’s “The Art of War” reads as an introduction and exposition to the game. Real life warlords back in the day of every stripe were always big on blockading their enemies and capturing territory. The times they were not a-changing, not anytime soon. The Vietnam War was over, but there was always another war on the horizon.

   There’s an old saying, “Chess is a battle. Go is a war.” The more we played the more we discovered it was a war of attrition. It was like breaking stones in the hot sun. Both of us knew how to make the other guy sweat. There was no fighting the commandments of Go.

   Oskar Korschelt, a German chemist, brought the game from Japan to Europe in the 1880s. Even though it was slow to catch on, by the 1950s championship-level tournaments were being organized. By the early-70s it was filtering into the United States. I never met another Lithuanian who played the game. My kinsmen are instinctively suspicious, somewhat superstitious, sometimes curious, usually sensible, always pragmatic, hard-working, conformist, and punctual. They are often reserved except when they get together. Once they establish their bona fides it’s time to pick up a drink and run off at the mouth, getting communal. They play volleyball and basketball like nobody’s business. They probably couldn’t stand the prolonged silence of Go.

   One night after a long back-and-forth on the board we drove to the Harbor Inn. We were looking for some downtime. The two-story building was a home-away-from-home for dockworkers and salt-miners. A lonely man who didn’t mind a lumpy mattress could even grab some shut-eye upstairs. It might have been a dive way back when, but it was no ifs ands or buts about it still a dive, slinging suds to third shifters in the morning and anybody else who had a buck the rest of the day and night. There was a coin operated bowling arcade game downstairs and battered dart boards upstairs. We ordered bottles of Pride of Cleveland instead of imported European brew, being short on ready cash, and picked up a handful of house darts.

  Nobody knew how long the Harbor Inn had been there, but we thought it had to be from the day after Moses Cleaveland settled the land centuries before. It reeked of smoke from long-gone cigars and cigarettes. The shadows smelled even worse, like ammonia had been set on fire. Looking around there was no doubt some of the men at the bar only bathed once a month.

   The beer was cold and refreshing and playing darts was fun. We played 501 Up. Both players start with a score of 501 and take turns throwing three darts. Bullseye scores 50, the outer ring scores 25, and a dart in the double or treble ring counts double or triple. The tally is calculated and deducted from the player’s total. The goal is to be the first player to reduce the score to exactly zero, the only hitch being that the last missile thrown must land in a double or the bullseye. 

   Darts are front weighted for flight and are several inches long with a sharp point. A big part of playing darts is the throwing part. The rest of it is mental toughness, staying on the button, stinging the cork like a bee. It was like Go except we could let ourselves go. We wrote our names in chalk on the brick wall, adding them to the hundreds of other names reaching to the ceiling. After a couple more Pride of Cleveland’s we got sloppy, but it was no matter in the juke joint that was the Harbor Inn.

   When I took a good look at the dart board, there weren’t a hundred-or-more darts crowding it, like all the stones on a Go board. Every throw was always at an empty target, every throw a new chance to get it right, unencumbered by the past. Go was all about the past, the past of all the carefully placed stones on the board. Playing darts was right now. It was a relief to see the target and hit the target, except when we completely missed and the dart bounced off the brick wall. When that happened we yukked it up, not like the game of Go, which was never a laughing matter.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

A New Thriller by Ed Staskus

Cross Walk

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Elbow Grease

By Ed Staskus

   When Mike White was elected the 55th mayor of Cleveland in the fall of 1989 he became the city’s second youngest mayor. Everybody thanked their lucky stars he wasn’t Dennis Kucinich, who had been the youngest, and who had bankrupted the city in 1978. He also became the city’s second African American mayor. Blacks weren’t exactly Blacks then, although they were getting there. They were African Americans. When Frank Jackson finally retired in 2022, after serving four terms as the 57th mayor of Cleveland, Mike White became the second-longest-serving mayor. He had served three terms.

   The day he was sworn in he inherited a boatload of crime, poverty, and unemployment. The tax-paying population of the city was shrinking fast. Downtown was more a hotbed of boll weevils than hotties. There was no Rock and Roll Hall of Fame and no Gund Arena, which is now Rocket Mortgage Field House. The Indians and Browns were both still playing their ballgames in the decrepit Municipal Stadium on the south shore of Lake Erie, although the Browns were thinking of packing up and moving to Baltimore.

   My wife and I were living in Lakewood, which wasn’t Cleveland, although it was close enough. It was the big city’s next door neighbor, what in the day was called a streetcar suburb. Nearly half of Cleveland’s residents were African American. Less than 1% of Lakewood’s residents were African American. We lived on the west end of town where there were zero African Americans. There wasn’t a Berlin Wall keeping them out of town but there was a Berlin Wall.

   We lived off Riverside Ave. on the east side of the Rocky River valley, which had been transformed into the Rocky River Metropark. The river and the valley were just steps from our front porch. Cleveland’s racial divisions seemed like a distant problem. In the event, one day a man was apprehended throwing more than a dozen black bowling balls into the Rocky River at Eddys Boat Dock. He explained to the police officers, “I thought they were nigger eggs.”

   Being the mayor of a village is hard enough. Being the mayor of a city can be thankless. It can be worse than thankless when the top dog shows up. “I would not vote for the mayor of that town,” Fidel Castro once said while touring his island nation. “It’s not just because he didn’t invite me to dinner, but because on my way into town from the airport there were such enormous potholes.”

   There was only one reason Mike White wanted the job. He was a born and bred Cleveland man. He was a true believer and a do-gooder. He was bound and determined to make the city a better place to live. “I remember looking out at the crowd of Cleveland residents, black and white, and reflecting on how many children were there,” he said about his inauguration day in 1990. “I remember how they looked at me as a symbol of what could be. It speaks to the powerful responsibility of being the kind of leader people want to follow.” 

   Getting the job done was going to be a problem, if not Mike White’s man-sized burden. He presented himself on the stump as pro-business, pro-police, and an effective manager. He argued that “jobs are the cure for the addiction to the mailbox,” by which he meant once-a-month welfare checks. He didn’t win over any live and die by the mailbox voters. In the end he won 80% of the vote in the white wards, 30% of the vote in the African American wards, and 100% of the brass ring.

   “Caesar is dead! Caesar is dead!” the crowd in Cleveland Centre cheered when the result was announced. It was near midnight. “Long live the king! Long live Mike!” When the mayor-elect appeared, people stood on chairs and cheered some more. “I extend my hand to all of Cleveland whether they were with me or not” he said. It had been a bitter uphill campaign. “The healing begins in the morning!” There were more cheers. “We … shall … be… ONE … CITY!” He spent twelve years trying to make it happen.

   “Winning an election is a good-news, bad-news kind of thing,” Clint Eastwood, the movie star who was once the mayor of Carmel-by-the-Sea, has said. “Okay, the good news is, now you’re the mayor. The bad news is, now you’re the mayor.” He ran on a promise to roll back Carmel’s back-handed ban on ice cream cones. The law stated that take-out ice cream cones had to be in secure and foolproof packaging with a cover. “Eating on the street is strongly discouraged,” the suck all the fun out of it city fathers said. The actor beat the incumbent in a tight race. One of his first official acts was getting au naturel ice cream cones back on the streets. After his two-year term was over he never stood for elected office again. Politics was too dirty for even Dirty Harry.

   By the time Mike White took office I couldn’t have cared less about Cleveland. For one thing, I no longer lived there anymore. For another thing, I wasn’t working in Cleveland anymore. I was working for the Light Bulb Supply Company. They were in the Lake Erie Screw Building in Lakewood. I wasn’t attending Cleveland State University anymore, either. As much as I used to go to the asphalt jungle was as much as I didn’t go there anymore.

   The city in 1990 was a mess, literally. Nobody thought anything about throwing litter and trash into the street. The police had never been busier. The fire department had never been busier. The schools had deteriorated so much that everything educational looked like up to the teachers. The graduation rate was less than 40%. “It couldn’t have gotten much worse,” recalled James Lumsden, a school board member. Mike White likened the schools to the Vietnam War, where well-meaning people went to help, but ended up stuck in a nightmare.

   Manufacturing jobs were disappearing, the workforce hemorrhaging paychecks, labor costs being outsourced like nobody’s business. Only street cleaners felt secure in their employment. The No. 1 bank in the city, Cleveland Trust, which had become AmeriTrust, was being dragged down by bad loans and a collapsing real estate market. The iconic May Company was drawing up plans to close its downtown store, which had been on Public Square for nearly 90 years. 

   In 1950 the city was the 6th largest in the country. Forty years later it was the 23rd largest in the country. Everybody who could move away was moving to the suburbs. When the inner ring suburbs filled up, new outer ring suburbs popped up. When they filled up, exurbia became the next place to go. Nobody from nowhere was moving to Cleveland. It was hard to believe anybody wanted to be mayor.

   Mike White grew up in Glenville on Cleveland’s east side. It was a rough and tumble neighborhood, notorious for a 1968 shootout. Gunfire was exchanged one night for nearly four hours between the Cleveland Police Department and the Black Nationalists of New Libya. They were a Black Power group. Three policemen, three Black Power men, and a bystander were killed. Fifteen others were wounded. Lots of others were shoved into paddy wagons and locked up.

   The new mayor’s father was a machinist at Chase Brass and Copper. He was a union man and ran a union shop at home, too. “If not for the discipline at home, we would have been lost,” Mike’s sister Marsha said. The first summer Mike White came home from college in 1970 his father took one look at him and told him to cut his hair. He had grown it long and was fluffing it into an afro. While he was a student at Ohio State University in Columbus he protested against racial discrimination practiced by the capital city’s public bus system. He was arrested. He got involved with Afro-Am and led a civil rights protest march. He was arrested again. The charges were disorderly conduct and resisting arrest. He didn’t deny the charges. “I hated the sheets back then,” he said.

   He was sick and tired of being arrested. He put his thinking cap on and ran for Student Union President. When he won he became Ohio State University’s first African American student body leader.  He earned a Bachelor of Arts degree in 1973 and a Master of Public Administration degree in 1974. He began his professional political career as an administrative assistant for Cleveland’s city council in 1976 and was elected councilman from the Glenville neighborhood in 1978. From 1984 until he ran for mayor he represented Ohio’s 21st District in the State Senate, serving as assistant minority whip for the Democrats. 

   Mike White’s opponent in the race for mayor was the long-time politician George Forbes, who was also African American. The color of his skin turned out not to matter. Mike White had gone color blind. He described George Forbes as a “foul-mouthed, uncouth, unregenerated politician of the most despicable sort.” The Forbes campaign countered by accusing their opponent of abusing his wife and abusing the tenants of his inner-city properties by ignoring housing codes. The difference between a hero and a villain can be as slight as a good press agent.

   I didn’t pay too much attention to the character assassinations. My wife and I were working on our new house. It had been built in 1922, and although the previous owners had done what they could, it was our turn to do what we could. What we were doing first was ripping out all the shag carpeting and taking all the wallpaper down. When we were done with those two projects we painted all the walls and restored the hardwood floors. Our game plan was by necessity long-term. We started on the basement next, started saving for a new roof, and started making plans for everything else.

   Mike White didn’t give a damn about ice cream cones, but he gave a damn about the kids who ate ice cream cones. “We can spend our money on bridges and sewer systems as we must,” he said, “but we can never afford to forget that children remain the true infrastructure of our city’s future. We need to create a work program and show every able-bodied person that we have the time and patience to train them. And we should start people young. We want to guarantee every kid graduating from high school a job or a chance to go to college.”

   He put the city’s power brokers on notice. “We do not accept that ours must be a two-tier community with a sparkling downtown surrounded by vacant stores and whitewashed windows.  You can’t have a great town with only a great downtown. I’ve said to corporate Cleveland that I’m going to work on the agenda of downtown, but I also expect them to work on the agenda of neighborhood rebuilding.” He wasn’t above making deals, although he wasn’t selling any alibis. Safety became a mantra for him. “Safety is the right of every American,” he said. “A 13-year-old drug pusher on the corner where I live is a far greater danger to me and this city than Saddam Hussein will ever be.”

   He would prove to be true to his commitments. In the meantime, he put his nose to the grindstone. He worked Herculean hours. His staff worked Herculean hours. Anybody who complained they weren’t Hercules was advised to find work elsewhere. When he found out the Gulf War was costing the United States $500 million a day, he was outraged. “I’m the mayor of one of the largest cities in the country while we have an administration in Washington that is oblivious to the problems of human beings in this country,” he said. “I sit here like everyone else, watching CNN, watching a half-billion dollar a day investment in Iraq and Kuwait, and I can’t get a half-million dollar increase in investment in Cleveland.”

   Mike White was never going to be president of the United States. He probably didn’t want to be president. He had his hands full as it was, making it happen in his hometown. He wanted a Cleveland with dirtier fingernails and cleaner streets. The city was in a hole. His goal was to get it to stop digging. It wasn’t going to be easy. He didn’t always speak softly, but words being what they are, he made sure that as mayor he carried a big stick, the biggest stick in sight.

   He was going to need it, if only because President Lyndon Baines Johnson had said so. “When the burdens of the presidency seem unusually big, I always remind myself it could be worse,” LBJ said during his troubled administration. When asked how that could be, he said, “I could be a mayor.”

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com

A New Thriller by Ed Staskus

Cross Walk

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

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Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.