
By Ed Staskus
“My first grade gym teacher was the man who started me out in music,” Chuck Eversole said. The gym teacher was an ex-Jarhead with a standard issue buzz cut. “He had a meeting with my mom and dad one day.” The meeting was about him. “Charles has very poor hand eye coordination,” he told Chuck’s parents. “He has trouble catching balls. I have a suggestion. I think he should take piano classes, or learn some kind of keyboard instrument.”
When Chuck’s grandfather heard about the suggestion, he suggested the accordion. It had a keyboard. He was from Switzerland where everybody in his part of the mountains danced to the squeezebox. It was what kept them up at night, young men swinging and squeezing young women around the floor. It was his favorite musical instrument. When he sized up his grandson, however, he changed his mind.
“I was always the smallest kid at the end of the row in our school pictures,” Chuck said. He tipped the scales at just over 40 pounds. Beginner accordions weigh about 15 pounds. “It was too heavy for me, so grandpa bought me a piano.” He started taking lessons when he started 2nd grade. “I took to it right away. By the time I was in 6th grade the choir director at our school asked me to play piano for his choir practices.”
Chuck’s mother Katherine and his father Charles met at a math teacher’s summer conference. She was from Long Island. He was from Ohio. They were both math teachers. Before long one plus one became two peas in a pod. “Every summer our vacations were going to some college campus for a math workshop. One summer we went to Stow, Vermont. I had just seen ‘The Sound of Music’ so my parents took me to where the real Maria von Trapp was operating a ski lodge there.”
He bought a book about the musical in the gift shop. There was a picture on the back cover of Maria von Trapp wearing a colorful dirndl. “We were in the parking lot getting ready to leave when a turquoise sports car raced up and stopped beside us. Maria von Trapp, wearing the same dirndl, popped out of the driver’s seat. I was so excited because music was my thing. I went right up to her and got her autograph.”
That school year Chuck made friends with a new kid in his class. His name was Cory Harding. “We went to choir classes together.” One day Cory told Chuck he was in another singing group and they were going to perform downtown at Music Hall on Mother’s Day. “I told my parents we had to go.” The only tickets left were in the nosebleed part of the balcony. “We were three rows from the top. The stage was a sea of kids. After their first song I turned to my mom and dad and told them I had to be in that group.”
The group was the Singing Angels. The year was 1978. The Singing Angels had been the brainchild of Bill Boehm. When he was a young man he performed in musicals at John Adams High School and Western Reserve University. He became a professional singer. Then World War Two broke out. “I had everything going for me. My God, I had a contract from Hollywood in my hand. I had a contract from Broadway. But I came from a family where you’re an American, so what do you do? Well, somebody has got to fight for this country.”
He founded the Singing Angels in 1964. It was the same year the Beatles blasted off. A few years earlier while doing research in the Western Reserve University library for his master’s degree in theater, he had struck up a conversation with a woman about a project he had in mind. He wanted to organize a children’s singing group. “I had this idea for quite a while and just didn’t know what to do with it. Even so, I knew I had something practical that would work and be good for the kids.”
The woman suggested he contact the Cleveland Friends of Music. He went to see them. He told them he wanted to put on a show at Severance Hall, the home of the Cleveland Orchestra. They told him they would promote it if he would and could sell all the tickets. He put out a notice for singers. Eighty children responded. “From the word go I knew I had something.”
Bill Boehm recruited children from all around Cleveland to perform what he called “good” music. Rock and roll was the rage. He thought it was “very bad” music. “There is no melody,” he said. “It is just volume.” Their first show was a medley of holiday songs that Christmas season. They were a smash. The Lakeside Summer Art Festival became an annual venue the next year after their first show there. Their first television special was on a local TV station in 1967. Two years later they were invited to the White House for a Command Performance. That same month they appeared on the Kraft Music Hall Special on NBC-TV.
Chuck kept the Singing Angels at the front of his mind all summer. Auditions were scheduled for September. But when his turn came he was told the group only took children up to and in the 8th grade. He was going into the 9th grade. Chuck was crestfallen. “You are breaking his heart,” his mother said.
There was a training chorus and a performing chorus. As children matured and got better they were promoted into singing on stage. Chuck’s mother wrangled an audition for her son. When he was done auditioning, he was invited to join the performing chorus on the spot. Rehearsals were in a large enough extra space at the Fireman’s Training Academy on the periphery of downtown. “There were more than a hundred kids there from all over. I had never seen so many different kinds. I came from Richmond Hts. where there was only one black kid in our school of a thousand.”
He had led a sheltered life. “My mom was overprotective. Whenever I wanted to go out with my high school friends she had a fit. But after a year with the Angels, if I had told her I was going out with a gang of them to knock off a bank, she would have said, ‘Make sure to be home on time for dinner.’”
Practices were on Saturdays. They lasted three hours. The Tuesday night practices lasted two hours. If they had a big show coming up they practiced on Sundays, too. “We had to memorize all our songs,” Chuck said. “We didn’t use sheet music. We weren’t a choir. We were a performing chorus. It wasn’t a religious group, all sacred music. There was some spiritual music, but it was mostly show tunes, barber shop harmonies, and holiday songs. Every January after Christmas we had to learn and memorize a whole new repertoire.”
The Singing Angels staged up to 30 shows during the holiday season and that many again the rest of the year. Mothers and fathers had to make as much of a commitment as their children. Neither of Chuck’s parents sang or played a musical instrument. Regardless, they supported him non-stop. His grandfather had some musical talent. “He was a very severe man, but he knew how to yodel,” Chuck said. Some people have van Gogh’s ear for music. Chuck had an elephant’s ear for it.
He was in the marching band in high school. He played the trumpet while wearing a shakos hat and marching up and down the field. “We didn’t have plumes, though,” he said. One of his parents would drive him to the Saturday morning football games in their Chrysler New Yorker. “It was the model with the fins. It was like the Batmobile. As soon as halftime was over I would run to the car and change while I was being driven downtown for Angel practice. I would duck down on the back seat, strip off my marching band uniform, and change into civilian clothes.”
The Singing Angels began touring foreign countries in 1974. Their first tour was to Romania. “My second year with the group, which was 1980, we toured Berlin, Vienna, and Rome. The pope came out to St. Peter’s Square to see us. My third year we went to the International Song Competition in Wales. We had to learn all new to us classical songs for it. There were 32 groups there. We came in 4th place. My last year we toured Mexico.” The year after Chuck left the group the Singing Angels went to China, just ten years after Richard Nixon ended the isolation between the United States and the communist country. “I always wanted to make music that would bring joy,” Bill Boehm said. “What would bring young people together, and help them understand patriotic things, human things. It’s the magic of music.”
Everybody’s tour of duty with the Singing Angels came to end when they graduated from high school. By then Chuck’s younger brother William was in the group. “He stayed longer than I did since he joined earlier. When I was a kid I had an imaginary friend named Billy. After my parents named my brother Billy I had to say goodbye to my imaginary friend, although at first I wanted my mother to take my baby brother right back to where he had come from.”
A year after Chuck retired from the group his mother Katherine joined it as the administrator of the training chorus. “She replaced Roe Green, for whom the Kent State University Center for Performing Arts is named.” Katherine stayed with the Singing Angels for the next 30-some years. “One of her first responsibilities was ironing the red taffeta ties the kids wore.”
The Caroling Crusaders came into being at that time. They performed in small groups at hospitals and nursing homes. “They sang a cappella. They learned how to adapt on a dime, from going to a small nursing home to the Cuyahoga County Fair to St. Peter’s Square. As much as they learned about music they learned about life.”
There was a lot to learn. “There I was, a high school student, and I was one of the soloists at Music Hall with a microphone in my hand in front of a sold-out audience. I learned how to be confident around other people. I learned more about life than I learned about music. That’s the truth.” Confidence in your ability is the key. Once somebody has that, and is ready to follow through, they are nearly unstoppable.
“If you’re not going to go all the way, why go at all?” said NFL quarterback Joe Namath. When he won the Super Bowl in 1968 he went all the way. At the same time, he knew how to have fun. “When you have confidence, you can have a lot of fun. And when you have fun, you can do amazing things.”
The Singing Angels weren’t always angels, no matter how amazing they were. “Some of my friends and I snuck out of our hotel one night when we were in Wales. We hung out and ran around all over. It was lots of fun. We had to sneak back into our rooms like secret agents in the middle of the night.” At the end of the day, if it was fun, it was a good day.
“We were in England walking around after a show when some girls asked my friends and me for our autographs. They were like groupies. Two weeks later when I was back home in Richmond Hts. I got a postcard from one of the girls, It was addressed to Chuck Eversole, Singing Angels, Cleveland, USA. That was it. I don’t know how it ever got to me, but it did. Her address was on the postcard and we ended up being pen pals for the next five years.”
Being a pen pal can be a testament to patience. Letters mailed to England in the 1980s took almost two weeks to get there and another two weeks for the response to get to where it was going to. When Chuck finally got a letter from his pen pal it was always the write time to put his Bic pen to paper.
After four years in the Singing Angels his magical mystery tour with the group was over. He had made many friends. He stayed friends with some of them through the years. “Absolutely,” Chuck said. “I’m still friends with Cory, the boy who introduced me to the group. He’s a television producer for Dateline. Whenever I’m in New York City we try to get together.” The Singing Angels was a garden where Chuck blossomed. It was where he found the freedom to lift up his voice and be himself. It was where he learned to be amazing.
Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com.
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