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Gimme Shelter

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By Ed Staskus

   Not only did I not see the Rolling Stones when they rolled into Cleveland, I didn’t even get a t-shirt. In the event, however, I heard every song they played inside Municipal Stadium and I made more money that day than I was accustomed to making. I kept the money in my pocket, not rushing out to buy the band’s latest album. I didn’t have any of their albums, anyway, so I didn’t need another one to add to my collection.

   The band was in town on July 1, 1978, as part of the World Series of Rock. Just before they hit the stage in front of 83,000 fans a question flashed on and off in five-foot letters on the scoreboard. The question was, “Who’s the Greatest Rock and Roll Band in the World?” There was a roar from the crowd. I didn’t see the flashing letters but I heard the roar and saw the hundreds of red balloons that were released. I watched the balloons from where I was float over the rim of the stadium and out over Lake Erie .

   A small parking lot outside the entrance gates was where I was.  What I was doing in the parking lot was selling t-shirts. A neighbor of mine by the name of Hugo had gotten them silk screened at Daffy Dan’s. He and I spent the day peddling them from an eight-foot folding table at the southeast corner of the stadium. He didn’t have a license that I saw, but I did see a policeman wave to Hugo in a friendly way. I took that to mean we could stay.

   It was an overcast day, hot and sticky. It was the kind of day that looked like rain or maybe a thunderstorm rumbling in from Lake Erie. The stadium was on the south shore of the lake. It was the first place rain would show up.

   The show started just before one o’clock with Peter Tosh, who was from Jamaica, followed by Kansas, who were from Kansas. They sang their big hit from the year before, which was “Dust in the Wind.” As it was, they should have changed the lyrics to “Rain in the Wind” because in the middle of the song it started to drizzle. By the time the Rolling Stones hit the boards at five o’clock it was raining more and had gotten windy. It rained on-and-off throughout their 18-song set. 

   “Fans huddled under blankets or plastic wraps,” wrote Jane Scott, rock critic for the Cleveland Plain Dealer. “But the show was the most exuberant and exciting that the group has brought here. Mick Jagger was jauntier and more active than he has ever been. He skipped onstage in a red jacket, brownish vinyl pants and a red cap. He jogged in place and discoed to the first song. He waved his hands at the audience and doffed his cap. He seemed as carefree as a drunken sailor.”

   Hugo wasn’t jaunty or carefree. He had come prepared for bad weather with yellow slickers for both of us and a tarp to cover our table. We did a brisk business after the show selling dry t-shirts. It was the reason I never got one of them. We sold them out.

   The World Series of Rock was a recurring summer concert series staged at Cleveland’s Municipal Stadium from 1974 to 1980. The shows were organized by Belkin Productions, a local promotion company, and WMMS, a local radio station known as the ‘Home of the Buzzard.’ Some of the bands that came and went were Emerson, Lake & Palmer, Foreigner, Pink Floyd, Journey, Lynyrd Skynyrd, and Fleetwood Mac. None of them drew fewer than 60,000 fans. The all-day shows were notorious for drug use, drunkenness, and rowdiness. Every so often somebody fell or jumped off the upper deck. Most of them survived. All of them were more-or-less seriously hurt. 

   The Cleveland Free Clinic ministered to the hurt. They were funded by Belkin Productions. They conditioned their funding on the Free Clinic’s nondisclosure of the number of staff on duty, the nature of the injuries treated, and the number of concertgoers treated. Don’t upset the apple cart was the word of the day.

   The last World Series of Rock was staged in 1980 featuring Bob Seger and the Silver Bullet Band. Municipal Stadium officials had gotten sick and tired of the baseball playing field being torn up after every show and city officials had gotten sick and tired of the robberies and violence that had become part and parcel of the events.

   Hugo was a large man, four or five years older than me. He drove a well-kept 1962 Rambler Classic station wagon. His hair was long and tied back in a ponytail. His eyes were the green of sea glass. He wore a white t-shirt, dungarees, and Red Wing boots the day of the show, He was genial with buyers and gruff with everybody else. Not a single person messed with us, not even the outlaw bikers and shifty boys from the ghetto. 

   He handled the money, stuffing the bills into his pockets. He didn’t let anybody pay with loose change. Whenever he had a minute he rolled the bills up, rubber banded them, and pushed them down into a canvas messenger bag. He wore the bag cross-body, with the strap over one shoulder and the bag resting on his opposite hip. If somebody misjudged Hugo and tried to grab the bag, it wasn’t going to be easy getting it off him. It was going to be a mistake.

   The Rolling Stones started their set with “Let It Rock” followed by “Honky Tonk Women” and “When the Whip Comes Down.” I wasn’t a big fan of the band and so didn’t pay much attention. I enjoyed their last two songs, Chuck Berry’s  “Sweet Little Sixteen” and their own “Jumpin’ Jack Flash.”

   “I was born in a crossfire hurricane, and I howled at my ma in the drivin’ rain, but it’s all right now, in fact, it’s a gas, but it’s all right, I’m Jumpin’ Jack Flash.”

    Jack Flash was a 1950s adventure story character featured in the British comic magazine ‘The Beano’. It was hard to make out what the song was about, although it seemed to be something about enduring hardships and overcoming challenges. It didn’t help that hearing the lyrics was a challenge.

   “It was my first and last concert at Municipal Stadium,” said Chris Austin, a suburban Rocky River native. “It was hard to hear the music with all the screaming and yelling in my ears. It was a good line up but it was a shame you couldn’t hear it unless you were anywhere near the front row. All you heard was screaming.”

   Hugo didn’t know the Rolling Stones from the Beach Boys and didn’t care. He didn’t get a kick out of rock ‘n’ roll. He called the music the Beatles made “bug music.” He didn’t know much about rockabilly, the British Invasion, surf rock or Southern rock, hard rock or psychedelic rock, folk rock, blues rock, or funk rock. As far as I knew the only music he listened to was old Zydeco and rhythm and blues from mid-century, give or take a decade-or-two.  His favorite Zydeco musician was Boozoo Chavis, who played the accordion and was usually accompanied  by a fiddle and a washboard. He sang all his songs in French. Hugo didn’t speak a word of French so he paid attention to the rhythm and the feeling instead.

   I knew the Rolling Stones were one of the most popular rock ‘n’ roll bands in the world, but to me they were a money-making machine living the high life in the Top 10. I knew they portrayed themselves as outlaws but I also knew they were multi-millionaires. I had my doubts about millionaires being able to be outlaws. It seemed to be against the laws of nature. The rich steal with a fountain pen. That doesn’t make them desperadoes, at least not until they run out of money. 

   Tours by the Rolling Stones were a license to print money. Their United States tour in 1978 took them to twenty four venues coast to coast in fifty days. Their gross in Cleveland was more than a million dollars, or about five million dollars in today’s money. Mick Jagger was reported to be “jolly and high-spirited” after the show. It is easy enough to imagine how happy the band was with the loot they hauled back to Great Britain, where they could spend it doing whatever wealthy outlaws do.  

   I liked some rock ‘n’ roll bands like the Doors and the Jimi Hendrix Experience, but Jim Morrison was dead and so was Jimi Hendrix. I liked what I heard from Peter Tosh at the World Series of Rock and went  to see him and his seven-man band at the Front Row Theater in Highland Hts. three years later. It was a hike for my car but worth it. I even bought one of their albums.

   Peter Tosh’s songs were about equality and social justice. He sang about oppression and injustice, blending rocksteady with reggae, always keeping a skank beat going, although his rhythm section, Sky Dunbar and Robbie Shakespeare, called it the “rockers rhythm.”

   “Everyone is crying out for peace, yes, none is crying out for justice, I don’t want no peace, I need equal rights and justice.”

   Many of the songs the Rolling Stones sang were about sex, drugs, and rock ‘n’ roll. They portrayed themselves as the rebellious spirit of the age. They claimed to challenge the status quo, even though they were the status quo. At least, that was what the Bank of England thought of them. They addressed some social and political issues, but didn’t make a bad habit of it. Swagger buttered their bread, not warmheartedness.

   It was incidental what I thought about the Rolling Stones. Most of the fans I heard talking about them while walking past our table of rapidly disappearing t-shirts seemed more than happy with what they had gotten for their $12.50. “He is the God of Cool” one of them said to his friend. I assumed he was talking about Mick Jagger. Somebody else said the show was “electrifying” while another said it was “unforgettable.” Two young women, one of them carrying a tote bag with the band’s iconic red lips and tongue logo on it, were talking excitedly. I couldn’t make out what they were saying, although it didn’t matter. Whatever they were saying was plain as day on their faces.

   The Rock and Roll Hall of Fame is a five minute walk from where Municipal Stadium once stood until it was torn down in 1997. The museum marked the 50th anniversary of the World Series of Rock with an exhibit at their Library and Archives in 2024. There were guitars used by some of the musicians. There were old posters and mangy ticket stubs. There were many photographs.

   “They put together some good stuff,” said Jules Belkin of Belkin Productions. “It was a group of years that are etched in people’s memories.” He was there when it happened in the 1970s, although he didn’t seem to remember much about the shows. He was too busy backstage staging them to see anything. 

   “It was pioneering in terms of massive concerts like that,”  said Andy Leach, Senior Director of Museum and Archival Collections at the Rock Hall. “I don’t think there will ever be anything quite like that again. From what I’ve heard from friends of mine, you could wander right up to the stage.”

   I didn’t see the exhibit. I have never seen an exhibit at the Roll and Roll Hall of Fame because I have never been there, even though I live fifteen minutes away. I don’t see what museums have to do with rock ‘n’ roll since the music genre is a right now right here thing. The proof is in the pudding, not well-bred and displayed on a wall.

   Jerry Garcia, when the Grateful Dead were inducted, sat out the ceremony. He said he found the concept of a rock ‘n’ roll museum “stupid.” The rest of the band attended the induction ceremony. They brought a full-size cardboard cutout of Jerry Garcia with them. The Sex Pistols were even more uncompromising about refusing the honor. “Next to the Sex Pistols, rock and roll and that Hall of Fame is a piss stain,” they said. “Your museum. Urine in wine. We’re not coming. We’re not your monkeys. If you voted for us, hope you noted your reasons. You’re anonymous as judges but you’re still music industry people. We’re not coming. You’re not paying attention. Outside the shit-stream is a real Sex Pistol.”

   Hugo and I were packing up, which amounted to folding up our table and carrying it more than a mile to where we had parked, when a very drunk young man staggered past us bellowing “Monkey Man, play Monkey Man.” He kept bellowing until he was far away and we couldn’t hear him anymore. I hadn’t heard the song during the show.

   “Monkey Man” was a Rolling Stones song from the late 1960s. The lyrics went, “I’m a flea-bit peanut monkey, all my friends are junkies, that’s not really true, I’m a cold Italian pizza, but I’ve been bit, and I’ve been tossed around, by every she-rat in this town.” Whether the lyrics had ever been immortalized by the Rock and Roll Hall of Fame is an open question. The man’s enthusiasm for the song was undeniable.

   We left Municipal Stadium and the World Series of Rock behind. The departing crowd had thinned out. We walked as fast as we could to get to our car before more weather happened, although Hugo stopped at a hot dog cart and sprang for two foot-longs.

   “Ooh, a storm is threatening, my very life today, if I don’t get some shelter, ooh yeah, I’m gonna fade away, gimme shelter.”

   We got to the car, got the table stowed away, and secured the canvas messenger bag fat with cash under the front seat. A clap of thunder and a lightning bolt lit up the darkening sky. We slid into the car and got it running just as it started to rain for real. The car was shelter from the storm. It kept the outdoors where it belonged, which was outdoors.

Ed Staskus posts monthly on 147 Stanley Street at http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Down East http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

“Bomb City” by Ed Staskus

“A police procedural when the Rust Belt was a mean street.” Sam Winchell, Beyond Books

Available on Amazon: https://www.amazon.com/dp/B0F1LM1WF9/ref=sr_1_1?crid=2MYAQAOZIC2U9&dib=eyJ2IjoiMSJ9.hTm7BGbiQbSe5ZapFwYPPfcwOpTe-Vdg6VLE4aGyTyk.Z0R-VNBWWEcvKcNaO9LdCOUnNIOOXgvYkRS_FXiXuHk&dib_tag=se&keywords=bomb+city+ed+status&qid=1742136726&sprefix=bomb+city+ed+staskus%2Caps%2C84&sr=8-1

Cleveland, Ohio 1975. The John Scalish Crime Family and Danny Greene’s Irish Mob are at war. Car bombs are the weapon of choice. Two police detectives are assigned to find the bomb makers. It soon gets personal.

A Crying of Lot 49 Publication

Home Movies

Ten Cent Beer Night

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By Ed Staskus

   When my friends and I heard there was going to be a Ten Cent Beer Night at Municipal Stadium, we started gathering our loose change. It was Monday morning June 3, 1974. Beer Night was going to be the next day. We didn’t have much time, but we had plenty of motivation. When the big night arrived our pockets were full of nickels, dimes, and quarters. We met at East 30th St. and St. Clair Ave. and took a bus to East 9th St. From there we walked to the ballpark.

   Municipal Stadium opened in 1931 and was the home of both the Cleveland Indians and Cleveland Browns. Two days after it was formally dedicated Max Schmeling fought Young Stribling for the World Heavyweight Championship. The two sluggers brawled for the full fifteen rounds. In the end Young Stribling was covered in more bumps, bruises, and blood than Max Schmeling, so the German won the match on a TKO.  A month later the Tribe played their first game there, losing to Lefty Grove and the Philadelphia Athletics one to nothing. The crowd of  more than eighty thousand set a major league record.

   When it was built, and for many years afterwards, Municipal Stadium was the biggest baseball stadium in the country, although by the 1970s it was drawing the smallest crowds in the country. A month earlier only four thousand fans showed up to watch the Indians beat the Boston Red Sox. There were two reasons everybody stayed home and watched something else on TV. The stadium was built all wrong, for one thing. It was cavernous. God forbid your seat was at the far end of the cavern. Relief pitchers had to be driven to the mound from the bullpen. Even when new outfield fences were installed shrinking the size of the playing field, it was still nearly five hundred feet from home plate to the bleachers in straightaway center field. High and deep fly balls went there to die. We always sat in the cut-rate seats. No wannabe home run ever reached us. The upper deck was even farther from the field. Sitting in the stratosphere meant high-powered binoculars in order to see the action.

   By the late 1960s the place was falling apart. It looked like Miss Havisham’s mansion. It stood on Lake Erie, a wheezy open-air mausoleum squatting on the south shore. It was a dismal hulk, especially in the spring and fall when cold winds blew in off the lake. During the summer, during night games, the lights attracted swarms of midges and mayflies. The bathrooms were unbearable for many reasons. Only the desperate ever visited them, however briefly.

   On top of everything else, the Tribe couldn’t punch its way out of a paper bag. In the 1950s they were routinely winning ninety and hundred games every season. They won championships. By the 1960s they were lucky to win eighty games a season. In 1971 they lost more than a hundred games, finishing so far out of first place fans lit memorial candles. The locker room got sad and gloomy. The Tribe lost more games during the decade of the 1970s than during any other decade of the team’s long life.

   When we got inside the stadium we were surprised by how many fans were there, about twenty five thousand of them, although we shouldn’t have been. Besides the cheap beer, payback time was in play. A week earlier in Texas, the Indians and the Rangers had gotten into it. In the bottom of the  eighth inning a Tribe pitcher threw behind a Ranger batter’s head. A few pitches later the batter laid down a bunt. The pitcher fielded the ball and tagged the runner out. The runner didn’t stop running, clubbing the pitcher in the face with a forearm as he ran past. When he got to first base he head butted the Tribe’s first baseman in the groin. The first baseman started swinging. Both benches emptied. After the fracas, as Indians players and coaches returned to their dugout, they were greeted with giant pretzels and warm beer hurled by Texas fans. Dave Duncan, the short-tempered Cleveland catcher, had to be restrained from storming the stands.

   After the game a reporter asked Rangers manager Billy Martin, “Are you going to take your armor to Cleveland?” Billy Martin said, “Naw, they won’t have enough fans there to worry about.” The following week sports radio talk show hosts whipped up the ire of Cleveland’s baseball fans. The game was billed as “Revenge Rematch Time.” The Cleveland Plain Dealer printed a cartoon of Chief Wahoo wearing boxing gloves. The caption read, “Be Ready for Anything!” 

   Ten Cent Beer Night was the dream child of the Tribe’s sales and marketing department. “We were on a mission to save baseball in Cleveland,” said Carl Fazio, one of the men overseeing promotions. “We did everything possible to make baseball successful in our town. If we were going to fail, it wasn’t going to be because we didn’t try things.”   

   Tuesday was a hot sticky night. The sky was clear and the moon was full. Twice as many fans showed up as the sales and marketing showmen expected. “It was a stinkin’ humid night, and you kind of had a feeling things weren’t going to be good,” said Paul Tepley, a Cleveland Press photographer. “Billy Martin stood in front of the Rangers dugout before the  game heckling the fans, and the fans were heckling him. It had the makings of a bad night.”

   No sooner did anybody step into the stadium than they made a beeline to the special tables manned by teenagers selling the low-cost beer. The legal drinking age in 1974 was eighteen. Banners behind the tables said, “From One Beer Lover to Another.” The regular price was sixty five cents. The promotional price of ten cents was a big discount. There was a limit of six cups a  purchase but no limit on how many purchases anybody could make during the game. The first Beer Night had been staged three years earlier. There were some incidents then but they mostly involved horseplay, vomit, and getting dead drunk.

   Some fans brought pockets full of firecrackers and smoke bombs to Ten Cent Beer Night. They blew them off in the stands and threw some on the field before the game started. When the first pitch was thrown for a strike everybody settled back with their suds and tuned into the matchup. In the second inning a woman sporting a bouffant ran to the on-deck circle, lifted her shirt, and flashed the crowd. She was stacked and beaming smiles. She tried to kiss home plate umpire Nestor Chylack. He was not in a smooching mood., however. Everybody cheered the sight of boobs but gave the umpire a Bronx cheer for ducking the kiss.

   The Rangers took a three to nothing lead when Tom Grieve slammed a home run with men on base. As he went around second base a nearly naked man slid into the bag behind him. He was wearing two black socks. We thought he might be an insurance agent. When the streaker got up he saluted the crowd before dashing away. His butt was road rash red. He ran through center field towards the bleachers. One of his socks got loose. By the time he got to the fence in front of us, he was down to one sock. He vaulted over the fence and disappeared under our seats. The next inning a father and son ran out onto the field and simultaneously mooned the crowd. The son’s butt was light bulb white. The father’s butt was cream cheese white.

   When the special tables selling cheap beer started to run dry the Stroh’s Brewing Co. sent a tanker full of brew to the back of the ballpark. Fans gathered at the industrial spigots fastened to the rear of the truck. Before the truck arrived every Rangers player who stepped up to the plate had been roundly booed. Twenty minutes after the truck got there the crowd started throwing things at them.

    “I bet I had five or ten pounds of hot dogs thrown at me,” said Mike Hargrove, a Rangers rookie playing the infield. “A gallon jug of Thunderbird landed about ten feet behind me.” When he realized what he had done, the man who threw the half-full jug of fortified wine demanded it back. Fans threw rocks, batteries, and golf balls. One man threw a tennis ball and was almost laughed out of the ballpark. The bullpens had to be evacuated after cherry bombs were lobbed into them. 

   Everything went to hell in the home half of the ninth inning. Everybody with kids and a wife had already fled. The Tribe put together four straight hits and a sacrifice fly. They tied the game at five runs apiece. The winning run was standing on second base. Unfortunately for the Indians, that was as far as he ever got.

   Before he could make a move two young men ran out on the field towards Rangers outfielder Jeff Burroughs. They were greased for trouble. One of them tried to steal the ballplayer’s cap. Jeff Burroughs kicked at the man but slipped and fell down. The rest of the Rangers, far away in their dugout, thought the men had knocked their teammate down. Billy Martin led his Rangers players onto the field. “Let’s go get ‘em, boys.” They sprinted to the rescue. They were brandishing every bat they had on the rack. When hundreds of fans poured out of the stands after them, with slats they had torn off from their seats, the riot was on.

   The law and order detail at Municipal Stadium on Ten Cent Beer Night was fifty older part-time men and two off-duty Cleveland policemen. They were swept aside by the flow of drunks. Some of the troublemakers were waving chains. Others had knives. Twenty police cars responded to the call for help. When they got to the ballpark they called for the Riot Squad. When the Riot Squad got there they called for more men. “We would have needed twenty thousand cops to handle that crowd,” said Frank Ferrone, the Chief of Stadium Security.

   Tribe manager Ken Aspromonte ordered his players onto the field to help the Rangers. They armed themselves with bats and formed a phalanx. “They saved our lives,” Billy Martin said. “That’s the closest you’re ever going to see someone get killed in this game of baseball.” He didn’t know it got closer in 1920, when Yankee’s pitcher Carl May hit Indian’s batter Ray Chapman in the head with an errant fastball and killed him.

   A Cleveland player was hurt during the riot when a flying metal chair hit him in the head. He had to be helped off the field. Nestor Chylack’s hand was badly cut and he was hit by a flying chair as well, before finally declaring the game a forfeit. The mob was incensed. More chairs went airborne. “They were animals,” the injured home plate umpire said. ”I’ve never seen anything like it, except in a zoo.”

   The organist played “Take Me Out to the Ballgame” over and over again. Some fans ripped the padding off the third base line fence. They stole all the bases. “This is an absolute tragedy,” declared Joe Tait, one of the broadcasters. “I’ve been in this business for twenty years and I have never seen anything as disgusting as this. I just don’t know what to say.”

   When beat reporter Dan Coughlin tried to interview a rioter, he was punched in the face. When he tried to interview a second rioter he was punched in the face again. After that he put his notebook away and went looking for a drink, something stronger than beer. There was no charm in trying a third time.

   Mike Hargrove had a chunky teenager on the ground and was walloping him. “That kid came up and hit him from behind is what happened,” said Herb Score, the other broadcaster. When the ballplayers fought their way back to their clubhouses, they bolted the doors behind them and left Municipal Stadium under escort of armed guards. The Riot Squad flooded the field with tear gas.

   “It’s not just baseball,” Ken Aspromonte said. “It’s the society we live in. Nobody seems to care about anything. We complained about their people in Texas last week when they threw beer on us and taunted us to fight. But look at our people. They were worse. I don’t know what it was and I don’t know who’s to blame.”

    When the fireworks were all over we walked to Superior Ave., across the bridge over the Cuyahoga River, and crossed West 25th St. We passed the insurance agent streaker. He was wearing what looked like ratty clothes from a thrift shop. He was barefoot, having lost his other black sock. We walked to the Big Egg, where we got late-night grub, hash browns and fried eggs. They hadn’t run out of that day’s gravy. Their sauce was boss. The Big Egg wasn’t the cleanest diner in town, but it stayed open all night and the food was dirt cheap. Their slogan, on the wall behind the long counter, was “Where the Egg is King and the Queen is, too!”

   “I don’t look at it as a black eye at all,” Carl Fazio said afterwards about what took place that night. “It was just one of those crazy things that happened because of a set of circumstances that all came together that night.”

   The next day the Tribe slugged five home runs, pummeling the Rangers in front of eight thousand spectators. The stolen bases were never recovered. New ones had been put in place. My friends and I stayed home. I read about the second game of the series a day later in the Cleveland Plain Dealer. The fans were well-behaved, cheering their heads off but not throwing anything onto the field. They sipped their beer before tossing their plastic cups under the seats. It was a breezy evening with bright stars high in the sky. Everybody kept their cool and kept their clothes on, too.

Ed Staskus posts monthly on 147 Stanley Street  http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Down East http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

Bomb City” by Ed Staskus

“A police procedural when the Rust Belt was a mean street.” Sam Winchell, Beyond Books

Available on Amazon: https://www.amazon.com/dp/B0F1LM1WF9/ref=sr_1_1?crid=2MYAQAOZIC2U9&dib=eyJ2IjoiMSJ9.hTm7BGbiQbSe5ZapFwYPPfcwOpTe-Vdg6VLE4aGyTyk.Z0R-VNBWWEcvKcNaO9LdCOUnNIOOXgvYkRS_FXiXuHk&dib_tag=se&keywords=bomb+city+ed+status&qid=1742136726&sprefix=bomb+city+ed+staskus%2Caps%2C84&sr=8-1

Cleveland, Ohio 1975. The John Scalish Crime Family and Danny Greene’s Irish Mob are at war. Car bombs are the weapon of choice. Two police detectives are assigned to find the bomb makers. Revenge is always personal. It gets personal.

A Crying of Lot 49 Publication