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Home Movies

Chilling at Irv’s

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By Ed Staskus

   Every Friday and Saturday in the 1970s deli’s like Solomon’s in South Euclid, Budin’s in Shaker Hts., and Irv’s in Cleveland Hts. were packed to the gills. The minute the front doors opened the smells of pastrami and corned beef wafted out like minstrels. We followed our noses. The minute anybody sat down was the minute a cup of coffee and a menu appeared. After that it was about waiting for a waitress to bring the sandwiches, French fries, and pickles.

   Even though we hardly ever went to Solomon’s, and only stopped in at Budin’s when we were going to the nearby Shaker Movie Theatre, I was at Budin’s one day having a bagel and coffee when Sandy Herskovitz’s friend won a bet. “I was sitting with a friend,” Sandy said. “A few tables down there were some women. One of them had on a straw hat. A countermen walked by with a jug of coleslaw and my friend says to me, ‘How much do you want to bet that guy is going to dump the coleslaw on the straw hat?’ OK, I’ll take that bet. Sure enough, he tripped and dumped his coleslaw all over the straw hat.”

   We went to Irv’s Deli in Coventry Village like going to grandma’s house. It was closest to where we lived and it was where the fun beatniks and hippies, cops and lawyers, college students, cutie pies, no-good bookies and gangster wannabees, and Hebrew folks went for breakfast, lunch, and dinner. There was the occasional misfit everybody ignored. We went there for the cheap breakfasts. We went there late at night, after everything else closed. Irv’s never closed. There were Outlaws and Hells Angels who lurked here and there, at least when the weather was warm and dry, but we avoided them. They spent most of their time drinking heavy down the street at the C-Saw Café, anyway.

   How Irv made any money with us spending the night ordering free refills of coffee is beyond me. Matzo ball soup was a buck a bowl and corned beef sandwiches were a buck-and-a-half. Somebody said Irv printed money in a room behind the kitchen. “You know how those Jews are,” a Case Western Reserve University student said. “They’ve always got secrets.” He was wearing bell bottoms and a turtleneck sweater and sported a Prince Valiant. One time when a waitress was complaining about the bikers and hippies who hung around without ever leaving a tip, Irv, who was always there, said, “You know how those losers are.” He knew how to give as good as he got.

   Although we went there all the time we didn’t usually eat there because we were chronically short on cash. We always had 15 cents for a cup of coffee, but not much more for food, unless it was a free deli roll and butter. Besides, the kitchen was sketchy. None of us ever got sick eating at Irv’s, but all of us closely inspected our food as soon as it was delivered. Nothing that appeared on a plate in front of us ever bore any resemblance to the way it was described on the menu. Beggars can’t be choosers. One night a hippie girl at our table said the sinks and stoves in the kitchen were filthy. We all rolled our eyes and laughed. 

   “No, I mean it,” the girl said. We laughed because the kitchen couldn’t have been any dirtier than her. She needed a bath right away and an appointment at a hair salon right after that. When my friend Jimmy the Jet said he was willing to send an SOS to Mr. Clean, she got into a huff. “Hey, babe, it’s all right, your beauty shines through,” he said. He was a smooth-talking devil.

   Jimmy was called the Jet not because he was fast on his feet but because he talked a mile a minute. Everything he said was a springboard for the next thing he was going to say. He always had an ace up his sleeve, and then another one, and another one. We knew he kept little white pills on his person at all times. He was the only one of us still bright-eyed as the night wore on, rapping with his dope fiend friends. He was always the last to leave, talking to himself as he walked back to his apartment on Mayfield Rd.

   Irv’s was a Jewish deli that served Chinese food, among everything else food-wise, and a bar that specialized in strong shots and weak beer. It was on the corner of Hampshire Rd. and Coventry Rd. in what was called Coventry Village in Cleveland Hts. Irving Gulko opened the delicatessen in 1959. His father and grandfather had both once operated eateries in Cleveland. It was in his blood, even though his food was generally bloodless. There were rumors that he wasn’t really in the deli business, but was in the drugs, prostitution, and bookmaking businesses. We never saw any drug-addled hookers lounging around and laying down bets, but that was neither here nor there.

   The prostitution supposedly went on in the basement, spilling over into the apartment building next door. Jimmy told us there was a secret door leading from Irv’s basement to the apartment building’s basement. “Everybody knows that,” he said. None of us knew it, but we didn’t have the means to rent a hooker, anyway, even if we wanted to. Besides, at the time, we believed in free love.

   At the turn of the century Coventry Village was a retail and restaurant venue for Cleveland’s Jewish community. The Mayfield and Euclid Heights streetcar lines met at the Coventry Rd. and Mayfield Rd. intersection. The streetcars made coming and going more convenient. By the 1920s a profusion of walk-up apartments had been built. There were bakeries and tailor shops. There was a kosher poultry slaughterhouse. By the time we showed up, however, many Jews were packing up and moving to Beachwood and the neighborhood was filling up with head shops and record stores.

   We hung around Coventry Books and flipped through books we weren’t going to buy. Reading was what libraries were for. “Bookstores are a place for youth to come and see people that you wouldn’t see at home,” the owner Ellie Strong said. We followed her advice and did more people watching than reading.

   We didn’t buy books unless we bought them from Kay’s Used Books downtown, where “War and Peace” could be had for 50 cents, but we did buy new records. We bought them at Record Revolution, which had opened a few years earlier. It was up the street from Irv’s. They sold tie-dyed t-shirts and pot paraphernalia, as well, calling the stuff “smoking accessories.” The walls were covered with autographs by Lou Reed, Led Zeppelin, and The Who, among others. Rock critics called it the “coolest place to buy records in Ohio.” It was a dingy place but it had the best LP’s. The rock station WWMS-FM routinely inquired about what was selling and added the albums to its playlist. 

   Many of us didn’t have cars, but some of us had bikes. We kibitzed at Pee Wee’s Bike Shop where they knew everything. If it wasn’t too involved of a repair, Marvin Rosenberg, who was Pee Wee during working hours, fixed things for free. When he was done he always said, “And don’t come back unless you have cash next time.”

   We idled through the High Tide Rock Bottom gift shop. Marcia Polevoi, the owner, never had any advice for us, although she kept an eagle eye on our doings. Shoplifting was endemic. The only customers who always paid were the Outlaws and the Hells Angels. They were criminals but didn’t do any petty thieving.

   The Coventry Street Fair happened for the first time in 1974, drawing close to 50,000 people in a neighborhood where 5,000 was too many. It was dreamt up to draw a new crowd to the scene. There were magicians and fire eaters. We checked out the scene but ran out of breathing room. The crowd was mostly suburbanites curious about the counter culture. “It got so big that the neighbors said they liked it, but whenever it was on, they left town,” said Bruce Hennes, president of the Coventry Neighbors Association. We didn’t leave town although we did what amounted to the same thing. We stayed away. We wouldn’t have been able to elbow our way into Irv’s, anyway.

   We went to the Dobama Theatre. It was a small playhouse in a renovated bowling alley that mostly featured serious style shows. I never saw a musical there. I saw Gore Vidal’s 1972 play “An Evening with Richard Nixon.” The playbill said, “ It is the playwright’s contention that American citizens don’t really remember anything. And a politician is thus able to re-invent himself on a day-to-day basis. Unless it is otherwise noted in the dialogue, what the Nixon character says and does this evening is what Mr. Nixon has really said and done.” I put my toy G.O.P. elephant away in a quiet corner so it could repent its sins. 

   The Saloon was where we went to hear bands. It was more-or-less a rowdy local bar, which worked well when the music was bad, but not so well when the music was good. Stairway and Rocket from the Tombs played there. Our favorite was the Electric Eels. The lead singer liked to dress up in tin foil and rat traps. “Wake up you miracle dumbbells!” he sang. “It’s time to fall out the window!” Their songs were more anti-social noise attack than music. They liked to bring a lawnmower on stage with them. Whenever fans got out of hand the Eels threw glasses of water on them. When that happened, we left, not saying goodbye.

   When we wanted a milkshake we stopped at Tommy Fello’s new dinette, which he called Tommy’s. It was small place with a small menu. He had bought the seven-seat Fine Arts Confectionary two years earlier. He knew how to make three dishes, which were all three of them Lebanese. We stuck to the milkshakes. They were fit for a king and only cost 35 cents each.

   We went to the Heights Art Theatre all the time. It was a 1,2000-seat movie house that opened in 1919. They showed movies nobody else was showing in northeastern Ohio. I saw “The Discrete Charm of the Bourgeoisie” there. The surrealist Spanish movie bowled me over. I was at the midnight showing of it and didn’t make it to Irv’s that night.

   “The Lovers” was screened at the Heights Art Theatre in 1959. It had won a Special Jury Prize at the Venice Film Festival the year before. The local cops weren’t handing out any awards. They cleared the theater and confiscated the film. The Cleveland Plain Dealer called the movie “shockingly nasty.” The manager got arrested and convicted of “public depiction of obscene material.” He cried foul and appealed the verdict. The case worked its way up the chain of command. Five years later the Supreme Court overturned the ruling. They said the criminal conviction was improper and the film was not obscene. “I know it when I see it,” is what Justice Potter Stewart said about obscenity. When I saw the movie years later I thought, “What was all the fuss about?” It was a French movie. Everybody talked a lot and smoked a lot cigarettes more than they did anything else.

   Irv’s Deli was where we hung out and where we went when we were down to spare change. It was also where we ran seeking sanctuary whenever things went wrong out on the street. Even though we went to the C-Saw Café sometimes, we generally avoided it. The baseball fans who rioted at Municipal Stadium during Ten Cent Beer Night the summer of 1974 in the middle of a game between the Texas Rangers and Cleveland Indians, and who ended up at the C-Saw Cafe later that night, didn’t know what they were getting into when they started arguing with the bikers at the bar. It is one thing to drunkenly storm a playing field and attack baseball players. It is another thing to drunkenly attack Hells Angels. The bikers drink more than anybody but never get drunk. When they fight they are all business. They don’t hit singles. When they hit you it is a home run.

   Jimmy the Jet and I were walking past the bar when a man came stumbling all arms and legs out the door and landed on his back. All the breath went out of him. He started gasping. He was followed out the door by a Hells Angel who began kicking him. Before long there was blood coming out of the man’s mouth. His friends poured out onto the sidewalk, but stood back like innocent bystanders. The Hells Angel continued to kick the man. Before I knew it Jimmy was stepping in. “Hey, stop that!” he yelled and pushed the biker. That was a big mistake.

   “What the hell?” the biker bellowed and swung his arm at Jimmy. He was unsteady on his feet, however, and the momentum toppled him over. When he did other Hells Angels came out of the bar. When they did they saw Jimmy and me standing over their fallen motorbike brother. When they glared at us and growled, showing their teeth, we knew the jig was up.

   Jimmy and I ran into Irv’s, the Hells Angels on our heels. We barreled past Irv who was sitting where he always sat. I followed Jimmy when he ran to the back of the deli and through a door. It was the door to the basement. He fastened the dead bolt on the other side as soon as we were through the door. As soon as he did hobnail boots started kicking the other side of it. The boots sounded angry. We ran down the stairs and into the basement of the apartment building next door. I looked around for the helping hand of a hooker, but there weren’t any, not even one. We ran up the apartment building’s stairs to the first floor and back out onto Coventry Rd. There was a crowd of bikers milling around Irv’s front door.

   “What’s going on?” I asked, still breathless.

   “Some punk jumped one of our guys,” a biker said. “When we find him we’re going to feed him to the rats. Then it will be down the sewer for whatever is left of him.”

   We wished him and his friends the best of luck and hurried away. We walked to Jimmy’s apartment. When we got there he set the deadbolt and secured the chain lock behind us. We sat in the gloom. Jimmy kept the lights off like it was a scary movie. He hadn’t said a word since we left Irv’s, setting a new world’s record. He lit a Lucky Strike and started to chill out. He put an LP on the turntable and lowered the needle. It was Jim Croce singing “Bad, Bad Leroy Brown.”

   “It’s too bad more men aren’t angels,” he said, leaning back and idly blowing smoke rings. “If they were we wouldn’t need to be sitting here like this.” There was a full moon that night. A police car siren went past wailing. I left in the middle of the night, but didn’t go home. I went back to Irv’s and splurged on a pastrami sandwich.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. 

A New Thriller by Ed Staskus

“Cross Walk“

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Home Movies

Sonic Youth

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By Ed Staskus

   I was in my mid-teens when I started nodding off at Sunday mass. Before long I was snoozing at the drop of a hat, no matter what time I had gotten to bed the night before. My mother was a go-along Catholic but my father was a true believer, so the whole family went to church weekly. Part of my problem was familiarity. I had been an altar boy and knew the ceremony inside and out. I even knew the Latin, what was left of it, not that I knew what any of it meant. The other part of my problem was my growing belief in deism. I didn’t disbelieve the Roman Catholic theology but I didn’t believe it, either. I thought the Golden Rule and the Ten Commandments were good ideas, but that was as far as my commitment went.

   The Sunday in 2005 I first saw Jane Scott she was in a back pew at the First Church of Christ in Rocky River, Ohio, one suburb west of where my wife and I lived in Lakewood. I wasn’t a member of the congregation but my wife was. I went to services with her sometimes. Jane was wearing red glasses and a wide-brimmed church crown. She was out cold. I recognized a kindred spirit when I saw one. 

   When the service was over my wife made her rounds, saying hello and goodbye, chatting with the churchgoers she knew best. I stayed to the side. By the time we were ready to go Jane Scott had shaken off the sandman. My wife talked to her for a minute before we left for home.

   “That lady you were talking to, the one with the red glasses, she looked familiar, even though I don’t think I’ve ever met her before,” I said.

   “That’s Jane Scott,” she said. “She used to write for the newspaper. She was their rock ‘n  roll reporter until she retired a couple of years ago.”  She was in her early 80s the day she retired. She had long been known as “The World’s Oldest Rock Critic.”

   She went to work for the Cleveland Plain Dealer in 1952, three days after Alan Freed hosted the Moondog Coronation Ball, the world’s first rock ‘n roll concert. She covered the local social whirl through most of the 1950s. Starting in 1958 she wrote the “Boy and Girl” column. It targeted seven-and eight year-olds. She wrote “Senior Class” about issues relevant to senior citizens. “I covered everything from pimples to pensions,” she said. 

   She reviewed the Beatles concert when they first appeared in Cleveland in 1964 and two years later interviewed them before their sold-out rock fest at the 80,000 seat Municipal Stadium. “I never before saw thousands of 14-year-old girls, all screaming and yelling. I realized this was a phenomenon. The whole world changed.” She was going on nearly fifty years of age when her interview with the Fab Four appeared in the newspaper.

   When she became the rock critic for the Plain Dealer the newspaper became the first major newspaper to have a full-time music critic on staff. “Once I found rock I was never interested in anything else.” Not everybody considered rock ‘n roll to be music. Many considered it to be noise for the neck down. “This rock and roll stuff will never last,” said Mitch Miller, a maestro of the singalong. Others thought it was the “Devil’s Music.” They didn’t like hips gyrating and lyrics on the other side of pious. 

   Jane Scott was a Christian Scientist as well as a boogie on down correspondent. I don’t think she gave a damn about Satan. She knew full well he wasn’t interested in music of any kind unless it was the funeral march kind. He marched to the beat of doom and death. She was a live wire.

   “My husband Harry was Jane’s first boss when she started at the Cleveland Plain Dealer,” said Doris Linge. “Since she and Harry worked together, I would often get invited to her wonderful annual holiday party. She was a character, quirky and real.”

   Jane Scott was born in Cleveland less than a year after the end of World War One. She graduated from Lakewood High School and later from the University of Michigan. She tried out for the college newspaper but didn’t make the grade. During World War Two she enlisted in the Navy, rose to lieutenant, and worked as a code breaker. After the war, back home, she got a job as Women’s Editor for the suburban Chagrin Valley Herald, a community rag. 

   She went to Sunday services. She taught Sunday School. “Jane was a member of the Fifth Church, which was on the border of Lakewood and Cleveland,” said Doris Carlson, a member of First Church in Rocky River since 1957. “When it closed she came to our church. I remember seeing her on the TV news once in 1962, when she performed at an honorary birthday party here in town for President Kennedy. She was a hoot. She sang ‘Happy Birthday’ the same way Marylin Monroe did, even though she was practically a middle-aged woman. She could be sexy when she wanted to be.”

   The 1960s came and went and she missed her chance to go to the Woodstock Festival. Twenty five years later she went to the 25th anniversary show at the age of seventy five, tramping through the same kind of mud on the same kind of wet weekend. “I am going to try to make the 50th anniversary in 2019,” she said. If she made it she would be one hundred years old, she was reminded.

   “I don’t like the word retirement,” she said “Rock ‘n roll is excitement. It’s that unity of feeling you get when the audience is loving and sharing the music together. It’s the unexpectedness and the swift changes. You go from pop to hip-hop. It all melds into rock somehow. It keeps you on your toes.”

   Covering shows night after night, being on the short side, she always tried to get up front so she wouldn’t have to stand on her toes to see over fans. She always carried the same hefty bag slung over her shoulder. “I call it my security kit,” she said. “It includes ear plugs, Kleenex, because when you are at a show with 80,000 people they are sure to run out of toilet paper, safety pins to pin my car keys and backstage pass on, at least four pens because people borrow them and don’t return them, and two notebooks, one for interviews and one for observations.” She always had a peanut butter sandwich in the bag. “Peanut butter doesn’t spoil and sometimes you don’t have time to stand in line for food.” 

   When it came to rock ‘n roll, she always had ants in her pants for the next show and the will power to see her chronicles of the new music through. “She was allowed to take the rock beat because the newspaper thought it was trivial at the time, and a woman could have it,” said Anastasia Pantsios, a Plain Dealer writer and photographer. She had good energy, keeping at it for nearly forty years. “She literally did it ‘my way,’ independent, not afraid to go places by herself, with so much tenacity and work ethic,” her friend Mary Cipriani said.

   Jane made it a point to interview music makers with opinions, contentious musicians like Lou Reed and Frank Zappa. Lou Reed and she were close friends from the late 1960s until their deaths two years apart. “She was one of the only ones to treat me with respect in the early years,” Lou said. “Always fair, always interested.” The man who became the Grandfather of Punk called her Sweet Jane after his song of the same name.    

   The first time Jane saw the Velvet Underground hardly anybody in town noticed they were in town. There might have been as many people in the audience as there were in the band. The band was Lou Reed, a bad-tempered young man from Long Island, Sterling Morrison on guitar, the violist John Cale who doubled on bass, drummer Moe Tucker, who did her drumming standing up, and the partially deaf actress Nico, who sang in deadpan English with a German accent. 

   “I don’t know just what it’s all about but put your red pajamas on and find out,” Lou Reed said.

   Jane Scott was smitten the minute she heard the sound the band made. The man she had been waiting for sounded somewhere between Bob Dylan and Sonic Youth with some Andy Warhol thrown in. The band was about Beat poetry, Pop Art, and the French New Wave. Jane was good with the offbeat but kept the beat steady in her head.

   The Velvet Underground lasted until the early 1970s. When Sterling Morrison left the band he put his guitar down for a foghorn. He found work as captain of a tugboat and later earned a PhD in Medieval Literature. Moe Tucker formed her own one-gal band playing proto punk. The old Lou Reed became the new Lou Reed.

   Before the Velvet Underground there was L. A. and the Eldorados, back when Lou Reed was a student at Syracuse University. His friend Allan Hyman, who had been his friend since third grade, was tasked with getting him to frat party gigs on time. “He’d be asleep under three hundred pounds of pistachio nut shells, because Lou loved pistachios, so I’d have to shake him awake, throw him in the shower, and physically get him dressed,” Allan said. “He would be surly, but he’d play.”

   “Lou Reed was a prick,” said Rich Mishkin, the bassist for L. A. and the Eldorados. “He was not the kind of guy who would be nice to people in most circumstances. We got a lot of beer thrown at us over the years.” Rich drove the band around in his tail-finned white Chrysler with red guitars emblazoned on the sides.

   “It’s no secret that he has lived as well as walked on the wild side, the demi-world of drugs and violence and despair,” Jane said about Lou Reed. “’Heroin’ and ‘White Light, White Heat’ were two of the most popular songs of his first major group, the Velvet Underground in 1967, the same year of ‘I’m a Believer’ by the Monkees and ‘To Sir With Love’ by Lulu. He is wild, changeable, streetwise, poetic, cynical, and offbeat sensitive, maybe.”

   Jane wasn’t wild, although she was plenty streetwise, in a matronly kind of way. “We’re talking about some of the most depraved people in the world,” said Michael Stanley, who played heartland rock ‘n roll for donkey’s years in the Rock Capital of the World. “But with Jane, it was like they were talking to their mom or their grandma. It was, ‘Yes, ma’am’ and ‘No, ma’am.'”  

   Behind her trademark red-rimmed trifocals and dyed-blonde hair, she was unflappable. She was a fan as well as an advocate of the sound. “Since I was a little girl, I remember my dad, whose name was Pepe, enjoyed Jane’s reviews and would read them to my brothers and me after dinner,” said Callie Paris Rini. “We were music lovers. When the Beatles first came to Cleveland, Jane gave my dad a newsprint plate of them, and I still have it. I still have Jane’s review when Jimi Hendrix came to Cleveland, too. I read her articles whenever I went to concerts in the 60s and 70s.”

   The Beatles broke up in 1970. Jimi Hendrix, Jim Morrison, and Janet Joplin all died, all three of them at the age of 27. Rock concerts moved from clubs and small theaters to sports arenas. Disco and glitter rock came and went. Jane Scott went to all the shows, even the new wave ones, where guitars were unplugged and synthesizers were plugged in. “I sat next to her for nearly three years of concerts back in the late 70s,” said Rick Weiner. “She would always ask me if I was enjoying myself. Jane stood out like a sore thumb, but once you conversed with her you knew there was a reason she was there.” 

   Her favorite musician of all time was Bruce Springsteen and her favorite album of all time was ‘Born to Run.’ When she reviewed his show at downtown Cleveland’s Allen Theatre in 1975 she wrote, “His name is Bruce Springsteen. He will be the next superstar.” Before the year was out the Boss was on the covers of Time and Newsweek. At a later Cleveland concert, he dedicated “Dancing in the Dark” to Jane Scott, who was in the audience. “If you can meet Bruce Springsteen, who wants to sit around and play bridge?” she asked tongue in cheek.

   When it came to her job, it was the more the merrier. “Jane was the first to welcome me to the news room when I came to Cleveland in 1979 as a Plain Dealer feature writer,” said Janet Gardner. “After I returned to New York, she would call me between sets from the Peppermint Lounge, breathless with enthusiasm. She was a truly ‘The World’s Oldest Teenager.’”

   In the 1980s superstars continued to sell out, selling out stadium concerts. Alternative rock emerged. Synth-pop got more and more popular. Dance-pop got hot. Hip-hop popped up. Olivia Newton-John recorded one number hit after another. Jane Scott covered them all. The older she got the younger she got. “I met Jane in 1984 when she was covering a Husker Du show at Pirate’s Cove,” said Rev Recluse. “She was the sweetest, kindest person to everyone and melted this too-cool-to-exist teen hipster’s heart by the encore.” The Pirate’s Cove was in the Flats when it was still a rough-and-tumble place featuring a shot and a beer. There were real shots sometimes down dark back alleys. Olivia Newton-John never set foot there. She kept it in the sugar bowl.

   “Jane didn’t critique music,” said Pere Ubu’s frontman Dave Thomas. Pere Ubu was a Cleveland-area avant-garage band. “She reported facts. And, subversively, she demystified the art. She peeked behind the curtain and rooted out the parochial. Every musician sees the media as gullible rubes. Well, Jane just didn’t cooperate. She laid the haughty low with enthusiasm.”

   The 1990s saw rap and reggae get popular. Urban-style music blended jazz, soul, and funk. Fusion genres came and went. Jane Scott stayed on top of it, reviewing everything that came her way. If it was going to be a long night she packed two peanut butter sandwiches in her hefty bag.

   “I had the privilege of attending several concerts with Jane in the 80s and 90s,” said Emile Knud-Hansen. “It was amazing to watch her interview some covered-in-black with safety pins in the eyebrows teenage rocker. She never judged anyone but gave performers ample time to explain their music. I was surprised to learn that she had never gone to a rock concert as a guest. So, my friends and I took her to see Huey Lewis and the News at the Blossom Music Center. We were in front of the amplifiers, right up front. She was happy in spirit and ruffled in appearance.”

   After Jane Scott retired from the Cleveland Plain Dealer and her long-time companion Jim Smith died, her legs started to go bad. She bought a walker and moved into Ennis Court, a small assisted-living facility in her hometown of Lakewood. When she did, Danielle Rose began visiting her, keeping her company.

   “I met her at First Church where we were both members,” Danielle said. “I lived up Detroit Ave. and could walk to where she was living. We started car-pooling to Wednesday Testimony Meetings. One summer night going home we were pulled over by a Lakewood cop car.” The policeman was a woman. She asked Jane if she knew why she had pulled her over.

   Jane thought for a moment. She fiddled with her hefty bag. She finally said, “No.”

   “Your lights aren’t on.”

   “Oh.”

   “Don’t forget to turn them on and drive safely,” the policewoman said.

   Jane had been pulled over in front of one of her favorite ice cream shops. When she noticed the lights were still on in the shop she left the running car where it was and stepped onto the sidewalk. 

   “Do you want to join us?” Sweet Jane asked the policewoman. 

   “She loved ice cream. She was just a big kid. Her car knew where every cone on the west side of town could be gotten,” Danielle said.

   “Thanks, but I’m on duty,” the policewoman said.

   “Maybe next time,” Jane said. 

   “She had a young spirit but she really shouldn’t have been driving anymore,” Danielle said.

   True to her spirit Jane Scott died on Independence Day in 2011. The next month a memorial service was held for her at the Rock and Roll Hall of Fame, which was attended by nearly a thousand people. A year later the museum unveiled a life-size bronze memorial statue of her sitting on a bench and taking notes, created by Dave Deming, past president of the Cleveland Institute of Art. It was permanently installed in the Reading Room of the Rock Hall’s Library and Archives. 

   All it took to get Jane Scott to sit still in one spot while the beat went on was for the clock to run down. “Walk it on home” is what Lou Seed sang in her ear. There was a hell of a band waiting for her in heaven.

Photograph by Janet Macoska.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. 

A New Thriller by Ed Staskus

“Cross Walk“

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Baltic Circle

Dancing in Circles

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By Ed Staskus

   When the Juventus Folk Dance Festival showed up towards the end of June, I didn’t brush off my dancing shoes or brush up on my steps. I never had many steps to begin with, even though I had once been in the game. I had done some stepping with a minor league folk dancing group who practiced at the Lithuanian Catholic church in North Collinwood, near where my family lived. I grew up in a household with one bathroom which everybody wanted to use at the same time in the morning. I picked up most of my ad lib two-steps waiting for my turn. In the end, which wasn’t long coming, I was kicked out of the minor league group. Being clumsy isn’t especially a problem bunny hopping by yourself, but it can be in a group of twenty-or-more in close quarters going in circles and branching out in all directions.

   Something on the order of three hundred dancers from five countries cut the rug at the show in the Berkman Hall Auditorium on the campus of Cleveland State University. “They represent every region of Lithuania,” said Ingrida Bublys, the Honorary Consul of Lithuania for Ohio, Indiana, and Kentucky. The event was sold-out and sponsored by the dance group known as Svyturys, which means Beacon. The Beacon has been lighting the way in Cleveland for twenty years.

   Although Lithuania has been around for ages, Lithuanian folk dancing has only been around for an age. It got started in the late nineteenth century during the National Awakening, when the country was under the thumb of Moscow. The native language and native writing were proscribed, but the Czar turned a blind eye to busting moves, so long as the busting didn’t have anything to do with treason and dynamite. The first Lithuanian folk dance, known as Suktinis, was performed in St. Petersburg in 1903. Suktinis means winding or twisting. The first down home dance festival was held in Kaunas, then the capital of the country, in 1937. There were 448 dancers hoofing it, most of them going around and around.

   Lithuanian folk dances are usually one of two kinds. There are sokiai, which are ordinary dances, and there are rateliai, which are ring dances. Sokiai are often accompanied by instrumental music and sometimes by songs. One of the most popular dances is called Malunelis, which means windmill. Ring dances are more-or-less walked, sometimes slowly, sometimes faster, sometimes in a slow trot. The secret is in the center of the ring for anybody who knows where to look. The movements are simple and usually repeated over and over. They take the form of circles and double circles, as well as rows, bridges, and chains. The circles transform into lines and snakes as the dancing progresses. The dancers sometimes break up into pairs. The high stepping that follows is usually of foreign origin, like the Polish polka.

   Raganaites, which means the Dance of the Little Witches, is performed by young girls wielding straw brooms. They pretend to ride them. They twirl them, do some mock jousting with them, and try not to poke anybody’s eye out. A witch taking time off from her cauldron must be at least a hundred years old and have memorized the 7,892 spells in the Great Book of Magic before being allowed to do the dance. But the rules are always waived for Lithuanian kids.

   If an honest-to-goodness witch ever threatened me by saying she planned on dancing on my grave, I would tell her, “Be my guest. Even though I’m the grandson of landed farmers, I plan on being buried at sea.” 

   Before there was Svyturys there was Grandinele, which means Little Chain, and before there was Grandinele there were six refugees who in 1948 performed at the Slovak Cultural Gardens. It was One World Day. Nearly 40,000 Lithuanians landed in the United States after World War Two. Four thousand of them landed in Cleveland, joining the 10,000-some who already lived in the northern Ohio city. Even though the Lithuanian Cultural Garden was officially dedicated in 1936, the garden was only big enough on its lower level to hold the bust of Jonas Basanavicius, a freedom fighter who never gave up fighting tyranny. Over time a middle and upper level were created. The upper level is where the Fountain of Birute is. She was a priestess in the Temple of the God of Thunder. In her day the Russians stayed away from the Baltics. Even the Golden Horde was known to warn freebooters, “Beware the Lithuanians.” The Grand Dukes weren’t anybody the Russians wanted to mess with. They kept to their dachas, which were dry except for cupboards full of vodka. There were lightning rods on the roofs.

   My sister Rita was a dancer in Grandinele, the by-then acclaimed folk dancing group, in the mid-1970s. My brother Rick was not in any dancing group. He was smooth with the spoken word, but had two left feet like me, except I could tell my two feet apart, while he couldn’t. He was banned for fear of kicking up his heels in too many directions. Rita danced in Grandinele for almost five years. During that time, she toured Argentina, France, and Germany with the group. “We danced in front of large audiences,” she said. “Before I went I had no idea there were so many Lithuanians in South America.” The group wasn’t allowed to perform in Lithuania, which was behind the Iron Curtain at the time. The Kremlin didn’t let anybody beat feet in Eastern Europe.

   Grandinele was formed by Luidas and Alexandra Sagys in 1953. The dancers were mostly high school and college students. They rehearsed twice a week at a YMCA in Cleveland Heights. A second group composed of tadpoles was formed in 1973, to teach them the basics and get them ready for the limelight. They didn’t perform in front of the public, but they performed in front of Luidas and Alexandra, which could be even more unnerving.

   “He was strict but creative,” Rita said. “Not everybody in the community liked him making up his own folk dances, which were almost like ballets with a story. She was strict and could be mean.” Alexandra was the group’s business manager. She took care of the costumes. Nobody wanted to get on the wrong side of her, unless they wanted to risk being dressed up like Raggedy Ann.

   Luidas Sagys had been a professional dancer with the National Folk Dance Ensemble in Lithuania before World War Two. He fled the country after the Red Army came back in 1944. They seemed to always be coming back, even though the Baltics were sick of them. The apparatchik’s thought Lithuania was theirs to do with as they pleased. Their revolutionary ideals were long gone and not coming back. They had turned into rats. Their reasoning was that since the Nemunas River rises in central Belarus and flows through Lithuania, it was Russian water and wherever it went the land was part of Mother Russia. They have applied the same reasoning to the flow of the Dnieper River, which rises near Smolensk before flowing through Ukraine to the Black Sea. Ukraine is still living with the consequences of Moscow’s crazy reasoning.

   When Luidas Sagys formed Grandinele he could shake a leg with the best of them. In 1963 he directed the Second American and Canadian Folk Dance Festival. He looked authentic as could be whenever he donned indigenous garb and got into the act. Even though his culture and imagination were the genesis of his art, the art of him was his body in motion for all to see. He ran the Folk Dance Festival in Cleveland for many years. He liked to wear bow ties and sported a puckish grin when he wasn’t working on new choreography. When he was done, he liked to have a drink or two.

   My wife and I were by chance in Toronto when the XI North American Lithuanian Folk Dance Festival was staged there in 2000. The quadrennial festival, known as the Sokiu Svente, which means Dancing Celebration, was first staged in Chicago in 1957. We found tickets at the last minute and hurriedly got our bottoms in place. We sat in the cheap seats of the big auditorium. We didn’t mind since the view was better, anyway. Zilvitis, a musical ensemble from Lithuania, accompanied the performance of 1,600 dancers.

   The show was a swirl of color and action. A couple of thousand dancers dressed in the red, green, and yellow colors of Lithuania is a lot to look at in the space of a few hours, not to mention the mass maneuvering and the music. The performers and jam-packed audience were more Lithuanians than I had ever seen in one place. On top of that most of them were speaking the natal tongue. I grew up with the lingo and was able to keep up.

  One of the dance groups at the show was Malunas, which means to mill. Back in the day, before they did much dancing, most Lithuanians were either peasants or farmers. There were grindstones far and wide. Baltimore was the dance group’s homestead. They had been performing up and down the East Coast for nearly thirty years. They have appeared on PBS-TV and at presidential inauguration festivities. Toronto was their fifth Sokiu Sevente.

   A tradition at every Sokiu Svente during the rehearsal before the big show is for every group to wear a distinguishing practice outfit. When silk-screened t-shirts became popular in the 1970s, groups began to design and wear custom t-shirts. They came up with their own silk-screened identities. After the last practice groups trade identities, which become mementoes. In Toronto, Malunas came up with a new idea. They were inspired by the Grateful Dead shirts of the 1992 and 1996 Lithuanian Olympic Basketball teams. One of their own, Michelle Dulys, dreamed up a design of skeletons as dancers rather than basketball players. The t-shirts were a knockout. The ones not exchanged were sold fast, faster than we could buy one. We watched the last skeleton sauntering off from the concession stand.

   The Lithuanian Folk Dance Festival Institute was formed soon after the Sokiu Svente became a going concern to liaison with dance groups worldwide. The institute hosts a week-long training course at Camp Dainava, in southeastern Michigan. Although it is an educational, recreational, and cultural summer camp for children and young adults, the name of the camp derives either from the past tense of the word sing, from a village in the middle of nowhere back in the homeland, or from a Lithuanian liqueur of the same name, made with grain spirits and fruit juices. The booze has a vibrant red color and a complex, sour-like flavor. Even though Lithuanians are ranked among the top ten barflies in the world, it is forbidden on all 226 acres of the campground.

   The two-and-a-half-hour divertissement that was the Juventas Festival started with a parade and a song. There was some speech-making. There was a violin, a couple of wind instruments, and a drummer, while an accordion led the way. There were costumes galore and faux torches. There was circle dancing. There was pairs dancing. The pairs dancing got fast and lively. There was more singing. Before every part of the show a young man and a young woman in civilian clothes explained, in both English and Lithuanian, what was coming up. A group of kids did their own version of a circle dance. Not one of them got dizzy and fell over. There was a courtship dance, the young men and women taking their wooden shoes off and going at the romance barefoot. Whenever the top guns came back, everybody sat up. They were good as gold. They had it going.

   In the end all the dancers somehow squeezed themselves onto all the parts of the stage. There was waving and rhythmic clapping. There were loads of smiles. A half dozen men lifted a half dozen women up on their shoulders and did an impromptu circle dance. It was a wrap.

   Most of June in Cleveland had been dry, so much so that lawns were going yellow. But it had rained a few days earlier. The smoke from the Canadian forest fires that had made the sky hazy gray for more than a week had gone somewhere else. Driving home everything smelled fresh and clean. The dancing had been traditional but not hidebound. It had been fresh and alive.

   Life can often be more like wrestling than dancing. Many people believe living has meaning only in the struggle. That’s just the way things are. But nobody can wrestle all day and all night. “The one thing that can solve most of our problems is dancing,” said James Brown, the boogaloo man known as Soul Brother No. 1. What he didn’t say was that, in a way, it’s like going to church. Nobody bends a knee in the sanctuary to find trouble. They go there and the dance hall to lose it.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. 

A New Thriller by Ed Staskus

“Cross Walk“

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Baltic Circle

Hammer the Sickle Blues

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By Ed Staskus

   “Man, I had a dreadful flight, I’m back in the USSR, you don’t know how lucky you are, boy, back in the USSR.”  The Beatles

   When Angele Staskus went to Lithuania in 1977 with her daughter, she had not been on native ground for thirty-three years. Her daughter, Rita, 17 years old, had never been there. They flew from Cleveland, Ohio, to New York City to Moscow to Vilnius. It took two days to travel the five thousand miles.

   It was in 1944 that Angele Jurgelaiyte, then a 16-year-old farmer’s daughter, fled Alvitas near Marijampole in the south of the country, the German Army retreating pell-mell and the Red Army storming the front. She shared a wagon drawn by two horses with her aunt and her aunt’s four children. A milk cow was tied to the back of the wagon. She fled to East Prussia to Germany to Canada. Nobody else in her immediate family got away before the clampdown. They got to stay in the USSR for the next five decades.

   Angele got married to Vic Staskevicius, another Lithuanian refugee, in Sudbury, Ontario. They had three children and the family emigrated to the USA in the late 1950s. After they got there they became Mr. and Mrs. Staskus. They started at the bottom. Everything looked like up to them.

   The first time Rita saw her first Russian  airport, she wasn’t impressed. “The Moscow airport was crappy, gray on gray, and there were birds and bats flying around inside the terminal. Everybody looked sick, like stomach flu was going around.”

   “The color of truth is gray,” said the French writer Andre Gide. He was wrong. The Commies were wrong, too, and their favorite color was wrong. Social material political truth at any cost is more trouble than it’s worth, sparing no one, not during the countless bloodthirsty 20th century grabs for glory and power, for sure. It’s not black and white either, no matter what the insincere masterminds say. The color of truth is more like Sgt. Pepper’s Crayola 64 Colors. 

   The Sheremetyevo airport served most of the international flights arriving and departing the capital city. The airport was originally built as a military airfield in the late 1950s with one runway. In the early 1970s a second runway was added. A single terminal still served both runways. Half the people waiting for their flights looked like they might commit suicide any second.

   “We had to go through customs. The higher-ups, police, and soldiers all looked grim. Everybody going to Lithuania was smuggling something. My mom kept telling me to flash a smile at the soldiers, most of whom were young, like me. We had gum and cigarettes in my suitcase, but they never went through it.”

   A woman behind them wearing an oversized fur coat wasn’t so lucky. “She had all kinds of stuff sewn into the lining of her coat. They ripped the lining apart and took all of it.” The police put her stuff in their pockets.

   There were several eateries in the terminal, but neither mother nor daughter ate while waiting for their connection. “The food looked horrible, and what was the point of bad food and bad service without a smile?” asked Rita.

   They flew Aeroflot to Vilnius. “They brought us food, butter and buns, but they were hard as rocks,” Rita said. “You couldn’t even bite into them.” She tossed them under her seat. “The stewardesses were all so surly, down at the mouth, that I started laughing about it.” The flight attendants did a slow burn.

   When they landed in Vilnius, the stale buns rolling to the front of the airplane, passenger loading stairs were rolled to the door. The terminal was built in 1954. “It was a gray rectangular building, like a warehouse, like in Moscow.” There were sculptures of soldiers and workers outside and wreaths, bay leaves and stars, and the Soviet hammer and sickle inside.

   “It was even crappier than the Moscow airport.”

   Inside the terminal was a tight-knit group of more than forty of their relatives. “They came running up to us. One of them asked, do you speak Lithuanian? When I said yes, everybody started talking at once.” Some of the people looked a little like her, while others looked a lot like her mother. They were her uncles, Justinas, Juozukas, Sigitas, and her aunt Irena. There were nieces and nephews. When the excitement died down, they drove to the Gintaras Hotel, near the railroad station.

   The Gintaras was where foreigners stayed, all foreigners from anywhere, who visited Lithuania. It was a hard and fast rule. Signs warned against making a commotion. “The kids were running up and down the hallway, while the adults were all in our room. It was crowded since it wasn’t a big room, at all.”

   They had brought pens, gum, and cigarettes. “My uncle Justinas lost the pen I gave him, and when I offered him another one, he said, no, he wanted the same pen I had given him. Nobody could find it, so I pretended to find it, and gave him a new one.”

   Everybody wanted the American cigarettes they had smuggled in. “Russian cigarettes were nasty. They smelled bad.” The Belomorkani cigarettes didn’t come with a filter, but with a hollow cardboard tube attached to a thin paper tube filled with tobacco. The tube was like a disposable cigarette holder. They were popular in the Baltics because of their cheap price. They were notorious for being the strongest cigarette in the world.

   “Everybody was smoking in minutes, the men, the women, and the older kids. It was non-stop.” 

   The Prima brand was imported from Bulgaria. It was a better quality of tobacco. But since the Belomorkani was the only available fag in most of the hinterland, that is what everybody smoked. A low-lying ashy cloud soon hung down from the ceiling. Even though cigarette advertising wasn’t allowed in the USSR, almost everybody smoked. 

   “After twenty minutes you couldn’t see across the room.” Rita noticed one of her cousins was chain-smoking. “I didn’t know you smoked.”

   “I don’t,” he said.

   “We brought Bubble Yum because that’s what they wrote us they wanted. All they had was crappy hard gum that would break your teeth when you started to chew it.” Introduced just two years earlier by Life Savers, Bubble Yum was the first soft bubble gum ever created. “They would chew the Bubble Yum for a half hour and then put it back in its wrapper, putting it away in their pockets or purses.”

   One afternoon Rita was sitting in a nearby park talking with her uncle Sigitas. He took his wallet out of his back pocket. He filled his hand with a wad of cash.

   “We have money, but there’s nothing to buy,” he said.

   “We went to a butcher shop. There were only two kinds of meat and both of them were loads of white fat. My aunts were always cutting fat off. It was gross. Even the herring was bad. I mostly hated the food. It turned my stomach.”

    There was a store near the hotel. It was called the Dovana Krautuve, or Gift Store. It was for Western tourists only. Lithuanians weren’t allowed to shop there, or even go inside it. They went there one day on a tour bus. “They had amber, wooden dolls, artsy stuff there. They just wanted our American dollars. When we were leaving, they gave each of us a bottle of Coca-Cola.”

   Back on the bus, Rita asked the driver if he liked Coke.

   “Yes, I had some in 1955,” he said. “It was good.”

   “That was twenty-two years ago,” she said. 

   “Yes, I understand,” said the bus driver.

   She gave him her bottle of the sweet soda.

   “The Young Communists were always following us around, telling us their world was just as good as ours, that they had everything we had, and more. When I had to take my contacts out on the bus, one of them said, we have those, too. That was wacky because none of my relatives had contacts and none of them knew where to get any unless it was the black market.” She finally told the Young Communists to cut it out. “Your BS isn’t doing anything for me,” she said.

   While inside the hotel, nobody talked about anything that might compromise them. “All the rooms were bugged. Everything was bugged.” Everybody was constantly watched, one way or another. Telephones were tapped. Mail was opened. Black government sedans followed people around.

   Angele and Rita stayed at the Ginraras Hotel for a week. Everybody knew somebody was always listening in. Nobody said anything. Their room wasn’t small, but it wasn’t large, and the bathroom was even smaller. The room was a bathroom and a shower all at once. There weren’t any sliding doors or shower curtains. “There was a drain in the middle of the floor, and whenever we showered the spray would get all over the tiled walls and sink and toilet. Everything got wet. The whole room became a shower.”

   After they towel dried the room and themselves off, they visited with their relatives. It was what they did more than anything else. There weren’t many sights to see in Vilnius, even if you could go there.

   “You never asked anybody, even your own flesh and blood, what they did. They would always say, ‘I have responsibilities.’ If you lived in Vilnius, you probably had a normal job, but not in Marijampole.” Most of her kinfolk lived in the country and farmlands southwest of the rural town. They finagled and horse traded, going to Poland, smuggling whatever they could, doing things that weren’t altogether legal, or so the Russians said, so it wasn’t prudent to ask them too much

   The goal was to be a ‘pasikaustes,’ somebody who has the smarts prowess right stuff to make it happen. It literally means putting a horseshoe on yourself. Everybody needed good luck in the clampdown. That’s why they were always wheeling and dealing.

   They were waiting for the Russians to get the hell out of their country. They had once waited more than a hundred years. They could wait another hundred if they had to, although who wanted to do that? They were already bitter and alienated. ‘Laikiu nesulaukiu’ means not being able to wait for something to happen. “I wait but I can’t wait.” It’s like being in jail for a crime you didn’t know you had committed.

   They made plans to go to Silute to see Rita’s paternal grandmother, who was in her 80s. Angele had never met her. Rita couldn’t imagine her.

   Silute is to the northwest of Marijampole, two-some hours away. The Nemunas River floods there almost every year, soaking the lowland pastures. Migrating birds call it home away from home because of the delta and all the water. A fifth of the area is forested. It is home to more than three hundred villages.

   Antonina was Angele’s husband’s mother. She was a Russian woman, had been a young schoolteacher in the middle of nowhere, and married Rita’s grandfather when he was an officer in the Imperial Army, stationed in the middle of nowhere. “She was taken a few years after my grandfather was deported in 1941 and dragged away to Siberia for more than ten years.”

   Rita’s mother’s family, who lived in the south of the country, made plans to take them to Silute. They kept their plans close to the vest. The scheme was for there to be three brothers, three wives, three cars, Angele and Rita, and some of their cousins. “My mother would be in one of the cars, I would be in another, and the third car would be a decoy, if it came to that.”

   The secrecy was necessary because they weren’t allowed to go anywhere except within the city limits. When they asked about Silute, Siauliai, and Zarasai, the other points of the compass to Vilnius, they were told they were all out of bounds. Everywhere outside of Vilnius was off limits. The Intourist official, the Soviet tourism monopoly, at the front desk of the hotel leaned forward and told Angele and Rita it was because of missile installations.

   “Are there missiles in every town in the whole country?” asked Angele.

   “I know sarcasm from naïve American when I listen to it,” the official scowled.

   Their convoy didn’t get far the day of the familial excursion. They were stopped by a roadblock on the outskirts of Vilnius. The police were waiting for them. “They knew,” Rita said. “Somebody had overheard something. Somebody talked. They waved us off the road.”

   The police glanced at Justinas’s papers and told him to go back.

   They went to the second car. Everybody had to show their papers. Angele was the best dressed of everyone in all three cars. She was all decked out. They asked her where she lived.

   “The Gintaras Hotel.”

   “Turn around, fancy lady, go back to the Gintaras.”

   They went to the third car.

   Sigitas and his wife Terese showed their papers. Rita was sitting in the back with three of her cousins. They all showed their papers. When it was Rita’s turn, she said, “You’ve seen their papers. I live in the same place.”

   “What’s your name?”

   “Jurgelaitis, just like them.”

   He asked her something in Russian. She didn’t understand a word and glared at him. The stare-down between cop and girl took a long minute.

   “The next time I see this one she is going to have to answer,” the policeman warned Rita’s uncle.

   “Turn back,” he said, shooting everybody a dirty look. They turned around and the convoy went back to Vilnius.

   Undaunted, a few days later, a day before leaving the USSR, Rita was picked up by Sigitas before dawn before breakfast at the back of the hotel for an end run to Silute. She skittered into the car, and they sped off. The streets were empty in the gloom.

   “He was a crazy driver, always yelling, ‘Somebody’s following us!’ He stayed off the highway, and the main roads, instead going up and down different streets. I thought the drive was going to take two hours, but it took much longer.” It took five hours on empty stomachs. It was worse than the Aeroflot flight.

   They were stopped several times, but every time her uncle was allowed to stay the course. The roadblock police didn’t explain why. They just waved him on. When they got to Silute they asked around and found the house where Antonina Staskevicius was living. 

   After Josef Stalin’s death many political prisoners in Siberia were set free. She was one of them. Her chain gang days were over. Her husband was long dead, dead of starvation in 1942, in a forest labor camp. She was sent back to Lithuania, but not back to Siauliai where the family farm didn’t exist anymore. She still wanted to go there but was told to go live in Silute. The Russians shrugged her off when she asked why.

   “She lived in a two-room apartment, in a rectangular four-unit building, almost like a log cabin, that looked like it was built a thousand years ago,” said Rita. There was no running water or indoor plumbing. The floors were dirt. The windows needed caulking. The roof was several generations overdue.

   “She was in her 80s. She had gone through tough times, but still had a lot of life in her.” She had seven grandchildren in the United States. Rita was the first one she ever saw. She gave her granddaughter a big smile and a big hug, even though she was a small woman and had to reach up.

   She wasn’t made of steel, like the Muscovite ringleader who squashed her and the Baltics under his thumb, but he was gone, a tinhorn memory, and she still had plenty of what it takes. How you start isn’t always how you finish.

   They had lunch, cold beet soup, potato dumplings, and mushroom cookies with strong hot tea. Rita didn’t throw anything under the table. It was an old-school buffet on an old round wood table.

   “How did you like it?” her uncle asked on their way back to Vilnius.

   “It was the best food I’ve had since I left home,” Rita said.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. 

A New Thriller by Ed Staskus

“Cross Walk“

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Home Movies

Kingpin of the T

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By Ed Staskus

   The one and only time I met Daffy Dan was at a party in a fourth floor warehouse studio on Superior Ave. between downtown Cleveland and the Innerbelt. It was the ArtCraft Building. There was a car-sized freight elevator in the back, but the front stairs were what all the partygoers used. Nobody knew how to operate the old-fashioned elevator controls. They were ready for a drink by the time they got upstairs. The studio belonged to Joe Dwyer, somebody I had gone to high school with. He was an artist and was making artworks in the studio. He also threw parties there, especially on Halloween, which it was the night I met Daffy Dan. No sooner did I meet him than the lady friend I had come with wandered off.

   When I was introduced to Daffy Dan I realized who he was right away, if only because I had just seen the custom-made fifteen-foot tall caricature of him on the front of the warehouse building across the street. The sign next to the cut-out said, “The Creative Studio of Daffy Dan’s.”

   He was on the short side and wore his hair long, over his shoulders, and parted in the middle. He was 28 years old, slightly older than me. He had a handlebar mustache. It was the kind of mustache lawmen and outlaws wore in the 19thcentury. He wasn’t wearing a costume for the Halloween party. He had on faded blue jeans and a sports jacket over a  t-shirt. The t-shirt featured WWMS-FM, the city’s favorite rock ‘n’ roll radio station. Their buzzard logo, a top hat in one hand and a walking stick in the other hand, was in the middle of the t-shirt. “Ohio Tuxedo” was in bold red letters above the smiling blonde-haired buzzard.

   A campaign-style button was pinned to the lapel of his jacket. It said, “If your t-shirt doesn’t have a DD on the sleeve, it’s just underwear!!” The two exclamation points meant he meant business. Daffy had a can of beer he wasn’t drinking in his hand. Every few minutes somebody stopped and said hello to him.

   “How did you get into the t-shirt business?” I asked. I was interested because I wasn’t in any business of any kind. I floated from one job to another and was consequently relatively poor. Even though Daffy didn’t have a degree of higher learning, after a few minutes of talking to him it became clear he wasn’t a sandwich short of a picnic.

   “I dropped out of high school my senior year and went to work in the record store business,” he said. “I started to carry some rock group t-shirts. I got a catalog of shirts from who knows where. Other record stores started coming to me and asking me where I got them from, and rather than telling them, I looked up a dealer and started to wholesale them.”

   Even though he looked as counter cultural as the best of them, he was bright as a button when it came to commerce and capitalism. He was the city’s top dog of t-shirts. He knew how to circle his way around a dollar. “Before long I started to realize, wait a minute, those dealers aren’t doing it right. I can do it better. The rock group t-shirts just took off like a rocket. We located our storefront over on Clifton and West 104th St., and that’s where we really started. From the beginning we marketed ourselves as Daffy Dan’s from Cleveland, Ohio. We opened a single store in 1973.” There were now five of them, with four more planned. “It isn’t tourists, either. It is Clevelander’s buying Cleveland-themed t-shirts and merchandise. It’s a phenomenon.”

   The slogan of Daffy Dan’s first store was, “If You’ll Wear It, We’ll Print It.” By the time I met the man behind the phenomenon he was moving more than forty thousand t-shirts annually. One of his most popular offerings displayed the legend “Cleveland: You Gotta Be Tough.” On another best seller Andy Gibb’s face was the hot potato plastered on bosoms far and wide. It was followed in popularity by Darth Vader and Farrah Fawcett-Majors. 

   “It’s not a fad,” Daffy said. “Blue jeans and t-shirts have become the American way of life.”

   Back in the day t-shirts were called tunics. Well into the 19th century they were simply called undergarments. The first t-shirt was created when a union suit was cut in half with the top long enough to tuck into a waistband. The U. S. Navy put them into circulation as crew-necked, short-sleeved undershirts during World War One. Naval work parties in steaming hot engine rooms took to wearing them all the time. Farmers adopted them during the Great Depression. They were cheap and lightweight. The first printed t-shirt was an Air Corps Gunnery School t-shirt issued in 1942. In the 1960s they got popular as souvenirs, advertisements, and self-expression billboards. A friend of mine had one, featuring an angry Micky Mouse, that said, “My parents went to Disneyland and all I got was this lousy t-shirt.”

   Plain t-shirts were going out of fashion, even though they are versatile, like a blank canvas. Everybody has got something to say. If you don’t get what’s on your chest out on your chest you end up looking like nobody. That’s why you get a t-shirt with an iron-on monkey and the caption, “Here Comes Trouble.” There is no sense messing around. One of Daffy Dan’s t-shirts went in the out door. It said, “I Am a Virgin. This Shirt Is Very Old.” Another one of them was an entreaty for hugs and kisses. “Turkeys Need Love Too.” One got right down to its own bad-tempered point. It said, “Go to Hell.”

   “I love you, Daffy Dan,” Marsha Greene said years later. “You were with me through my teenage hood. I loved wearing your t-shirts. They made me feel proud and you were considered one of the cool kids when you wore a DD t-shirt back then. They helped my self-esteem.” Like they say, is a hippopotamus a hippopotamus, or just a really cool opotamus?

   The Halloween party had gone into overdrive. There were no quiet corners. Smoke from marijuana and tobacco lowered the ceiling. Joe threw an LP by Bobby “Boris” Pickett & the Crypt-Kickers onto the turntable. They started in on their smash hit ‘Monster Mash.’ The singer had a British accent with a sniff of Transylvania. “They did the monster mash, it was a graveyard smash, it caught on in a flash, they did the monster mash.” The speakers weren’t the greatest, but they didn’t have to be. They just had to hold out until the end of the night.

   “You silk screen a lot of rock ‘n’ roll t-shirts,” I said, pointing out the obvious. 

   “Yeah,” he said. “When I was starting, the Agora was packing them in every night. I saw rock ‘n’ roll t-shirts as an absolute natural.”

   “Do you listen to much music? Do you go to shows?” Cleveland was often touted as the Home of Rock ‘n’ Roll.

   “I go to music clubs or concerts every night of the week,” he said. “The offerings are spectacular. The Agora, of course, is at the top of my list, but there are a hundred clubs and concert venues, the Hullabaloo Club, It’s Boss, the Viking Saloon, the Roundtable, Utopia, Atomic Alps, and the Plato. I go to them all. The music scene in Cleveland is like being a kid in a candy store.”

   Joe  slid another record on the turntable. It went round and round. It was the Rolling Stones belting out ‘Sympathy for the Devil.’ Mick Jagger was in fine form. “Just as every cop is a criminal, and all the sinners saints, as heads is tails, just call me Lucifer.” It was a kind of Halloween theme song for the times.

   “Did you really drop out of high school?” I asked. “I thought that’s something you’re not supposed to do anymore, unless the Devil makes you do it.”

   “I was walking down the hall between classes at Shaker Heights High School when the baseball coach grabbed me,” Daffy Dan said. “He grabbed me by the peace sign hanging around my neck on a leather strap and led me to the principal’s office proclaiming that I would not be allowed to graduate with my class in June without a haircut. Mind you, this is 1968, and my hair barely touched my collar and was just a tad over my ears, but according to the coach, not up to the school dress code. The gauntlet had been thrown down and I promptly withdrew from school. That was a proud moment in our household. Not! I was plumb nuts back then.”

   After the Summer of Love in the late 1960s became a fact, entrepreneurs in California started producing t-shirts featuring motifs and emblems, especially anything associated with hippies, the Grateful Dead, and Che Guevara. They silk screened their t-shirts, just like Daffy Dan was doing. When screen printing, a design is separated into individual colors. Water based inks are applied to the shirt through mesh screens, limiting the areas where ink is deposited. The most important factors are making sure the t-shirt is on a flat surface and that the stencil is positioned exactly where the artwork is supposed to appear.

   T-shirts with glow-in-the-dark charts of the periodic elements were silk screened by special order. “My customers are individualists and eccentrics who want something a little different from what you can buy off the rack,” Daffy said. “They want a work of art.”

   The lady friend I had come with was still sight seeing, God knows where. Story of my life. The smell of marijuana was everywhere, even though it was decidedly illegal. Richard Nixon had declared a ‘War on Drugs’ a few years earlier. He said drugs were Public Enemy Number One. He didn’t say what was Public Enemy Number Two, although I might have suggested Tricky Dick himself. Daffy and I had to raise our voices to be understood, especially when Jimi Hendrix got going. “Purple haze all in my brain.” We lowered our voices between songs.

   “How did you get your nickname?” I asked. He told me he had been at a friend’s house pitching his idea of imprinting t-shirts. He was trying to raise capital. His friend’s wife didn’t think much of his business plan. “You’re daffy, Dan,” she said. It made him, Daniel Roger Gray, sit up straight. 

   “I stopped, speechless for a moment. That was it, Daffy Dan’s!”

   It was going on midnight when Joe slipped some Screamin’ Jay Hawkins under the needle. “I put a spell on you because you’re mine, stop the things you do, watch out, I ain’t lyin’, I can’t stand no runnin’ around, I can’t stand no puttin’ me down, I put a spell on you because you’re mine.”

   I said good night to Daffy Dan and looked around for my lady friend. I didn’t find her. I didn’t care all that much. She was slumming, anyway. She was a rich girl with conservative suburban parents. I wouldn’t have minded being rich, but not on her father’s terms. His terms were my way or the highway. She was going to become him sooner or later. I had dinner with her family one time and it was plain as day. 

   Out on the sidewalk it was starting to rain. I looked across the street at Daffy Dan’s Superior Ave. nerve center. His cut-out caricature was lit up by a floodlight. He had been lit up at the party, although not by marijuana or beer. He was glowing with going his own way. He had probably taken some wrong turns along the way but he seemed to have his eye on the prize. His path to flying colors looked somewhat different than most but that didn’t mean he was going in circles. He was no Daffy Duck, that was for sure.

Photograph by Heather Hileman.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. 

A New Thriller by Ed Staskus

“Cross Walk“

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Home Movies

Eye on the Prize

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By Ed Staskus

   I was planting Japanese yews in our backyard when our next-door neighbor KJ came out his side door with a fistful of Husky trash bags. It was late April and storms were predicted for the next couple of days. The weather forecast suited my purposes. Every new yew got a handful of slow-release fertilizer and a promise of plentiful rain. KJ swung the bags up and into the trash bin. I hadn’t seen him since December. He told me he had been in Los Angeles all winter, pitching a movie idea.

   “What’s the idea?” I asked.

   “One-Eyed Charley is the idea,” KJ said.

   “Who is One-Eyed Charley?” 

   “Charley was a 19th century stagecoach driver who lived as a man and only after he died did people find out he was actually assigned female at birth.”

   My ears pricked up when I heard it was about the Wild West. My wife and I had just watched a restored version of John Ford’s 1939 movie “Stagecoach” on the Criterion Channel. John Wayne was the Ringo Kid. He talked low, talked slow, and didn’t say too much. A roly-poly man called Buck handled the reins and whip on the way from the Arizona Territory to Lordsburg, New Mexico. He sounded like a pre-teen whenever he spoke. Curly Wilcox rode shotgun. He sounded like a he-man. The only people who messed with him were the local savages, who swore by cheap whiskey and unarmed men. By the time they found out Curly was armed to the teeth it was too late for a last shot of rotgut.

   When I first met KJ, it was the late 20-teens and he had just moved in. We talked for a few minutes, getting acquainted. He was easy to talk to. He was also girlish looking. When I mentioned him to my wife, I told her a young woman who was a teacher with a Ph.D. was our new neighbor. The last person who rented the second floor of the two-family house next to us on the west end of Lakewood had not been a good neighbor. The only Ph.D. he had was in headbanging with an undergraduate degree in weed. KJ looked like a big improvement.

   “She specializes in gender studies at Oberlin College,” I told my wife.

   “She drives all that way every day?”

   “I thought it was far, too, but KJ says it only takes her about a half-hour.”

   KJ Cerankowski teaches Comparative American Studies and is a writer with interests in asexuality, queer theory, and transgender issues. He has authored numerous articles, including the 2021 Symonds Prize winning essay “The ‘End’ of Orgasm: The Erotics of Durational Pleasures.” His poetry and prose have been published in Pleiades and DIAGRAM. He is the co-editor of “Asexualities: Feminist and Queer Perspectives” and the author of the recently published book “Suture: Trauma and Trans Becoming.”

   “I read and tell in order to be upset, in order to live,” KJ says. “I gather the fragments that will never fit together to make a whole. I want the trauma to be poetry, but I cannot find the right timing, the right words, the right image. I ask how this constellation of events makes me desire or not desire, makes me desirable or undesirable, makes me like a man or a man.”    

    The year after I met our neighbor was when I began to realize she was a gal on her way to becoming a guy. She told me it was a long process, but she was committed to it. For people transitioning from female to male, the process includes hormonal therapy and surgery. Gender-affirming surgery includes chest surgery, such as a mastectomy, and bottom surgery, such as a hysterectomy. I knew there was loads of antagonism in the land about transgender anything, but it didn’t make any difference to me. She looked like she minded her p’s and q’s and didn’t run red lights, which was more than enough for me.

   When somebody runs a red light in front of me and I have to stomp hard on my brakes, I don’t think about what gender they are. I don’t wonder or generalize about their race or income or social status. The first thing that pops into my mind is, “What an asshole!” After that I take a deep breath and go my way.

   “You went to Hollywood to beat the drum for making a movie?” I asked KJ again, even though I knew there is no real place called Hollywood where motion pictures are made. Hollywood is a state of mind, a global business, not a place.

   “Yes, a friend of mine and I have an idea for a movie about One-Eyed Charley,” KJ said. “We had a meeting with Sony. They liked our idea and were encouraging but said it wasn’t right for them. ‘Don’t give up,’ they said. They sent us to their TV division where they thought it might work better. We are teaching ourselves how to write a screenplay.”

   The Cambridge Dictionary last year revised their definition of “man” and “woman” to include people who do not identify with the sex they were at birth. “Man” now includes the definition “an adult who lives and identifies as a male though they may have been said to have a different sex at birth.” The updated definition of “woman” is “an adult who lives and identifies as female though they may have been said to have a different sex at birth.” It made sense to me since sex and gender identity don’t always adhere to one another.

   Talking heads far and wide went ballistic. Daily Caller writer Mary Rooke said, “Fucking traitors to the truth. Cambridge Dictionary is only the latest. If we don’t stop them from erasing women our civilization is ngmi.” I knew what ‘fucking traitors’ meant. I had no idea what ‘ngmi’ meant. Mary Rooke didn’t bother defining it since she was too busy cursing up a storm.

   “Remember, if you control the language, you control the population,” Steven Crowder, a popular conservative TV pundit, posted on Twitter. Since many former employees claim he runs an “abusive” company, where he often spits and screams at the hired hands, including his own father, makes underlings wash his dirty clothes, according to the laundromat, and exposes his genitals, according to the New York Post, I ignored his tweet.

   “Transgenderism is the most dangerous extremist movement in the United States,” Tucker Carlson said on FOX News. Since he has a laundry list of most dangerous extremist movements, I ignored what he said, too. I would never get any sleep if I paid attention to the never-ending warnings of his kind. The end of the world is always near on FOX News.

   Charlotte Parkhurst was born in New Hampshire in 1812. She was orphaned early in life and delivered to an orphanage. She soon enough dressed up like a boy and ran away. She ended up near Boston cleaning stables. A livery owner took her in, raising her as his own, and trained her to handle horses and drive coaches. When the Gold Rush started happening in 1848, she went west to find her fortune. Instead, no sooner did she get there but a horse spooked by a rattlesnake kicked her in the face. She lost her sight in one eye but didn’t lose sight of the prize. She realized she could do better as a skilled stage driver than panning for gold in some God-forsaken stream bed in northern California. She put on a black eyepatch and rode both whip and shotgun for the California Stage Company. She got so good with her whip that she could slice open the end of an envelope from twenty feet away.  She could cut a cigar out of a man’s mouth without drawing blood.

   She became One-Eyed Charley. Some called her Cockeyed Charley, but only behind her back. She became a ‘Jehus,’ one of the best and fastest coach drivers in California. Jehu was a Biblical king who in the second Book of Kings is described as a man who “driveth furiously.” She carried goods and passengers up and down the state for nearly twenty years, mainly on the passages between Monterey and San Francisco, and Sacramento to Grass Valley.

   She was short and stout and a hard-living son-of-a-gun, a loner who chewed tobacco and drank like a fish. She could curse like the devil. Charley had more than her fair share of manpower and could handle all takers in a fight. She slept by herself in station relay stables, curling up with her horses. She kept her whip close beside her. It was a five-foot hickory shaft with buckskin lashes 12 feet long. She kept the lashes well-oiled so they stayed as limber as a snake in the sun.

   One-Eyed Charley dealt with would-be thieves whenever she had to. She was hauling gold bullion for Wells Fargo when she shot and killed Sugarfoot, an infamous road agent, near Stockton after he tried to hold her up. Wells Fargo rewarded her with a solid gold watch and chain. “Indians and grizzly bears were a major menace,” the New York Times wrote in 1969. “The state lines of California in the post-Gold Rush period were certainly no place for a lady, and nobody ever accused One-Eyed Charley of being a lady.” Even though the introduction of thorough braces to the underside of coaches created a swinging motion, making traveling easier and more comfortable, stagecoach work was hard work. Anything might happen trying to control a six-horse team over mountain passes.

   “How in the world can you see your way through this dust?” a passenger asked her one bone-dry summer day.

   “I’ve traveled over these mountains so often I can tell where the road is by the sound of the wheels,” she explained. “When they rattle, I’m on hard ground. When they don’t rattle, I gen’r’lly look over the side to see where I’m agoing.”

   Talking to KJ over the backyard fence I noticed he was sounding more like a man than I had noticed before. He was looking more like a man, too. His hair was cut short. He wore a form-fitting t-shirt that only betrayed a flat stomach. He looked more handsome than womanly.

   “Only a rare breed of man could be depended upon to ignore the gold fever of the 1850s and hold down a steady job of grueling travel over narrow one-way dirt roads that swerved around mountain curves, plummeting into deep canyons and often forded swollen, icy streams,” wrote historian Ed Sams in his 2014 book “The Real Mountain Charley.” On one trip over Carson Pass her horses suddenly veered off the road and the rare breed of woman was jolted off the box. She landed between the wheelers, the two horses at the rear of the team. She hung onto the reins as she was dragged on her stomach in the dirt and gravel. She somehow managed to regain control and got the team back on the road, saving the stagecoach and its passengers. She spent the night soaking and disinfecting her wounds in a tub of carbolic acid.

   Brother Whips were the road warriors of their day. “I think I should be compelled to nominate the stage-drivers, as being on the whole the most lofty, arrogant, reserved and superior class of being on the coast, that class that has inspired me with the most terror and reverence.” Henry Bellows, president of the United States Sanitary Commission, said during a trip to California.

   One-Eyed Charley wore gauntlet gloves to hide her womanish hands and a wide-awake hat to keep the sun off her face. She wore a loose linen duster to conceal her figure and fend off rain. She carried a bugle to announce stage arrivals. She could be testy, for good reason. She blew a  horn but didn’t blow her own horn. Gay, lesbian, bisexual, and transgender were all of them illegal at the time. “It was a crime,” Mark Jarrett, a textbook publisher, spelled out in plain English. “People didn’t go around professing what their real identities were. They hid them.”

   After transcontinental tracks got to the west coast, railroads branched out and muscled out stagecoach businesses. One-Eyed Charley put her driving days behind her, opening a saloon, among other ventures. She retired to a ranch near Soquel in the early 1870s, raising chickens. She voted in 1868 even though women didn’t win the right to vote until 1920. When her one good eye perused the ballot and she decided on Ulysses S. Grant, she became the first woman to vote in a federal election in the United States. She would have used her whip on any man who tried to keep her from the polls. Stepping over his prone body she doubtless would have unleashed a stream of tobacco juice on the unfortunate creature.

   “Why this woman should live a life of disguise, always afraid her sex would be discovered, doing the work of a man, may never be known,” the Santa Cruz Sentinel wrote in their 1880 obituary. “The only people who have occasion to be disturbed by the career of Charley Parkhurst are the gentlemen who have so much to say about ‘woman’s sphere’ and ‘the weaker vessel,’” the Providence Journal wrote soon after her death. “It is beyond question that one of the soberest, pleasantest, most expert drivers in this state, and one of the most celebrated of the world-famed California drivers was a woman. And is it not true that a woman had done what woman can do?” The Journal didn’t want to speak ill of the dead but no matter how expert One-Eyed Charley was in the saddle, she was not a sober nor a pleasant person.

   “How does a nice Polish girl from Parma know how to pitch a movie in Hollywood?” I asked KJ. “That’s not to say you’re a girl anymore, but you’re still from Parma.” Alan Ruck, an actor who portrayed Ferris Bueller’s best friend almost forty years ago, is the best-known movie personality from there. The Miz, a famous wrestler, is the most famous person from Parma nowadays.

   Parma is a southern suburb of Cleveland. It is the biggest suburb in the state of Ohio. It where scores of Ukrainians as well as Poles live. There is a district called Ukrainian Village and another district called Polish Village. Eastern Orthodox Christians like Ukrainians are conservative about sex. Roman Catholic Christians like Poles are even more conservative about sex. There is no Transgender Village. There are no plans to found one anytime soon.

   “I’ve been taking Polish language lessons,” KJ said. “I was taking weekly in-person classes until the pandemic shut everything down. After that I kept up on Zoom, but now that I’m working on our movie, I’ve had to put that to the side.”

   “Now that you’re back in town, what are your plans for the summer?” I asked.

   “I’m going to Chicago this June for a year on sabbatical,” he said. “In fact, I’ve got somebody from Oberlin coming to look at my place any minute now.”

   “I don’t figure you’re going to be pulling out a horsewhip for my asking, but you’re not going to be sub-leasing to any One-Eyed Charley legends, are you?” 

   “No, but he or she might be a Two-Eyed Charley,” KJ said.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. 

A New Thriller by Ed Staskus

“Cross Walk“

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Home Movies

Ten Cent Beer Night

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By Ed Staskus

   When my friends and I heard there was going to be a Ten Cent Beer Night at Municipal Stadium, we started gathering our loose change. It was Monday morning June 3, 1974. Beer Night was going to be the next day. We didn’t have much time, but we had plenty of motivation. When the big night arrived our pockets were full of nickels, dimes, and quarters. We met at East 30th St. and St. Clair Ave. and took a bus to East 9th St. From there we walked to the ballpark.

   Municipal Stadium opened in 1931 and was the home of both the Cleveland Indians and Cleveland Browns. Two days after it was formally dedicated Max Schmeling fought Young Stribling for the World Heavyweight Championship. The two sluggers brawled for the full fifteen rounds. In the end Young Stribling was covered in more bumps, bruises, and blood than Max Schmeling, so the German won the match on a TKO.  A month later the Tribe played their first game there, losing to Lefty Grove and the Philadelphia Athletics one to nothing. The crowd of  more than eighty thousand set a major league record.

   When it was built, and for many years afterwards, Municipal Stadium was the biggest baseball stadium in the country, although by the 1970s it was drawing the smallest crowds in the country. A month earlier only four thousand fans showed up to watch the Indians beat the Boston Red Sox. There were two reasons everybody stayed home and watched something else on TV. The stadium was built all wrong, for one thing. It was cavernous. God forbid your seat was at the far end of the cavern. Relief pitchers had to be driven to the mound from the bullpen. Even when new outfield fences were installed shrinking the size of the playing field, it was still nearly five hundred feet from home plate to the bleachers in straightaway center field. High and deep fly balls went there to die. We always sat in the cut-rate seats. No wannabe home run ever reached us. The upper deck was even farther from the field. Sitting in the stratosphere meant high-powered binoculars in order to see the action.

   By the late 1960s the place was falling apart. It looked like Miss Havisham’s mansion. It stood on Lake Erie, a wheezy open-air mausoleum squatting on the south shore. It was a dismal hulk, especially in the spring and fall when cold winds blew in off the lake. During the summer, during night games, the lights attracted swarms of midges and mayflies. The bathrooms were unbearable for many reasons. Only the desperate ever visited them, however briefly.

   On top of everything else, the Tribe couldn’t punch its way out of a paper bag. In the 1950s they were routinely winning ninety and hundred games every season. They won championships. By the 1960s they were lucky to win eighty games a season. In 1971 they lost more than a hundred games, finishing so far out of first place fans lit memorial candles. The locker room got sad and gloomy. The Tribe lost more games during the decade of the 1970s than during any other decade of the team’s long life.

   When we got inside the stadium we were surprised by how many fans were there, about twenty five thousand of them, although we shouldn’t have been. Besides the cheap beer, payback time was in play. A week earlier in Texas, the Indians and the Rangers had gotten into it. In the bottom of the  eighth inning a Tribe pitcher threw behind a Ranger batter’s head. A few pitches later the batter laid down a bunt. The pitcher fielded the ball and tagged the runner out. The runner didn’t stop running, clubbing the pitcher in the face with a forearm as he ran past. When he got to first base he head butted the Tribe’s first baseman in the groin. The first baseman started swinging. Both benches emptied. After the fracas, as Indians players and coaches returned to their dugout, they were greeted with giant pretzels and warm beer hurled by Texas fans. Dave Duncan, the short-tempered Cleveland catcher, had to be restrained from storming the stands.

   After the game a reporter asked Rangers manager Billy Martin, “Are you going to take your armor to Cleveland?” Billy Martin said, “Naw, they won’t have enough fans there to worry about.” The following week sports radio talk show hosts whipped up the ire of Cleveland’s baseball fans. The game was billed as “Revenge Rematch Time.” The Cleveland Plain Dealer printed a cartoon of Chief Wahoo wearing boxing gloves. The caption read, “Be Ready for Anything!” 

   Ten Cent Beer Night was the dream child of the Tribe’s sales and marketing department. “We were on a mission to save baseball in Cleveland,” said Carl Fazio, one of the men overseeing promotions. “We did everything possible to make baseball successful in our town. If we were going to fail, it wasn’t going to be because we didn’t try things.”   

   Tuesday was a hot sticky night. The sky was clear and the moon was full. Twice as many fans showed up as the sales and marketing showmen expected. “It was a stinkin’ humid night, and you kind of had a feeling things weren’t going to be good,” said Paul Tepley, a Cleveland Press photographer. “Billy Martin stood in front of the Rangers dugout before the  game heckling the fans, and the fans were heckling him. It had the makings of a bad night.”

   No sooner did anybody step into the stadium than they made a beeline to the special tables manned by teenagers selling the low-cost beer. The legal drinking age in 1974 was eighteen. Banners behind the tables said, “From One Beer Lover to Another.” The regular price was sixty five cents. The promotional price of ten cents was a big discount. There was a limit of six cups a  purchase but no limit on how many purchases anybody could make during the game. The first Beer Night had been staged three years earlier. There were some incidents then but they mostly involved horseplay, vomit, and getting dead drunk.

   Some fans brought pockets full of firecrackers and smoke bombs to Ten Cent Beer Night. They blew them off in the stands and threw some on the field before the game started. When the first pitch was thrown for a strike everybody settled back with their suds and tuned into the matchup. In the second inning a woman sporting a bouffant ran to the on-deck circle, lifted her shirt, and flashed the crowd. She was stacked and beaming smiles. She tried to kiss home plate umpire Nestor Chylack. He was not in a smooching mood., however. Everybody cheered the sight of boobs but gave the umpire a Bronx cheer for ducking the kiss.

   The Rangers took a three to nothing lead when Tom Grieve slammed a home run with men on base. As he went around second base a nearly naked man slid into the bag behind him. He was wearing two black socks. We thought he might be an insurance agent. When the streaker got up he saluted the crowd before dashing away. His butt was road rash red. He ran through center field towards the bleachers. One of his socks got loose. By the time he got to the fence in front of us, he was down to one sock. He vaulted over the fence and disappeared under our seats. The next inning a father and son ran out onto the field and simultaneously mooned the crowd. The son’s butt was light bulb white. The father’s butt was cream cheese white.

   When the special tables selling cheap beer started to run dry the Stroh’s Brewing Co. sent a tanker full of brew to the back of the ballpark. Fans gathered at the industrial spigots fastened to the rear of the truck. Before the truck arrived every Rangers player who stepped up to the plate had been roundly booed. Twenty minutes after the truck got there the crowd started throwing things at them.

    “I bet I had five or ten pounds of hot dogs thrown at me,” said Mike Hargrove, a Rangers rookie playing the infield. “A gallon jug of Thunderbird landed about ten feet behind me.” When he realized what he had done, the man who threw the half-full jug of fortified wine demanded it back. Fans threw rocks, batteries, and golf balls. One man threw a tennis ball and was almost laughed out of the ballpark. The bullpens had to be evacuated after cherry bombs were lobbed into them. 

   Everything went to hell in the home half of the ninth inning. Everybody with kids and a wife had already fled. The Tribe put together four straight hits and a sacrifice fly. They tied the game at five runs apiece. The winning run was standing on second base. Unfortunately for the Indians, that was as far as he ever got.

   Before he could make a move two young men ran out on the field towards Rangers outfielder Jeff Burroughs. They were greased for trouble. One of them tried to steal the ballplayer’s cap. Jeff Burroughs kicked at the man but slipped and fell down. The rest of the Rangers, far away in their dugout, thought the men had knocked their teammate down. Billy Martin led his Rangers players onto the field. “Let’s go get ‘em, boys.” They sprinted to the rescue. They were brandishing every bat they had on the rack. When hundreds of fans poured out of the stands after them, with slats they had torn off from their seats, the riot was on.

   The law and order detail at Municipal Stadium on Ten Cent Beer Night was fifty older part-time men and two off-duty Cleveland policemen. They were swept aside by the flow of drunks. Some of the troublemakers were waving chains. Others had knives. Twenty police cars responded to the call for help. When they got to the ballpark they called for the Riot Squad. When the Riot Squad got there they called for more men. “We would have needed twenty thousand cops to handle that crowd,” said Frank Ferrone, the Chief of Stadium Security.

   Tribe manager Ken Aspromonte ordered his players onto the field to help the Rangers. They armed themselves with bats and formed a phalanx. “They saved our lives,” Billy Martin said. “That’s the closest you’re ever going to see someone get killed in this game of baseball.” He didn’t know it got closer in 1920, when Yankee’s pitcher Carl May hit Indian’s batter Ray Chapman in the head with an errant fastball and killed him.

   A Cleveland player was hurt during the riot when a flying metal chair hit him in the head. He had to be helped off the field. Nestor Chylack’s hand was badly cut and he was hit by a flying chair as well, before finally declaring the game a forfeit. The mob was incensed. More chairs went airborne. “They were animals,” the injured home plate umpire said. ”I’ve never seen anything like it, except in a zoo.”

   The organist played “Take Me Out to the Ballgame” over and over again. Some fans ripped the padding off the third base line fence. They stole all the bases. “This is an absolute tragedy,” declared Joe Tait, one of the broadcasters. “I’ve been in this business for twenty years and I have never seen anything as disgusting as this. I just don’t know what to say.”

   When beat reporter Dan Coughlin tried to interview a rioter, he was punched in the face. When he tried to interview a second rioter he was punched in the face again. After that he put his notebook away and went looking for a drink, something stronger than beer. There was no charm in trying a third time.

   Mike Hargrove had a chunky teenager on the ground and was walloping him. “That kid came up and hit him from behind is what happened,” said Herb Score, the other broadcaster. When the ballplayers fought their way back to their clubhouses, they bolted the doors behind them and left Municipal Stadium under escort of armed guards. The Riot Squad flooded the field with tear gas.

   “It’s not just baseball,” Ken Aspromonte said. “It’s the society we live in. Nobody seems to care about anything. We complained about their people in Texas last week when they threw beer on us and taunted us to fight. But look at our people. They were worse. I don’t know what it was and I don’t know who’s to blame.”

    When the fireworks were all over we walked to Superior Ave., across the bridge over the Cuyahoga River, and crossed West 25th St. We passed the insurance agent streaker. He was wearing what looked like ratty clothes from a thrift shop. He was barefoot, having lost his other black sock. We walked to the Big Egg, where we got late-night grub, hash browns and fried eggs. They hadn’t run out of that day’s gravy. Their sauce was boss. The Big Egg wasn’t the cleanest diner in town, but it stayed open all night and the food was dirt cheap. Their slogan, on the wall behind the long counter, was “Where the Egg is King and the Queen is, too!”

   “I don’t look at it as a black eye at all,” Carl Fazio said afterwards about what took place that night. “It was just one of those crazy things that happened because of a set of circumstances that all came together that night.”

   The next day the Tribe slugged five home runs, pummeling the Rangers in front of eight thousand spectators. The stolen bases were never recovered. New ones had been put in place. My friends and I stayed home. I read about the second game of the series a day later in the Cleveland Plain Dealer. The fans were well-behaved, cheering their heads off but not throwing anything onto the field. They sipped their beer before tossing their plastic cups under the seats. It was a breezy evening with bright stars high in the sky. Everybody kept their cool and kept their clothes on, too.

Ed Staskus posts monthly on 147 Stanley Street  http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Down East http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. To get the site’s monthly feature in your in-box click on “Follow.”

Bomb City” by Ed Staskus

“A police procedural when the Rust Belt was a mean street.” Sam Winchell, Beyond Books

Available on Amazon: https://www.amazon.com/dp/B0F1LM1WF9/ref=sr_1_1?crid=2MYAQAOZIC2U9&dib=eyJ2IjoiMSJ9.hTm7BGbiQbSe5ZapFwYPPfcwOpTe-Vdg6VLE4aGyTyk.Z0R-VNBWWEcvKcNaO9LdCOUnNIOOXgvYkRS_FXiXuHk&dib_tag=se&keywords=bomb+city+ed+status&qid=1742136726&sprefix=bomb+city+ed+staskus%2Caps%2C84&sr=8-1

Cleveland, Ohio 1975. The John Scalish Crime Family and Danny Greene’s Irish Mob are at war. Car bombs are the weapon of choice. Two police detectives are assigned to find the bomb makers. Revenge is always personal. It gets personal.

A Crying of Lot 49 Publication

School Days

Rules of the Game

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By Ed Staskus

   You never want to fall asleep in Mr. Hittbone’s second period math class, no matter what, because he will leave you asleep until you eventually wake up, whenever that is. It’s one of the rules written on his personal rules board at the front of the class. “No Waking Sleepers!” Classes will come and go, and no one is allowed to wake up anybody sleeping.

   If you fall asleep he just lets you snooze and snore, no shaking you awake, and you miss the next class, and even the class after that. You wake up and it’s, my God! You get major detentions for missing classes at St. Ed’s. It doesn’t matter if it wasn’t your fault. Mr. Hittbone doesn’t care that maybe you had homework for six classes and maybe you had work to do around the house, too, and walking the dog on top of that. Nobody cares when you’re explaining. They care even less when you’re complaining.

   A guy once went dead duck and slept for three straight periods. When he woke up Mr. Hittbone was at his podium lecturing, just like always, but after the guy blinked shook his head looked around, he saw there weren’t any familiar faces. There were all different guys in the class. He bolted out of the room. He hadn’t technically skipped any classes, but he got a butt load of detentions for disrespect.

   It’s not a school rule. It’s the Boneman’s rule. There’s no breaking and getting away with it. I woke up halfway through his class one day after a restless night at home. “Did you sleep good?” he asked. He smirked down at me. “No, I made a few mistakes,” I said. He didn’t like that. I got a detention.

   “You boys grow up without rules, without boundaries,” he told us the first class the first day of school. It was September 2014. The good old summertime was over. “You need discipline. You can be yourself, whatever you think that is, once you’ve learned the rules.”

   Lots of rules and no mercy, that’s the Boneman, like he just stepped out of the Old Testament. Mr. Rote and the rest of the religion teachers teach the New Testament, but that update has never reached Mr. Hittbone. It’s not sinners in the hands of an angry God anymore, Mr. Bonehead! But he doesn’t care about that, either.

   Everybody says he’s been at St. Ed’s since it opened, or maybe even before that. He was probably rubbing his hands for the big day to happen. He’s only ever taken two days off in all those years. He told us about them on the second day of school. “It wasn’t because I was sick,” he said. The Chalk of Fate says he’s never been sick. Someone else might have been sick on those two days. Maybe he only ever feels like crap in private.

   Mr. Hittbone’s a short man, mostly bald and bearded. He has lips like wieners. He wears suspenders like it’s another century. He doesn’t wear a sports jacket. He only ever wears a dress shirt. He has grayish hair and eyes the color of a telephone pole. He’s a grumpy dude. Everybody hates him, the upper classmen, and us, just everybody, really. Everybody hates his chalk board full of numbers and equations we can barely understand.

   Some of the upper classmen add an “S” to the front of his name, but never out loud to his face. That would be a disaster. The Boneman is old but lightning fast on the draw with detention slips. It’s not even funny. He’s married but told us he can’t stand his wife because she never turns off the lights and watches TV all the time. “She even shops in bed, thanks to television,” he said. We all thought, “So what?”

   He has a son and daughter, but never talks about his son. When he told us about his daughter he said he was annoyed about how in the first year of whatever job she got she was making more money than him. He always says money is a “masterpiece in the eye of a masterpiece,” whatever that means.

   “God wants us to prosper and have plenty of money,” he said. “Money is how you keep score. That’s why you don’t want to stop at simple math, because then you’ll only make simple money.” Nobody knows what he’s talking about.

   He smokes between classes, in front of our gold dome Hall of Fame chapel. He rips the filters off his cigarettes. I’ve never seen another teacher smoke on campus, only him. He throws the butts on the ground, mashes them with his foot, and lights up another one. Whenever anybody tells him cigarettes are bad for you, he scowls. “When it looks like I’ll live longer than my next smoke I’ll scrape it off the bottom of my shoe,” he says.

   Whenever anybody tells him cigarettes are practically illegal, he gets mad about that, too. “The government tells you smoking is bad for your health, but when you Ben Franklin it, the government has killed more people than cigarettes ever did, or ever will.”

   One morning he told us he was in a gas station buying cigarettes down on Detroit Rd. just down from the school, when somebody tried to rip off the attendant with some kind of money trick. “I wanted to beat him with a baseball bat,”  Mr. Hittbone said, making fists, his hands shaking. He wanted to bash the hell out of him. Every day the forecast for the Boneman is clouds, rain, and anger. We all laughed, though. He couldn’t punch himself out of a paper bag with Babe Ruth’s bat.

   He teaches from a podium at the front of class. He’s the only teacher in the school who has one. How does he rate? It’s because he’s a dinosaur and gets his way. He puts his papers and things on the podium and hardly moves all period, unless he wants to tear up something that’s on your desk. That’s another one of his rules. “Math Only!”

   Even if you’re not doing anything with whatever is on your desk, like a science assignment, if he sees it he’ll just swoop down on you and take it. “I don’t think you’ll be needing this,” he says, and rips it up. He’s always looking for things to rip up, even if it’s something from one of your other classes, not even his class, something you were just glancing at. He’s always showing up all of a sudden and tearing your stuff to shreds.

   He has a ton of rules on his board, more than fifty of them, a boat load of them. “No Chewing Gum!” If you chew gum anywhere on campus, not just in his class, watch out for him seeing you doing it. He scribbles your name in his black spiral notebook and reports you. He gives you a full detention, which is forty-five minutes. He never gives out minor detentions. Mr. Hittbone told us chewing gum should be forbidden at the school.

   “You want to be a bum? Go ahead, chew gum, but not here.”

   No one is allowed to touch anything in his classroom, either. “No Touching!” If you walk by one of his special teacher books and you sort of graze it with your leg, you get a major detention. If you pick up a marker at the board without first asking his permission, you get a major detention. If you punch somebody’s arm, even though it’s none of his business, you get a major detention.

   It’s nothing like my third period class, which is our science class. The teacher is Mr. Strappas, who’s one of the varsity football coaches. He’s young, has blond hair, and is super fit. He played football in college and he’s a cool dude. He encourages us to touch things, do things, get into the projects, and the only rule he has is no talking when he’s talking.

   I don’t know why some guys can’t get it right. It’s always the same guys who get it wrong, who do all the talking in class, breaking the rules. We sit pairs to a table and the two chatty guys are somewhere in the middle of the room. They talk about video games, sports, and all their other dumb stuff. Mr. Strappas will say, no talking, and they will say, sorry, but they don’t stop. They don’t get good grades on their quizzes and tests. They don’t turn their homework in on time and get bad marks for effort. They’re just retards.

   Mr. Strappas doesn’t stand at his lectern. He roams back-and-forth, to the sinks, the whiteboard, and all around the room. He’s always on the move. It’s my favorite class of the day. I actually like learning in it. It’s fun finding out about atoms and lasers and everything he’s interested in.

   He expects us to be in our seats when his class starts but doesn’t sweat it if it doesn’t happen. But if you’re not in your seat when the bell rings the instant Mr. Hittbone’s class starts, you get a full detention. Everybody should be in their seats when class starts, we all know that, but if you’re standing there for a second, just fixing your belt, he gives you a detention. It’s totally stupid, but that’s another one of his rules.

   Because it’s  the Boneman, you absolutely want to make sure you’re all good. “Look Proper!” We wear ties, dress shirts, dress pants, a belt, undershirt, and black shoes. We have to make sure we’re all buttoned up. If any button is even half unbuttoned it means a full detention. He totally hates it if the second button on your shirt is undone.

   Even though Mr. Hittbone is a hundred years older than Mr. Rote, our first period religion teacher, who is young and thinks he’s all there, but is a doofus, it’s one for the button in first period and the same button in second period. They both hate casual dress days. “It’s like a casual walk through the insane asylum,” the Boneman says, looking at us like we are crazy.

   If there is any piece of paper on the floor around or near your desk at any time of the class he’ll give you a detention, even if it’s not yours, and even if you didn’t see it in the first place. “No Litter!” If the paper has your name on it, it’s even worse, because he rips it up before giving you the detention. Mr. Hittbone is his own chicken hawk laying down the law.

   “Don’t Look Through the Windows!” We’re supposed to face front when we’re in class, but there are some guys who sit right by the windows and sometimes they can’t help shifting their faces to the glass. That means a full detention. If Mr. Hittbone and I looked out the same window, I don’t think we would see the same thing, no matter how you do the math. Sometimes I think that since I didn’t have a part in making his rules, the rules have nothing to do with me. If you say Cloud 9 is amazing, he’ll say, what’s wrong with Cloud 8? No matter what, you can’t fight the Boneman. He’s like Godzilla. He swats you down with his horny tail.

  At the end of class, we can’t jump up and leave like in any of our other classes. His rule about the bell for ending class is that it isn’t the school bell, but his make-believe bell that matters. When the real bell goes off, we have to stay in our seats until he says we can go. At the end of class I’ll say, “See you tomorrow Mr. Hittbone.” And he’ll say, “Thanks for the warning, Mr. Who It.” My name is Wyatt, so he calls me Who It, as in Why It, and then he laughs.

   Sometimes it seems like he wants you to lay down at his feet like a beat-down dog and say, “Yes, sir, I’ll go dig up those apples, sir, whatever you say.” He thinks he’s the GOAT, but he’s just an old goat. He’s got us for fifty minutes, and that’s that. I’m counting the days until my sophomore year and I’m none of the Boneman’s business anymore.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. 

A New Thriller by Ed Staskus

“Cross Walk“

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

Home Movies

Katya in Asia Town

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By Ed Staskus

   The Chinese started settling in the United States in the 18th century. Wherever whenever there were enough of them, they lived close to hand, building their own neighborhoods, appropriately called Chinatowns. There are more than 50 of them across the United States, including at least 16 in California alone.

   There are several of the towns within cities in New York City, the most famous one being in Manhattan. It’s the largest Chinatown in the country, spread out over 40 blocks and home to more than 150,000 Chinese-speaking residents.

   Cleveland, Ohio used to have a Chinatown, a colony at Rockwell Ave. near downtown. Immigrants settled in the area starting in the 1920s. After the Communist takeover of the mainland and into the 1960s more than 2,000 lived in the neighborhood. There was a row of Chinese restaurants, among them the Three Sisters, Golden Coin, and Shanghai, as well as two grocery stores between East 21st and East 24th. Storehouses in the district supplied native eateries one end of the city to the other. There was a temple and a meeting hall.

   Chinatown went into sharp decline in the early 1970s and a few years later, when I moved into what was becoming Asia Town, there wasn’t much left. Most of the residents moved to the suburbs and by the 1980s there were only two half-empty restaurants holding on, catering mostly to business folk and occasional tourists looking for the city’s historic Chinese quarter.

   Asia Town is roughly from East 18th St. to East 40th St. and from St. Clair Ave. to Perkins Ave. It has the highest percentage of Chinese, Koreans, and Vietnamese in Ohio. When I lived on East 34th St. between Payne Avenue and Superior Ave. in the mid to late 70s, there weren’t as many yellow faces yet but they were everywhere. There were dirt poor whites, dirt poor blacks, and a recent influx of college students. It wasn’t as present-day as it would become after the 1990s when Asia Plaza was built at East 30th St. and Payne Ave., when it became a business as well as a residential community.

   My roommate Carl Poston was tall, walked with a lanky slouch, and wore a mop of twisty black hair. Everybody called him Erby. He never said why, and I never asked. He liked to read, tearing through the Plain Dealer newspaper every morning, and liked to play chess, like me, but was better than me. He had a bad-ass motorcycle and several bad-ass friends with motorcycles. He worked downtown for the city helping crunch numbers and delivering bad news as Cleveland went under.

   In 1978 the city became the first one in the United States to go bust since the Great Depression. After the bankruptcy it became known as the Mistake on the Lake, a nickname nobody in the hometown liked. When Mayor George Voinovich showed up at a Cleveland Indians game against the New York Yankees in the 1980s wearing a t-shirt under his sports coat, the t-shirt said, “New York’s the Big Apple, but Cleveland’s a Plum.” Only the Asians liked the plum thing, since plums represent purity and perseverance to them. Nicknames come and go but when Cleveland later became ‘The Land,’ nobody shook their heads in despair. It was far better than the mistake and the plum.

   Our house on East 34th St. was behind another house. There was no backyard or garage. Almost all the houses on the west side of the street were that way. The houses across the street had backyards and most of the houses in the neighborhood had backyards. But there were some houses so tucked away one had to be looking right at them to see them. Our rent was more than reasonable, and my half was even better. The landlord lived in Strongsville. His grandmother lived in Asia Town, like me. In return for checking up on her at the beginning of the week and taking her to Dave’s Grocery at the end of the week, I lived almost rent-free.

   Her name was Katya, and she was hundreds of years old. She was five foot four something short and hunchbacked on top of that. She was always in her kitchen when I knocked on the side door, she always croaked “Come in, honey,” and when I went in, she always asked me what I wanted.

   She had three cats who I never saw. She kept a pan of water next to the door for them but no food bowls or litter. They were freeloaders, running down grub in the wild. She had a stack of old newspapers in a corner and the linoleum kitchen floor was usually covered with them. It was sketchy walking inside. The unfolded papers piled haphazardly on top of each other slid every which way. I had to walk like a duck to stay upright.

   “I keep my kitchen floor clean that way.” she said, peeling back the corner of a newspaper and showing me.

   She bought her clothes from third hand stores but bought her shoes new. She was crazy frugal, but she wasn’t crazy. She was built to last, and her feet had to lead the way.

   Katya was from Slovenia, from sometime back in the 19th century. Her parents were peasants from a village nobody ever heard of southeast of Ljublijana. They came to Cleveland to work in the steel mills in the 1890s. At first, they lived in Newburgh, but when a community started forming along East 30th St., from Lake Erie south to Superior Ave., they moved, finally landing on East 38th St. She still lived in the small house her parents bequeathed her.

   By 1910 there were so many Slovenes in Cleveland that it would have been the third-largest Slovenian city in the world if it was in Slovenia. The immigrants opened enough taverns to drown their New World blues and enough churches to repent their drinking. St Vitus was established in 1893, St. Lawrence in 1901, and St. Mary in 1906. Each had its own school. They published their own newspapers in their mother tongue and formed debating drama and singing clubs.

   The singing clubs were stamping grounds, as well. The Lira Singing Society, located in the St. Clair neighborhood, and adamantly Catholic, was opposed by the Zaria Singing Society, sponsored by atheists and socialists. Everybody knew what the arguments were about.

   Katya was married long enough to have two sons before her husband was shot by mistake by a policeman outside a Collinwood bank during a botched robbery. He bled to death before an ambulance could reach him. She buried him in Woodlawn Cemetery, never married again, raising her sons by herself. She took in sewing days and worked nights during World War Two. Her oldest son moved to Seattle and she never saw him again. Her younger son moved to the west side and had a family, but they didn’t want to visit her.

   “We aren’t going to your crazy grandmother’s house in that terrible neighborhood, and that’s final,” his wife said. What the woman didn’t know was that Katya kept a loaded Colt Pocket Hammerless in her kitchen table drawer. It was a single action blowback .32 caliber handgun.

   “Nobody going to shoot me by accident,” she said.

   Her eldest grandson loved her and made sure she had what she needed to stay afloat. She had a small pension and some social security, too. She told me she had silver dollars buried in the backyard, but quickly shot me a wily look.

   “Forget I say that.”

   When Katya’s husband Janez was buried in Woodlawn, it was the oldest cemetery in Cleveland, the first man being inhumed there in 1853. It was the worst cemetery in Cleveland, too. The Depression wrecked its finances. There were sunken graves, toppled headstones, grass never mowed, piles of rotting leaves, and broken tree branches all over the place. That was before the city found out Louise Dewald, who worked in the finance office, had stolen almost half a million in today’s dollars from the coffers as the Depression picked up steam.

   After that it got worse.

   The cemetery chapel roof and the rest of it collapsed in 1951 and was hauled away. The next year City Council thought about digging up and moving all the bodies somewhere else, but the public outcry was too great. Katya never stopped visiting Janez, no matter what, no matter what it took to get there. 

   One Friday walking her home from Dave’s Grocery she asked me if I could take her to the Slovenian National Home the next afternoon for a luncheon. 

   “I don’t have a car anymore, Katya, sorry.” My 1962 Rambler Custom Six, that I had gotten for free, was no more. When I got it, the car was already on its last legs. It was now rusting peacefully away in a junk lot somewhere up on Carnegie Ave.

   “Oh,” she said. “Maybe you walk with me there?”

   “It’s pretty far,” I said. I didn’t mention taking a bus. She distrusted the metropolitan buses getting to where they were going, ever since the city’s rail tracks had been torn up and the electric cars replaced with diesel transport. She believed half the drivers were addled from the fumes.

   The Home was almost thirty blocks away on East 64th St. and St. Clair Ave. At the rate she walked we would have to start as we spoke. After the luncheon we would have to walk the whole night to get back.

   “Oh, that too bad. Janez and I dance there all the time before he die.”

   “Let me see what I can do.”

   I asked my roommate Carl, in return for my washing the dishes, cleaning the house, and mowing our grave-sized plot of grass, if he would take her there and back.

   “It’s a deal,” he said.

   The next day he schlepped her to the Slovenian Home on his Harley, waiting outside smoking cigarettes and shooting the bull with passersby. She was a big hit with her cronies when they spilled outside after the gabbing and feedbag and saw her climb on the back of the hog, wrap her stumpy arms around Carl’s waist, and glide away.

   The Slovenian Home was where my Baltic kinsmen booked their big wedding receptions and celebrations. The Lithuanian Hall on Superior Ave. was too small in the 1960s and the new Community Center in North Collinwood wasn’t built yet. The Home opened in 1924, with two auditoriums, a stage, bar restaurant kitchen, meeting rooms, a gym, and a Slovenian National Library.

   The main auditorium was plenty big enough for any get together and the stage was plenty big enough for any band. The bar was big enough for even Lithuanians. Europeans drink more alcohol than anybody else in the world and Lithuanians are number one in Europe. Whenever I accompanied my parents to the Slovenian Home for a reception or gala, it was always a long night. There was a big dinner at big round tables, speeches, chatting it up, dancing, drinking, and as the drinking went on, singing. My father and his friends would booze it up well into one and two in the morning, singing “In the Sea of Palanga” and “The Old Roofs of Vilnius” and “Oh, Don’t Cry, Beloved Mother.”

   By then I was snoozing sprawled out in the balcony.

   Unlike our no backyard house Katya had a backyard where she grew Brussels sprouts cauliflower broccoli onions potatoes and anything else she could squeeze in. She liked prosciutto and bread for lunch. Sundays she made loads of yota with turnips beans cabbage and potatoes and a slab of meat loaf with hardboiled eggs in the middle. She kept it in the fridge all week, dinner at her beck and call.

   That fall I had to tell Katya that once the school quarter at Cleveland State University was over, I was going to have to take the next quarter off. I had found a job with an electrostatic painting outfit that was going to send me on the road, expenses like food and motels paid, for a couple of months. We were going to start in Chicago, swing out to the west coast, end up in Texas, and be back in time for the spring quarter at CSU. It was chance for me to earn good money and save almost all of it.

   “I going to miss you,” she said.

   We traveled in three-man crews and worked nights, from about 5:30 to about 1 in the morning. We worked in offices, painting office furniture like metal filing cabinets, desks, bookcases, and storage cabinets. The paint was loaded with a low voltage positive charge and the metal items magnetized negative. The finish was like new, no runs, no brush or roller marks, and there was almost no overspray.

   When I got back from my two-and-a-half months on the road, I picked up my cat Mr. Moto from my parents, did my laundry, and registered for classes for the spring quarter at CSU. I went to visit Katya that evening, but she wasn’t there anymore. The house was vacant. A “For Sale” sign was posted. I asked one of the neighbors, but he said he didn’t know much, just that a moving truck pulled up one morning and by the end of the day she was gone.

   I peeked through the windows. The ground floor rooms were all empty. The only thing left was a stack of old newspapers in a corner of the kitchen.

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Atlantic Canada http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. 

A New Thriller by Ed Staskus

“Cross Walk“

“A once upon a crime whodunit.” Barron Cannon, Adventure Books

“Captures the vibe of mid-century NYC.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City. A Hell’s Kitchen private eye. The 1956 World Series. President Eisenhower at the opening game. A killer in the dugout.

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Raising Cain

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By Ed Staskus

   Many cities have a nickname. Detroit is “Motor City.” Las Vegas is “Sin City.” Atlantic City is known as “Always Turned On” although it has been turning itself off for years. Even suckers lose their taste for losing sooner or later. Cleveland was once known as “Forest City.” In the 1960s it was the “Mistake on the Lake” and in the 1970s it became the “Rock and Roll Capital of the World.” Nowadays it is known as “The Land.”

   Cleveland has never been known as a hotbed of anarchy, although at the beginning of the 20th century that is what it was. It was where the notorious anarchist Emma Goldman struck a match. After the match sparked and flared to life the run-up to the fate of the life of the 25th President of the United States took shape.

   When Emma Goldman gave a speech at Cleveland’s Franklin Club in December 1900 she knew she was throwing gasoline on fire. She didn’t know the White House was where the fire was going to spread. Leon Czolgosz was in the audience. He was the glowing ember. He was born in Detroit but lived in Cleveland after his immigrant family moved there. As soon as the speech was over he started putting spare change aside to buy a handgun. He hadn’t held down a job for three years. Money was hard to come by but he made sure to come by it, penny by penny, by hook or by crook. 

   In the meantime, he tried joining Cleveland’s Liberty Club, a local anarchist group, but they said no. They said he was mad as a hatter and couldn’t join their club. All Leon could do was roll his eyes. “I no need to belong to no damn club, not me,” he grumbled. He probably would have refused to join any club that would have him. The lone wolf hoped his aim would be true when the time came.

   Anarchism is a philosophy that believes the state is both unnecessary and undesirable. It advocates the end of hierarchical government. “Anarchism is founded on the observation that since few men are wise enough to rule themselves, even fewer are wise enough to rule others,” Edward Abbey said. What is desirable is a stateless society. Anarchists believe in organizing society on a voluntary basis without recourse to compulsion. They refuse to rely on authority. They have always believed in defunding and dismantling the police. It is the farthest left of anything on the political spectrum. Anarchism is not for or against anything but stands for liberty. “I say, liberate yourself as far as you can,” is what Max Stirner said. 

   Capitalists and communists hate anarchists as much as they hate each other. The police everywhere in the world lock them up. Most people don’t understand them and don’t want to understand them. Others think the worst thing in the world, next to government, is anarchy. Even true believers of the movement have mixed feelings, some believing that when anarchy is declared the first thing to be done is to kill all the anarchists.

   Not long before Emma Goldman, who was billed as the “High Priestess of Anarchy,” lit up Cleveland, New York’s Supreme Court ruled that the act of saying you were an anarchist in public was a breach of the peace and liable to prosecution. The state soon passed the Criminal Anarchy Law, which said nothing prevents the government from punishing political speech that advocates its violent overthrow. Teddy Roosevelt, after taking over from William McKinley, proclaimed that anarchists were criminals and malefactors. “Their perverted instincts lead them to prefer confusion and chaos to the most beneficent form of social order.” His adversaries said that whenever there is a slavish addiction to laws, the only remedy is anarchism.

   Before he became the 26th President of the United Staes, Teddy Roosevelt was the police chief of New York City. He knew who his enemies were. In 1903 Congress passed a law that said no immigrants who were anarchists with “foreign sounding” names were welcome. Go back to Germany. Go back to Russia. Go back to where you came from and don’t come back.

   Emma Goldman wasn’t a windshield wiper kind of anarchist, mincing her words to suit her listeners. She said the same thing to bomb throwers and the judges who put bomb throwers away. What she said in Cleveland was, “Anarchism stands for liberation from the dominion of property and liberation from the shackles of government. The political arena today leaves one no alternative. One must either be a dunce or a rogue. Politicians promise you heaven before election and give you hell after. There’s never been a good government. A man has as much liberty as he is willing to take.” 

   She brought the house down at the Franklin Club. “My head nearly split with the pain,” Leon Czolgolsz said after the speech. “She set me on fire.” He made up his mind to take down the top dog at the top of bad government. He circled the Pan-American Exposition in Buffalo in September on his calendar.

   In the beginning the Franklin Club was the Union Labor Club. It was organized to promote the “brotherhood of humanity.” By 1896 the club was meeting at Forester’s Hall near downtown Cleveland and had changed its name to the Franklin Club. They had two motto’s. The first one was, “Error is harmless if truth is free to combat it.” The second one was, “Labor produces all wealth.” When they met their lectures and discussions revolved around ethics, economics, religion, and free love. After Leon Czolgolsz got done doing what he was planning on doing, and the consequences got rolling, the club’s records were seized by the Cleveland Police and the group disbanded.

   Anarchists had been busy in the years leading up to the new millennium. They believed that since the state was an instrument of violence it was necessary to employ violence against the state. In Chicago in 1886 an anarchist threw a bomb at a group of policemen, killing seven of them. Four anarchists were hanged. In 1893 an anarchist tossed two bombs into a theater in Barcelona, Spain, killing 20 people. That same year an anarchist detonated a nail bomb in the French Parliament. He went to his death by guillotine shouting, “Death to bourgeois society! Long live anarchy!” Over the years they assassinated their fair share of European monarchs, including the Kings of Italy, Portugal, and Greece, the Tsar of Russia, and the Empress of Austria.

   Not all anarchists advocated violence, but nobody paid much attention to those who didn’t. There will be blood is what the pulpit is all about. When Luigi Galleani, who was the leader of a group dedicated to terrorism, published a manual for bomb-making, which included a do-it-yourself guide to nitroglycerin, everybody paid attention. He wasn’t hiding his hopes and dreams. His rants about class warfare and tips about bomb-making were published in his magazine “Chronicle of Subversion.” After one of his followers blew up a Milwaukee police station, he was deported back to Italy, even though the Italians didn’t want him back. Who wants to be re-gifted a bomb-thrower? In retaliation his followers mailed letter bombs to thirty six mayors, governors, congressmen, and the U. S. Attorney General. The Attorney General was A. Mitchell Palmer. Before he was done retaliating, ten thousand foreign-born radicals had been arrested and more than five hundred deported.

   When Leon Czolgosz took a train from Cleveland to Buffalo in late August 1901 he had just enough money to rent a room for a few days, buy bullets for his handgun, and wait for his chance. He got the chance on September 6th when President William McKinley was at the Temple of Music at the Pan-American Exposition. He disguised his handgun by wrapping a handkerchief around it. The president was shaking hands with well-wishers. When the anarchist stepped up to shake the president’s hand, he instead fired two shots. The first bullet hit a brass button over the president’s sternum and bounced away. The second bullet hit William McKinley in the abdomen. He went down gut shot and died eight days later. His last words were, “It is God’s will. Goodbye to all.” 

   The gunman was arrested on the spot. He told the Secret Service men dragging him away his name was “Fredrich Nieman.” It meant “Fred Nobody” in German. “You’re somebody now, you son-of-a-bitch,” one of the Secret Service men said. It didn’t take long for the State of New York to deal with the assassin. He was tried by the Supreme Court in Albany and found guilty in two short days. He was electrocuted on October 29th. His last words were, “I killed President McKinley because I done my duty. He was the enemy of the good people, the good working people. I am not sorry for my crime.” His body was dumped into a lead casket and disintegrated when sulfuric acid was poured into the coffin. He was buried in an unmarked grave. All his personal possessions were burned. Everybody in Cleveland said, “Good riddance.” They did their best to forget all about him.

   Emma Goldman was arrested on suspicion of being involved in the shooting, but later released. There was insufficient evidence she had helped plan or execute the murder. She couldn’t help herself, though, and published “The Tragedy at Buffalo.” She compared Leon Czolgosz to Marcus Brutus, the assassin of Julius Caesar. She said tyrants had to go, one way or the other. She called William McKinley the “president of the money kings and trust magnates.” She was later deported for shooting off her mouth.

   Anarchism didn’t go away after William McKinley’s death and all the crackdowns that followed. The Los Angeles Times Building was bombed in 1910 during a bitter labor dispute. A series of bombings targeted anti-immigration politicians and businessmen in 1919. Judges who had sentenced anarchists to prison were singled out. An anarchist parked a horse-drawn cart in front of the J. P. Morgan building in the heart of Wall Street on a mid-September day in 1920. He walked away. A minute later at 12:01 PM 100 pounds of dynamite in the cart exploded, spraying 500 pounds of metal ball bearings in all directions. The horse pulling the cart was annihilated instantly. More than 30 people died and more than 300 were injured.

   After the Wall Street bombing the anti-anarchist lockups and interdictions of the 1920s were the effective end of them. It wasn’t the end of terrorism, though. In the 1930s terrorism became the favorite form of arm twisting for Adolf Hitler and Josef Stalin. Both were tyrants in their own way. They hated almost everything except themselves and their cronies. After World War Two terrorism became the preferred tool of nationalist anti-colonial forces. In the 1960s the Red Brigade and the Weather Underground employed old methods in new ways. They kidnaped and killed people who they blamed for economic exploitation and political repression. Towelheads took up the sword in the 1980s. After 9/11 they discovered they hadn’t thought through the repercussions.

   Terrorism means getting more bang for your buck, although its persuasiveness is repeatedly obviated by revenge. Northern Ireland suffered more than its fair share of terrorist bombings for decades during “The Troubles.” Even Canadians got in on the action. Quebec separatists robbed armories and set off bombs throughout the 1960s. In 1970 they murdered a Quebec cabinet minister. It didn’t get them anywhere.

  In Cleveland anarchism has largely faded away but hasn’t entirely gone away. In 2012 five local anarchists were arrested by the FBI for trying to blow up a four-lane bridge. They knew they wanted to blow something up but at first weren’t sure what. They talked about blowing up a Ku Klux Klan picnic ground in the suburbs. They talked about blowing up the Federal Reserve Bank building downtown. “We wanted to send a message to big business and the government,” 20-year-old Brandon Baxter said. They finally settled on the bridge.

   They planted C-4 explosive charges at the base of a high-level bridge crossing the Cuyahoga Valley National Park just south of Cleveland. They planned to set the explosives off the next day when anti-government protests were planned to happen downtown. They changed their minds and drove to a nearby Applebee’s, where they sat down to cheap beers and tried to set off the bombs by cellphone. The restaurant was on a bluff overlooking the valley and the bridge. Nothing happened. When they looked at one another, wondering what had gone wrong, FBI agents rushed them, handcuffed them, and frog marched them to the Justice Center. They had been infiltrated by an informant. The C-4 explosive charges were fake. The plot was a bust.

   The FBI had been on to the anarchists for almost a year. Their informant had met the five suspects at a Wall Street Occupy Cleveland rally. He told lawmen about their plans. The lawmen paid him $5,000 to get the goods on them. After the arrests supporters of the “Cleveland Five” gathered outside the Justice Center carrying signs calling for the arrest of the man who was the informant. The FBI ignored them. The informant laughed all the way to the bank.

   Four of the anarchists pled guilty and were sentenced to prison terms and lifetime probation. The fifth man pled ignorance and innocence. He testified he was only along for the ride and that he thought his friends simply wanted to tag the bridge with paint.

   “All I  wanted to do was help my friends,” 24-year-old Joshua Stafford said.

   Lying turned out to be a mistake. He was found guilty as charged after a brief trial. “The defendant’s callous disregard for our community, all in the name of making his ideological views known, reinforces the need to work diligently to stop terrorists from committing violent acts,” said Stephen Anthony, the FBI Special Agent in Charge. Joshua Stafford squirmed in his seat and bit his tongue. He was facing life in prison, never mind lifetime probation.

   The root of the word anarchy is archos, which means no leaders. In its classic sense it is not about chaos and confusion. It is about taking personal responsibility for yourself. When it comes to leaders, it’s buyer beware. The world’s poohbahs have beyond any doubt proven that and continue to prove it. Even though he was not an anarchist, back in the day Bob Dylan warned, “Don’t follow leaders, watch the parking meters.”

Ed Staskus posts monthly on 147 Stanley Street http://www.147stanleystreet.com, Made in Cleveland http://www.clevelandohiodaybook.com, Down East http://www.redroadpei.com, and Lithuanian Journal http://www.lithuanianjournal.com. 

“Cross Walk” by Ed Staskus

“Captures the vibe of mid-century NYC, from stickball in the streets to the Mob on the make.” Sam Winchell, Beyond Fiction

Available on Amazon: https://www.amazon.com/dp/B0CRPSFPKP

Late summer and early autumn. New York City, 1956. President Eisenhower on his way to the opening game of the World Series. A hit man waits in the wings. A Hell’s Kitchen private eye scares up the shadows.

A Crying of Lot 49 Publication